I recently wrote a couple of tutorials for the Cycling ’74 website on a subject that’s close to my heart – generating and organizing variety when working with Max (I’ll bet that you just thought they were about making LFOs and working with the new Max 5 timing features, didn’t you?).
Many of us are invited to perform in unique circumstances – it’s a part of the Digital Media life. Recently, we’ve been featuring some interesting examples of Max-based work, including Andrew Benson’s work with M.I.A. and Dana Karwas’ installations. So when I was asked to play with an electronic music All-Star Band, I couldn’t help but document the experience.
