A Textbook For Max


Despite years of widespread use in academia, there has never been a proper textbook, written in English, for sound synthesis and processing in Max/MSP. With a recently published text, Maurizio Giri and Alessandro Cipriani have changed that.

Electronic Music and Sound Design: Theory and Practice with Max/MSP – Volume 1 originally written in Italian, has recently been translated to English and published. Structured for use in university courses, the book is an overview of the theory and practice of Max/MSP, with a glossary of terms and suggested tests that allow students to evaluate their progress. In addition to the in-depth text, the authors have also provided hundreds of example patches and interactive demos, along with online support and practical exercises.

The book is evenly divided between theoretical material – giving the reader a thorough description of sound processes – and practical lessons.

“Alessandro Cipriani and Maurizio Giri’s book is one of the first courses on electronic sound that explicitly integrates perception, theory, and practice using examples of real-time sound synthesis you can manipulate and experience for yourself. In my view, the manipulation aspect of learning about sound is critically important. It helps lead you to what Joel Chadabe terms “predictive knowledge” — the ability to intuit what will happen to a sound before you take an action to change it. ” — David Zicarelli

Electronic Music and Sound Design is the first in a three volume series. Volumes 2 and 3 will include digital audio and sampled sounds, delay lines (echo, loops, flangers, chorus effects, phasers, pitch shifting, reverse, comb filters, allpass filters, Karplus-Strong algorithm), MIDI and realtime control, dynamic processors (compressors, expanders, gates, limiters), reverb and spatialization, Max for Live, non-linear synthesis (AM, RM, FM, PM, PD and non-linear distortion), granular synthesis and formant synthesis, convolution, analysis and resynthesis, micromontage and concatenative sound synthesis, physical modeling, and jitter for audio.

We are currently in the process of interviewing the authors, and will present that here when it is finished. In the meantime, visit their project page and their website for more details .


December 10, 2010 | 4:22 pm

i reading in this day this is a great and easy book



Giovanni
December 12, 2010 | 2:32 pm

one of the few things make me proud to be Italian in these days..!



Sardine
December 15, 2010 | 3:02 pm

Is there a review from an unbiased source anywhere?



Jan
December 22, 2010 | 5:14 pm

@Giovanni: I am absolute not envying you for what you have to get along with in Italy those days. One can get the impression that it’s all a play by Dario Fo!

But besides that I just ordered the book and am eagerly waiting for it.


December 24, 2010 | 6:01 am

I am proud for a lot of things, included this.
I met Maurizio at a course organized by IRCAM and Goethe Institut back in Rome.
Great guys, and nice work.
Thanks!



Jeepee
December 26, 2010 | 10:25 am

Great, great book. Can’t wait to dive into volume 2 and 3


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