Arto Lindsay, his guitar, and Max.


It’s not often Max is mentioned in The New Yorker. Last week, we were interested to read about Arto Lindsay’s “Encyclopedia of Arto” — drawn from previous solo works — and then excited to learn that he uses Max.


… Max allows Lindsay to send his guitar on preprogrammed missions. With spatialization, wherever there is a speaker, a sound can appear…– Sasha Frere-Jones, The New Yorker

If you want to learn more about Arto Lindsay, watch him here.



bdc
June 2, 2014 | 10:27 am

Awesome! I’ve been a fan since the DNA days.


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