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website@cycling74.com
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March 2010
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Call for Contributions
Call for Contributions
======================================= eContact! 12.4 -- Performance-Reception-Analysis-Perception Call for Contributions / Appel à contribution ======================================= [E] Call for Contributions eContact! extends an open call for contributions to an issue exploring the various stages of appreciation of electroacoustic (EA) creation: from its reception in the concert hall to critical analysis to reflection on the impact of EA artists and their work on current and future EA creation. Submission deadline: 15 May 2010 Publication: 1 June 2010
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New Works Residency
New Works Residency
Harvestworks Artist In Residency Program: New Works Residency Deadline April 1, 2010 for projects beginning July 1, 2010. The New Works Residency Program offers commissions of up to $4000 to make a new work in our state of the art digital media facility. The artist works with a project manager, engineer and programmer (if required). New works may include multiple channel audio or video installations, interactive performance systems, data visualization or projects involving hardware hacking, circuit bending or custom built interfaces, as well as projects that use the web. Emerging artists and artists of color are encouraged to apply. Residencies run from July 1, 2010 - June 30, 2011.
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SEEING AND HEARING DATA
SEEING AND HEARING DATA
Time:
12:00 pm
SEEING AND HEARING DATA WITH MAX/MSP/JITTER Adam Rokhsar Saturday, March 6th Noon - 6pm - $220/$280 This class will provide students with a variety of methods to store, manipulate, and express data sonically and visually.
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COMPUTER VISION IN JITTER
COMPUTER VISION IN JITTER
Time:
12:00 pm
COMPUTER VISION IN MAX/MSP/JITTER USING JIT.CV Sunday, March 7th Adam Rokhsar noon - 6pm - $220/$280 Computer vision gives any camera you attach to your computer a more human-like intelligence.
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Harvestworks Jitter Intro
Harvestworks Jitter Intro
Time:
6:30 pm
JITTER INTRODUCTION Matthew Ostrowski / Dafna Naphtali
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Call for Contributions
Call for Contributions
======================================= eContact! 12.4 -- Performance-Reception-Analysis-Perception Call for Contributions / Appel à contribution ======================================= [E] Call for Contributions eContact! extends an open call for contributions to an issue exploring the various stages of appreciation of electroacoustic (EA) creation: from its reception in the concert hall to critical analysis to reflection on the impact of EA artists and their work on current and future EA creation. Submission deadline: 15 May 2010 Publication: 1 June 2010
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Ableton at ROBOTSPEAK
Ableton at ROBOTSPEAK
Time:
6:00 pm
Ableton's Sam Walker, aka Hotline, will be at ROBOTSPEAK on Thursday, March 11th, at 6:00 PM. Sam will demonstrate production and performance techniques with Ableton Live 8 using the popular Akai APC40 and Novation Launchpad Ableton controllers. Sam will also offer his own tips and tricks, so don't miss it!
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JAVASCRIPT FOR MAX PROGRAMMERS
JAVASCRIPT FOR MAX PROGRAMMERS
Time:
6:30 pm
FIRST STEPS IN JAVASCRIPT FOR MAX PROGRAMMERS Brian Gruber Thursday, March 11 6:30 - 9:30pm - $110/$180 While Max' programming paradigm is easy and intuitive, programming certain algorithms can be painful. The JS object provides an easy way to write your own objects in a traditional C-like language.
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New Works Residency
New Works Residency
Harvestworks Artist In Residency Program: New Works Residency Deadline April 1, 2010 for projects beginning July 1, 2010. The New Works Residency Program offers commissions of up to $4000 to make a new work in our state of the art digital media facility. The artist works with a project manager, engineer and programmer (if required). New works may include multiple channel audio or video installations, interactive performance systems, data visualization or projects involving hardware hacking, circuit bending or custom built interfaces, as well as projects that use the web. Emerging artists and artists of color are encouraged to apply. Residencies run from July 1, 2010 - June 30, 2011.
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Live and Max for Live Workshop
Live and Max for Live Workshop
The Bayerische Theaterakademie (Bavarian Theatre Academy) in Munich organizes a Ableton Live & Max4Live -Workshop from March. 12.-14. The workshop is divided in two parts: 1) Fri. 12. & Sat.13. morning : Ableton “Live”, held by Christian Kleine ( Ableton ); 2)Sat.13. afternoon & Sun. 14: “Max4Live”, held by Emmanuel Jourdan (Cycling74) Although the workshop was mainly conceived for theatre-technicians and the students of the Theaterakademie, we decided to open it up to the public for the remaining places. A contribution of 150 Euros for the 3 days ( 100 Euros for just part two “Max4Live”) will be expected in form of a donation to the Bayerische Theaterakademie, payable in cash on the first day. A tax-deductible donation receipt will be given. Please apply under: medienkurse2010@me.com
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Live and Max for Live Workshop
Live and Max for Live Workshop
The Bayerische Theaterakademie (Bavarian Theatre Academy) in Munich organizes a Ableton Live & Max4Live -Workshop from March. 12.-14. The workshop is divided in two parts: 1) Fri. 12. & Sat.13. morning : Ableton “Live”, held by Christian Kleine ( Ableton ); 2)Sat.13. afternoon & Sun. 14: “Max4Live”, held by Emmanuel Jourdan (Cycling74) Although the workshop was mainly conceived for theatre-technicians and the students of the Theaterakademie, we decided to open it up to the public for the remaining places. A contribution of 150 Euros for the 3 days ( 100 Euros for just part two “Max4Live”) will be expected in form of a donation to the Bayerische Theaterakademie, payable in cash on the first day. A tax-deductible donation receipt will be given. Please apply under: medienkurse2010@me.com
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Live and Max for Live Workshop
Live and Max for Live Workshop
The Bayerische Theaterakademie (Bavarian Theatre Academy) in Munich organizes a Ableton Live & Max4Live -Workshop from March. 12.-14. The workshop is divided in two parts: 1) Fri. 12. & Sat.13. morning : Ableton “Live”, held by Christian Kleine ( Ableton ); 2)Sat.13. afternoon & Sun. 14: “Max4Live”, held by Emmanuel Jourdan (Cycling74) Although the workshop was mainly conceived for theatre-technicians and the students of the Theaterakademie, we decided to open it up to the public for the remaining places. A contribution of 150 Euros for the 3 days ( 100 Euros for just part two “Max4Live”) will be expected in form of a donation to the Bayerische Theaterakademie, payable in cash on the first day. A tax-deductible donation receipt will be given. Please apply under: medienkurse2010@me.com
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MAX FOR LIVE INTENSIVE
MAX FOR LIVE INTENSIVE
Time:
10:00 am
MAX FOR LIVE (M4L / ABLETON LIVE + MAX/MSP) FULL WEEK INTENSIVE Mark Triant, Dafna Naphtali, Adam Rokhsar Monday through Friday, March 15 - 19 10am to 6pm (40 hrs) - $1200 + $75 for membership Harvestworks in New York City offers a 40-hour crash course in Max for Live (M4L) - a new incarnation of Max/MSP that runs natively within Ableton Live, enabling users to design and share custom-made instruments, processors, and interfaces, with a level of integration beyond what third-party plugins are capable of. This full-week, 40-hour crash course is designed to help new M4L users dive into the construction of new devices to run within Live, including MIDI and audio processors, new instruments, and interfaces to Live's API which allow M4L patches to monitor and control application-wide behavior in real-time.
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MAX FOR LIVE INTENSIVE
MAX FOR LIVE INTENSIVE
Time:
10:00 am
MAX FOR LIVE (M4L / ABLETON LIVE + MAX/MSP) FULL WEEK INTENSIVE Mark Triant, Dafna Naphtali, Adam Rokhsar Monday through Friday, March 15 - 19 10am to 6pm (40 hrs) - $1200 + $75 for membership Harvestworks in New York City offers a 40-hour crash course in Max for Live (M4L) - a new incarnation of Max/MSP that runs natively within Ableton Live, enabling users to design and share custom-made instruments, processors, and interfaces, with a level of integration beyond what third-party plugins are capable of. This full-week, 40-hour crash course is designed to help new M4L users dive into the construction of new devices to run within Live, including MIDI and audio processors, new instruments, and interfaces to Live's API which allow M4L patches to monitor and control application-wide behavior in real-time.
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Robotspeak Max for Live Class
Robotspeak Max for Live Class
Time:
7:00 pm
Tuesdays: March 16, 23, 30, and April 6 from 7-9PM Class size limited to 10 people, so call 415-554-1977 to reserve your space early!!! This is a workshop for users of Live who want to dig deeper into Max for Live. The ideal participant is comfortable with Live but has little or no experience with Max or M4L. Max/MSP/Jitter is a graphical programming environment for music, audio and multimedia that has been used worldwide for over fifteen years by performers, composers, artists, teachers, and students. After completing this course, students will be able to make new M4L devices that process sound and midi in response to real-time control and/or simple algorithmic processes. Graduates of this course will also have the skills to read and understand larger M4L devises and the foundation for exploring more advanced features cir tutorials, help patches and online documentation.
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MAX FOR LIVE INTENSIVE
MAX FOR LIVE INTENSIVE
Time:
10:00 am
MAX FOR LIVE (M4L / ABLETON LIVE + MAX/MSP) FULL WEEK INTENSIVE Mark Triant, Dafna Naphtali, Adam Rokhsar Monday through Friday, March 15 - 19 10am to 6pm (40 hrs) - $1200 + $75 for membership Harvestworks in New York City offers a 40-hour crash course in Max for Live (M4L) - a new incarnation of Max/MSP that runs natively within Ableton Live, enabling users to design and share custom-made instruments, processors, and interfaces, with a level of integration beyond what third-party plugins are capable of. This full-week, 40-hour crash course is designed to help new M4L users dive into the construction of new devices to run within Live, including MIDI and audio processors, new instruments, and interfaces to Live's API which allow M4L patches to monitor and control application-wide behavior in real-time.
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Harvestworks Jitter Intro
Harvestworks Jitter Intro
Time:
6:30 pm
JITTER INTRODUCTION Matthew Ostrowski / Dafna Naphtali
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Call for Contributions
Call for Contributions
======================================= eContact! 12.4 -- Performance-Reception-Analysis-Perception Call for Contributions / Appel à contribution ======================================= [E] Call for Contributions eContact! extends an open call for contributions to an issue exploring the various stages of appreciation of electroacoustic (EA) creation: from its reception in the concert hall to critical analysis to reflection on the impact of EA artists and their work on current and future EA creation. Submission deadline: 15 May 2010 Publication: 1 June 2010
*
MAX FOR LIVE INTENSIVE
MAX FOR LIVE INTENSIVE
Time:
10:00 am
MAX FOR LIVE (M4L / ABLETON LIVE + MAX/MSP) FULL WEEK INTENSIVE Mark Triant, Dafna Naphtali, Adam Rokhsar Monday through Friday, March 15 - 19 10am to 6pm (40 hrs) - $1200 + $75 for membership Harvestworks in New York City offers a 40-hour crash course in Max for Live (M4L) - a new incarnation of Max/MSP that runs natively within Ableton Live, enabling users to design and share custom-made instruments, processors, and interfaces, with a level of integration beyond what third-party plugins are capable of. This full-week, 40-hour crash course is designed to help new M4L users dive into the construction of new devices to run within Live, including MIDI and audio processors, new instruments, and interfaces to Live's API which allow M4L patches to monitor and control application-wide behavior in real-time.
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BETTER FASTER PATCH BUILDING
BETTER FASTER PATCH BUILDING
Time:
6:30 pm
BETTER AND FASTER PATCH BUILDING WITH MAX/MSP/JITTER Adam Kendall Thu, March 18 6:30 - 9:30pm - $110/$180 By taking this one-evening workshop, you can work faster and write easier-to-use patches by observing Max-specific techniques and general programming "best practices."
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New Works Residency
New Works Residency
Harvestworks Artist In Residency Program: New Works Residency Deadline April 1, 2010 for projects beginning July 1, 2010. The New Works Residency Program offers commissions of up to $4000 to make a new work in our state of the art digital media facility. The artist works with a project manager, engineer and programmer (if required). New works may include multiple channel audio or video installations, interactive performance systems, data visualization or projects involving hardware hacking, circuit bending or custom built interfaces, as well as projects that use the web. Emerging artists and artists of color are encouraged to apply. Residencies run from July 1, 2010 - June 30, 2011.
*
MAX FOR LIVE INTENSIVE
MAX FOR LIVE INTENSIVE
Time:
10:00 am
MAX FOR LIVE (M4L / ABLETON LIVE + MAX/MSP) FULL WEEK INTENSIVE Mark Triant, Dafna Naphtali, Adam Rokhsar Monday through Friday, March 15 - 19 10am to 6pm (40 hrs) - $1200 + $75 for membership Harvestworks in New York City offers a 40-hour crash course in Max for Live (M4L) - a new incarnation of Max/MSP that runs natively within Ableton Live, enabling users to design and share custom-made instruments, processors, and interfaces, with a level of integration beyond what third-party plugins are capable of. This full-week, 40-hour crash course is designed to help new M4L users dive into the construction of new devices to run within Live, including MIDI and audio processors, new instruments, and interfaces to Live's API which allow M4L patches to monitor and control application-wide behavior in real-time.
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dialog symposia series
dialog symposia series
Time:
7:00 pm
In Tandem: Max Mathews, Aaron Koblin, and Daniel Massey The RML SF +dialog symposia series fosters discussion and interaction between audiences and artists, authors, theorists, educators, and producers of cutting-edge work.
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MAXMSP FOR INDIE ROCK
MAXMSP FOR INDIE ROCK
Time:
12:00 pm
Adam Rokhsar Sunday, March 21 noon - 6pm $220/$280 This course will teach you how to use Max/MSP to redefine the "indie sound" with advanced tricks and techniques for the recording studio and the stage. You will also learn how to use Jitter and Max for Live to create real-time, strongly timed visuals that interact directly with the music.
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Robotspeak Max for Live Class
Robotspeak Max for Live Class
Time:
7:00 pm
Tuesdays: March 16, 23, 30, and April 6 from 7-9PM Class size limited to 10 people, so call 415-554-1977 to reserve your space early!!! This is a workshop for users of Live who want to dig deeper into Max for Live. The ideal participant is comfortable with Live but has little or no experience with Max or M4L. Max/MSP/Jitter is a graphical programming environment for music, audio and multimedia that has been used worldwide for over fifteen years by performers, composers, artists, teachers, and students. After completing this course, students will be able to make new M4L devices that process sound and midi in response to real-time control and/or simple algorithmic processes. Graduates of this course will also have the skills to read and understand larger M4L devises and the foundation for exploring more advanced features cir tutorials, help patches and online documentation.
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Harvestworks Jitter Intro
Harvestworks Jitter Intro
Time:
6:30 pm
JITTER INTRODUCTION Matthew Ostrowski / Dafna Naphtali
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Call for Contributions
Call for Contributions
======================================= eContact! 12.4 -- Performance-Reception-Analysis-Perception Call for Contributions / Appel à contribution ======================================= [E] Call for Contributions eContact! extends an open call for contributions to an issue exploring the various stages of appreciation of electroacoustic (EA) creation: from its reception in the concert hall to critical analysis to reflection on the impact of EA artists and their work on current and future EA creation. Submission deadline: 15 May 2010 Publication: 1 June 2010
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JITTER AS PERFORMANCE INSTRU
JITTER AS PERFORMANCE INSTRU
Time:
6:30 pm
JITTER AS PERFORMANCE INSTRUMENTAdam Kendall Thursday, March 25 6:30 - 9:30pm - $110/$180 This is a hands-on workshop to discuss and program real-time control of video-parameters via MIDI note and CC information, ADSR evevlopes, and LFOs.
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Nexmap Max for Live Workshop
Nexmap Max for Live Workshop
Time:
11:00 am
NEXMAP is hosting a one-day beginning to intermediate level workshop focusing on the use of Ableton Live as a flexible performance and compositional tool, as well as the integration of Cycling 74's Max for Live. This workshop will be custom designed to address the needs and interests of participants, and will illustrate a variety of music making methods to suit various scenarios and purposes.
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MUSIC VIDEOS and VJING
MUSIC VIDEOS and VJING
Time:
12:00 pm
MUSIC VIDEOS & VJING IN MAX 4 LIVE Adam Rokhsar Saturday, March 27 12 noon to 6pm - $220/$280 This workshop will provide a detailed tour of the power of Max 4 Live when placed in the hands of visual artists and audio-visualists.
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STRUCTURING DIGITAL ART
STRUCTURING DIGITAL ART
Time:
10:00 am
MAKING FORMS FROM TIME: STRUCTURING DIGITAL ART IN MAX/MSP Adam Rokhsar Sunday, March 28 10am to 4pm - $220/$280 This workshop will introduce a brand-new toolbox for Max called The Timestruct Toolkit, which allows artists to make high-level decisions for both real-time and recorded pieces.
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MAX POTPOURRI
MAX POTPOURRI
Time:
5:00 pm
MAX POTPOURRI: Zachary Seldess Sunday, March 28 5 - 8pm - $110/$170 This hands-on three hour workshop will introduce a variety of useful Max concepts, chosen particularly to assist intermediate Maxers in their pursuit of increased patching fluency, complexity, and creativity.
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Robotspeak Max for Live Class
Robotspeak Max for Live Class
Time:
7:00 pm
Tuesdays: March 16, 23, 30, and April 6 from 7-9PM Class size limited to 10 people, so call 415-554-1977 to reserve your space early!!! This is a workshop for users of Live who want to dig deeper into Max for Live. The ideal participant is comfortable with Live but has little or no experience with Max or M4L. Max/MSP/Jitter is a graphical programming environment for music, audio and multimedia that has been used worldwide for over fifteen years by performers, composers, artists, teachers, and students. After completing this course, students will be able to make new M4L devices that process sound and midi in response to real-time control and/or simple algorithmic processes. Graduates of this course will also have the skills to read and understand larger M4L devises and the foundation for exploring more advanced features cir tutorials, help patches and online documentation.
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Category Key
Class-Workshop
Event
Other
Calendar developed and supported by
Kieran O'Shea
