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LFO Tutorial 2: Making Some Noise

Last time out, we created the LFOur, a generative patch composed of a quartet of synchronized LFOs whose output we can use to make...

Create Your Own Default Workspace in Max 5

In addition to an unprecedented number of configurable settings, Max 5 also provides a more navigable structure for making choices...

Max 5 Guitar Processor, Part 1

In an earlier article, Andrew Benson and Ben Bracken went through the process of connecting a guitar to a Max-based processing sys...

A Video and Text Interview with Owen Grace: The Guitar Zeros

It's great to see the way that Max/MSP crosses musical genres and also allows people to repurpose available (and maybe not so avai...

LFO Tutorial 1: The Zen of the Silent Patch

I'm personally a lot more interested in the ability to synchronize processes in Max using time values that resemble musical note v...

Freshening Up, Part 2

When we left off in the last article, we had created a new color scheme and layout for our old patcher using presentation mode, tr...

Re-purposing Plug-ins in Max 5

As exporting plug-ins is not currently available for Max 5, we will look at another alternative in this article based on a new fea...

Freshening Up: Giving old patchers a new face in Max 5

I have to confess that I always found UI design in Max 4 to be a little too cumbersome, and would almost always wait until a patch...

Improving Your Patching Workflow

In addition to the smoother look and feel of Max 5, there have been a number of enhancements to the user interface that will help ...

A Look Back at Maker Faire 2008

This year, we decided to set up shop at the 3rd annual Bay Area Maker Faire in San Mateo, CA. Last year, Cycling '74 shared a litt...

Cycling ’74 Releases Max/MSP Version 5

Cycling ’74 today released Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programm...

An Interview with Natasha Barrett of DR.OX

Some of us listen to many different types of music and are open to experimentation but, correct me if I'm wrong, sometimes the mus...

Expand Your Guitar, Vol. 1

I've teamed up with Ben Bracken for this series of simple tutorials that will get you shredding your shreds faster than you though...

A Video and Text Interview with Monome

Brian Crabtree (who performs under the name tehn) and his partner Kelli Cain are collectively known as monome. They design what th...

The Adaptive Use Instruments Project

Recently I bumped into composer and performer Pauline Oliveros (PO) in San Diego. We got to talking about one of her current proje...

Rewire 3: Subversion with ReWire

The ReWire concepts we've discussed in the previous ReWire articles were based on the typical needs of most users -- piping inform...

Max 5 and Attributes

Sometimes when you are programming, you need to be able to configure some information about how your computer will do its job. Ove...

Making Connections: Building a USB Footswitch

As a guitarist, I was looking for a simple hands-free controller for Max. Rather than buy an expensive pedalboard and MIDI interfa...

Announcing Max/MSP Version 5

Cycling '74 today announced Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programmi...

A First Look at Max 5

A quick video-illustrated look at Max5.

Max 5: What It Is (and Isn’t)

Some of you may have heard that major changes are imminent in the Max world, and there is a lot of speculation about what those ch...

An Interview with Vlad Spears

Daevlmakr sells a suite of plug-ins created in Max/MSP. I was able to spend a lot of time with Vlad Spears for this interview beca...

Synth-Building with Max/MSP (Introduction)

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially...

Synth-Building with Max/MSP #8

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially...

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