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Putting Max into Words

Our Italian friends Maurizio Giri and Alessandro Cipriani, authors of Electronic Music and Sound Design, tell us why their book is...

A Textbook For Max

Despite years of widespread use in academia, there has never been a proper textbook, written in English, for sound synthesis and p...

Using Microsoft Kinect with Max

The Max community has been bitten by the Kinect bug.

Max 5.1.7 Now Available

Version 5.1.7 includes Max, MSP, Jitter, Vizzie and support for Max for Live.

An Interview with Owen Pallett

I’m a sucker for well-trained musicians who push the boundaries creatively and aren’t afraid to experiment. Owen Pallet really...

Max 5.1.6 Now Available

Version 5.1.6 includes Max, MSP, Jitter, Vizzie and support for Max for Live.

Introducing Vizzie

With the latest version of Max/MSP and Jitter, we are including a new set of modules called VIZZIE to help you create your own uni...

Making Connections: Control Voltage Output Using OSC, Processing, and a Microcontroller

My most recent project, the USB-Octomod, uses Processing to create an OpenSoundControl (OSC) interface between any OSC-ready softw...

When is a Patch Finished?

As it turns out, the answer to this simple question is as varied and complex as the Max user community itself. Perhaps how you a...

An Interview with Francisco Colasanto

Francisco Colasanto recently published Max/MSP: Guía de Programación para Artistas, the first Spanish-language book devoted to M...

An Interview with Randall Packer

Composer Randall Packer collaborated with Opera Singer Charles Lane, Designer Greg Kuhn and Director Melissa Weaver to create a th...

Jitter Recipes: Book 3, Recipes 26-43

In third installment of Jitter Recipe Collection, the Jitter Recipe “AnaglyphRender” builds on the “RenderMaster” recipe p...

An Interview with Kurt Ralske

Kurt Ralske is a mysterious and interesting artist who makes gorgeous and magical video installations that seem to defy physics. T...

An Interview with Valérie Lamontagne

Valérie Lamontagne is a digital media artist, designer, theorist and curator based in Montréal, Canada researching techno-artist...

Noise Tutorial 1: Riding Tandem With The Random

In the last several tutorials I’ve written, I’ve been talking about a subject that interests me a great deal – how to add va...

An Interview with Giorgio Sancristoforo

Giorgio Sancristoforo is a very enthusiastic artist, musician, audio engineer and software developer based in Milan, Italy. Giorgi...

An Interview with Ali Momeni

Long-time Max user, artist, and educator Ali Momeni discusses his current projects including Minneapolis Art on Wheels and the Spa...

Summer Max Workshop for High-School Students

For the first time, we are offering a three-day Max workshop only for high school students ages 15-18. It will take place at the C...

Max Workshop in Los Angeles

Our next Max workshop will be held in Los Angeles, CA, and is strictly for beginners. This workshop is specifically for new users ...

An Interview with Elise Baldwin

Elise Baldwin is an intermedia artist that works with music and projections. I find her work to be both fragile and dense, inspiri...

An Interview with Chris Coleman

Artist and educator Chris Coleman is recognized in the Max community for his work on Maxuino, a Max interface to the popular Ardui...

LFO Tutorial 7 (Rattle and Hmmm)

A simple truth emerges from the practice of writing Max patches like the Max for Live device we’ve been working on: The traj...

Demystifying Expressions in Jitter

One of the most feared and respected objects in the Jitter collection, jit.expr arrived on the scene as part of Jitter 1.5. In som...

Sound On Sound Reviews Max for Live

In this review, Nick Rothwell explains Max for Live in terms of what the addition of Max offers to Live users. He also shares his ...

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