Register for a C74 account and join an active community of artists and creatives. Post on forums and add your projects and tools to our growing showcase.Create an Account
Artist and educator Chris Coleman is recognized in the Max community for his work on Maxuino, a Max interface to the popular Ardui...
A simple truth emerges from the practice of writing Max patches like the Max for Live device we’ve been working on: The traj...
One of the most feared and respected objects in the Jitter collection, jit.expr arrived on the scene as part of Jitter 1.5. In som...
In this review, Nick Rothwell explains Max for Live in terms of what the addition of Max offers to Live users. He also shares his ...
Since a lot of people are interested in what the process of porting a Max patch for use in Max for Live looks like, I thought I’...
Max 5.1.3 was released on 9 February 2010. - Read the release notes - Download Max 5.1.3
A while back, I wrote a series of four tutorials based around the idea of how you could generate and organize variety in Max patch...
In this article, Jim Aikin reviews the new add-on product to Live, developed by Ableton and Cycling ’74, with a detailed acc...
Matthew Davidson aka Stretta is a talented guy. He’s an accomplished graphic artist and video producer/editor but we talked to h...
Cycling ’74 and 85,000 of its closest friends will spend the weekend at the NAMM Show in Anaheim. We are sharing booth 6314 ...
While many people are looking at Max for Live as a great way to integrate their favorite hardware controllers, build really unique...
Even before the Max for Live beta was opened up to the public, a community of testers was hard at work putting Max for Live throug...
Robert Henke is a brilliant electronic musician who records and performs under his own name and also as Monolake. His music has be...
Coming up with ways to get information about the physical world into Max is one of the most fun aspects of working with the softwa...
In her first years of using Max, Pamela Z was able shed the hardware weight by building her own instrument in Max. Take a look ins...
In this installment of the Video Processing System, we're going to tackle two big hurdles that Jitter users often find themselves ...
Lately, I've been working on some "classic" OpenGL programming within Jitter, and I've been using jit.gl.sketch t...
In this presentation, I spoke directly to people that were already familiar with Max, explained some of the details of working wit...
Alex Stahl is a veteran collaborator and this has never been more evident than in his collaboration with Composer Paul Dresher for...
Eowave has introduced another product in their line of sensor to MIDI interfaces called the Eobody2 HF, a wireless sensor to USB M...
An amazing artist with an amazing range of work, read the interview of Noriko Matsumoto by Greg Taylor.
So far we have talked about how Max for Live will allow you to create your own custom Max devices that run inside of Ableton Live....
I will try to summarize here what I thought were some of the highlights of NIME 2009...
I'd like to share some really simple things that have worked for me that I hope you'll find useful, or that may provide a startin...
