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In this, the final episode of our guitar processing extravaganza, we are going t...
At this point, we have a pretty useful guitar processing "rack", but it could us...
Between the tutorials, Jitter Recipes, and all of the example content, there are...
In the last article, we added some basic tonal effects: distortion/overdrive and...
Now that I've got a nice generative patch and a way to hear it, I thought it'd b...
Those of you who are paying close attention already know that Max 5 includes a d...
In the last article, we did a lot of setup - we got input/output handling in pla...
Last time out, we created the LFOur, a generative patch composed of a quartet of...
In addition to an unprecedented number of configurable settings, Max 5 also prov...
In an earlier article, Andrew Benson and Ben Bracken went through the process of...
I'm personally a lot more interested in the ability to synchronize processes in ...
When we left off in the last article, we had created a new color scheme and layo...
As exporting plug-ins is not currently available for Max 5, we will look at anot...
I have to confess that I always found UI design in Max 4 to be a little too cumb...
In addition to the smoother look and feel of Max 5, there have been a number of ...
The ReWire concepts we've discussed in the previous ReWire articles were based o...
As a guitarist, I was looking for a simple hands-free controller for Max. Rather...
This series of tutorials first appeared on my CreativeSynth.com website between ...
