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Projects

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Project 51: Bass Drum, Sax & Laptop Patch

Author: Jon Weinel

Project Date: 2010

Keele, Staffordshire, UK

project

Extensive stand alone patch provides live audio effects to manipulate the sound of a bass drum and saxophone (or any two instruments), and triggers additional short rhythmic sounds, to create a more psychedelic performance. The patch produces automation envelopes which can be assigned to any effect parameter in the patch, allowing the performers to concentrate on playing their instruments and exploring the interaction with the shifting effects.

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Project 50: Mutations

Author: Jon Weinel and Robert Ratcliffe

Project Date: 2009-2010

Keele, Staffordshire, UK

project

‘Mutations’ is a composition by composer Robert Ratcliffe which manipulates scored piano material to create mutations, which are then performed with a Disklavier. This real-time live performance patch designed by Jon Weinel enables Mutations to be performed live, incorporating the original piano performance extracts and the mutated disklavier material.

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Project 49: Atomizer Live Patch

Author: Jon Weinel

Project Date: 2009

Keele, Staffordshire, UK

project

This is a live performance patch collecting several instruments for creating short fractured sounds juxtaposed with drones and predefined material. It is geared for use with a Korg NanoKontrol and Novation Nocturn in a Rewire configuration with Renoise, but can also be used with other MIDI controllers either independantly or Rewired to another program.

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Project 48: Quake Delirium

Author: Jon Weinel

Project Date: Feb 2010

Keele, Staffordshire, UK

project

This patch affects graphical effects of the game Quake toward a more delirious aesthetic. It works by sending automated keystrokes from the patch to the game, receiving logfile information from the game and enabling the production of a matching soundtrack which can be played back within the patch.

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Project 47: Venom

Author: Brandon Epperson

Project Date: 2/26/2010

new york, ny usa

project

Media server and interaction software with show control for shows, events, and venues.

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Project 46: [utforma]

Author: lewis g. edwards

Project Date: 19th february 2010

manchester, uk

project

standalone, six channel audio manipulator, for hardware synths, audio inserts, and anything else that can carry a signal. used to create and design new sounds to expand and bring a new life to music and sound.

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Project 45: Antiphon

Author: Akihiko Matsumoto

Project Date: 2009

Tokyo

project

Interactive algorithmic music with Max/MSP/Jitter and laserpointer.

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Project 44: TouchControl - Wireless Control for Ableton Live & M4L

Author: Christian Blomert

Project Date: 5. 2. 2010

Berlin, Germany

project

TouchControl combines the advantages of Max 4 Live and TouchOSC to create an automapping control interface for Ableton Live that runs on iPhone / iPod Touch. Including Clip-Launcher with named clips / playing status. Device Controls, Mixer and more.

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Project 43: c74 / iPhone app

Author: Leo van der Veen

Project Date: februari 2010

netherlands

project

c74 is an iPhone app that let’s you connect your device with Cycling ’74’s Max/MSP 5 and create custom layouts which can be operated directly from your iPhone. Especially interesting is that custom interfaces are built straight from within Max.

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Project 42: EAMIR

Author: V.J. Manzo

Project Date: 2007

New Jersey, USA

project

EAMIR (Electro-Acoustic Musically Interactive Room) is a collection of interactive music systems that allow individuals, including those with mild and profound disabilities, to create a unique musical expression without the physical and technical limitations found in the study of traditional acoustic instruments (e.g. – violin, guitar, etc.) while allowing individuals with some musical training to help shape the performance in terms of dynamics, tempo, tonality, etc.

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