Author: Jon Weinel
Project Date: 2010
Keele, Staffordshire, UK
Extensive stand alone patch provides live audio effects to manipulate the sound of a bass drum and saxophone (or any two instruments), and triggers additional short rhythmic sounds, to create a more psychedelic performance. The patch produces automation envelopes which can be assigned to any effect parameter in the patch, allowing the performers to concentrate on playing their instruments and exploring the interaction with the shifting effects.
By c74
– March 5, 2010.
Posted in projects. Tagged with audio, bass drum, improvisation, performance, saxophone.
Author: Jon Weinel and Robert Ratcliffe
Project Date: 2009-2010
Keele, Staffordshire, UK
‘Mutations’ is a composition by composer Robert Ratcliffe which manipulates scored piano material to create mutations, which are then performed with a Disklavier. This real-time live performance patch designed by Jon Weinel enables Mutations to be performed live, incorporating the original piano performance extracts and the mutated disklavier material.
By c74
– March 5, 2010.
Posted in projects. Tagged with audio, disklavier, electroacoustic, performance, piano.
Author: Jon Weinel
Project Date: 2009
Keele, Staffordshire, UK
This is a live performance patch collecting several instruments for creating short fractured sounds juxtaposed with drones and predefined material. It is geared for use with a Korg NanoKontrol and Novation Nocturn in a Rewire configuration with Renoise, but can also be used with other MIDI controllers either independantly or Rewired to another program.
By c74
– March 5, 2010.
Posted in projects. Tagged with audio, electroacoustic, performance, real-time.
Author: Jon Weinel
Project Date: Feb 2010
Keele, Staffordshire, UK
This patch affects graphical effects of the game Quake toward a more delirious aesthetic. It works by sending automated keystrokes from the patch to the game, receiving logfile information from the game and enabling the production of a matching soundtrack which can be played back within the patch.
By c74
– March 3, 2010.
Posted in projects. Tagged with audio, psychedelic, video game.
Author: Brandon Epperson
Project Date: 2/26/2010
new york, ny usa
Media server and interaction software with show control for shows, events, and venues.
By c74
– March 1, 2010.
Posted in projects. Tagged with controller, lemur, lighting, performance, video.
Author: lewis g. edwards
Project Date: 19th february 2010
manchester, uk
standalone, six channel audio manipulator, for hardware synths, audio inserts, and anything else that can carry a signal. used to create and design new sounds to expand and bring a new life to music and sound.
By c74
– February 22, 2010.
Posted in projects. Tagged with manipulation, music, sound design.
Author: Akihiko Matsumoto
Project Date: 2009
Tokyo
Interactive algorithmic music with Max/MSP/Jitter and laserpointer.
By c74
– February 19, 2010.
Posted in projects. Tagged with audio, installation, interactive, RTcmix.
Author: Christian Blomert
Project Date: 5. 2. 2010
Berlin, Germany
TouchControl combines the advantages of Max 4 Live and TouchOSC to create an automapping control interface for Ableton Live that runs on iPhone / iPod Touch. Including Clip-Launcher with named clips / playing status. Device Controls, Mixer and more.
By c74
– February 17, 2010.
Posted in projects. Tagged with ableton, controller, ipad, iphone, ipod, max-for-live, performance.
Author: Leo van der Veen
Project Date: februari 2010
netherlands
c74 is an iPhone app that let’s you connect your device with Cycling ’74’s Max/MSP 5 and create custom layouts which can be operated directly from your iPhone. Especially interesting is that custom interfaces are built straight from within Max.
By c74
– February 9, 2010.
Posted in projects. Tagged with application, interactive, iphone, ipod.
Author: V.J. Manzo
Project Date: 2007
New Jersey, USA
EAMIR (Electro-Acoustic Musically Interactive Room) is a collection of interactive music systems that allow individuals, including those with mild and profound disabilities, to create a unique musical expression without the physical and technical limitations found in the study of traditional acoustic instruments (e.g. – violin, guitar, etc.) while allowing individuals with some musical training to help shape the performance in terms of dynamics, tempo, tonality, etc.
By c74
– January 27, 2010.
Posted in projects. Tagged with algorithm, controller, educational, instruments, interactive.
