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manchester, uk.
sixteen track granular step sequencer, which has the capability to control each modules step/clock separately.
with stereo delay and reverb, plus a wealth of other options to have fun with.
operand is also my alias for max based music.
every bit of the way. using the very capable and lovely max for live objects, alongside some of my own objects.
The GAGAKU-SCHALTUNG or Gagaku Circuit is a fundamental block in the construction of Stockhausen’s TELEMUSIK. It summarizes the idea of merging two distant worlds and obtaining as a result something which is more than the sum of the original parts.
Both the audio circuit and the presentation of the patch were entirely realized within Max 5.
Porto, Portugal
Demonstration of a theoretical correspondence proposal between audible and visible spectrums.
Max was used to implement all algorithms for sound and visual real time composition.
Gothenburg, Sweden
A piece for Max/MSP using Wiimote as a performance instrument.
Wiimote data is transformed into various kinds of musical output using Max/MSP.
Gothenburg, Sweden
An interactive sound/video installation where the viewer meets himself/herself as a dancing angel in a magic mirror.
All programming was done in Max/MSP/Jitter with added externals from the SoftVNS library. Motion tracking in combination with prerecorded film sequences and sound creates the illusion of a transforming mirror image.
Milano, Italy
The primary goal of CodeSounding is to make it possible to hear the sound of execution of a Java software, assigning instruments / pitches to programming statements (if, for, etc), so that the flowing of execution could be played as a flow of music.
Max/MSP enabled the auralization of several sorting algorithm’s execution path: every instruction triggers an oscillator, tuned to a specific pitch.
Birmingham, UK
An audiovisual interactive installation for my final year project of Sound Engineering & Production in Birmingham City University, UK.
Max/msp/jitter was used for capturing the live video feed, splitting it to pieces, decoding OSC data from a multitouch FTIR screen and also sending the pieces coordinates to M4L objects for controlling audio effects parameters.
Jitter Video Puzzle user experience from dochanjorge on Vimeo.
Edinburgh, Scotland
The Secret Sounds of Spores uses lasers and mushrooms to make music from falling spores in real time.
A camera is pointed at the mushroom, and the live video feed is sent to the computer for analysis. This is done in Jitter, which tracks the spores in real time. The data is processed in Max and sent out Arduinos, which control musical instruments.
Chicago, IL
A multi-monitor, semi-circular video installation, in which all monitors function as one elongated screen showing past, present and future, using custom software to playback short real stories of surgeries, home repair and car accidents told by the participants, who document themselves while also being shot by a pair of mechanized cameras.
I used Max, MSP and Jitter to drive the whole installation, jumping between clips according to an EDL from Final Cut and a master sound file, and most importantly tiling “past” and “future” frames from a clip next to each other on adjacent screens, controlled by a network of computers, to create a seamless, synchronized panorama of a large group of people and their responses to a story being told.
Cut Stories from Nadav Assor on Vimeo.
New York, NY USA
Performance group 31 DOWN is back with their signature sonic destruction. Delving into our media’s sensationalized coverage of airline disasters a recurring nightmare exposes a pilot’s fear of landing.
We use Max as a show control master computer, the show is automated and Max connects with computers and a light board on a local network to issue commands. I program in Max 4.6 and communicate through MIDI, OSC and Serial to control the performance.
