4*1024×768 fullscreen outputs
Hello, I’m wondering what the best approach would be for the playback
of 25 fps video on 4 fullscreen 1024×768 resolution vga screens,
using one of the new g5s with pci-express bus architecture. The video
(s) displayed will be different on each screen, but should run in sync.
One approach would be to render a strip of 4×1024 wide and strech a
jit.window horizontally over the four screens.
Another approach would be to render a block of 2×1024 and 2×768 and
strech one jit.window horizontally and vertically over the four screens.
Third approach would be 4 seperate clips to four seperate
jit.windows. Or a combination of the options above ;)
I will try this all out over the weekend, and report back. My main
concern is the disk speed / data rates required to make it work.
I’m never quite sure how to calculate datarate <> bus speed <> drive
I’ll be using the standard 7200 sata hd that comes with the g5. I
will start by preparing 3 different formats of photo-jpeg quicktimes :
- 4 seperate 1024×768 quicktimes
- 1 4096×768 quicktime clip
- 1 2048×1536 quicktime clip
Will the drivespeed be sufficient for 25fps playback of these clips ?
doesn’t do photo-jpeg but useful for working out data rates.
might be of some use.
I’d say that the internal drive won’t be fast enough. My advice would be that you shouldn’t run this kind of video off your internal drive anyway. Becuase when the data rate suddenly kills a drive, it’s usually better if it’s the one without all the important stuff on it.
sata raid kit from macgurus.com might be the way to go….
can do an internal mounting thing, but I’ve heard the drives don’t like the temperatures in the g5..
I’ve had a number of experiences with mutlichannel hi-res, here is
> One approach would be to render a strip of 4×1024 wide and strech a
> jit.window horizontally over the four screens.
> Another approach would be to render a block of 2×1024 and 2×768 and
> strech one jit.window horizontally and vertically over the four
negative. one cardinal rule, you cannot span a single window across
different cards. i’ve always experienced a big loss of framerate on
agp/pci-x setups. there is a small possibility it might work with
pci-e, but i tend to doubt it, i believe it is an OpenGL/driver issue
not a bus-bandwidth.
> Third approach would be 4 seperate clips to four seperate
> jit.windows. Or a combination of the options above ;)
this is much more likely to work. spanning across the two ~heads~ of
a single card has worked well for me – i just did an opera at
2048×768 on a single card with two projectors. so you might try, 2
cards, with 2 2048×768 movs. (well and a third card for your
> I will try this all out over the weekend, and report back. My main
> concern is the disk speed / data rates required to make it work.
as suggested, it will be nice to have a sata raid. a single drive
for each movie will probably work with compression (photojpeg 75%
quality is what i used, a balance between datarate and fast
decompression on the CPU)
one strategy to save on on datarate is to use half res movs… its
nice to be 1 to 1, but in higher resolutions, the quality difference
is much less (especially depending on your projection situation). so
for example, in the hi-res show i did recently, I used source
material at 1024×384 — scaled exactly double and you get 2048×768 –
and it was very hard to see any difference (at all) between this and
a native 2048×768 movie.
so if you choose this method, you would only need two playback
drives. (one for each 1024×384 movie) btw, the machine i used for
the dual xga show was G5 dual 2g, ATI X800 agp, (and a radeon 9200
pci for monitor/interface)
Oh I have to mention — i was displaying via jit.gl.slab and
videoplane (so i could mix 2 streams and run gpu fx) rather than
using the ‘direct to window’ method. It would be interesting for you
to try both and see if one is better than the other. since it sounds
like you only need playback.
I had a similar performance problem with a video installation i’ve made
two months ago, in Milan: i digitized 20 hours of video that Alberto
Grifi shot in the 70s, and i had to manage 7 video outputs (640×480) of
the footage simultaneously and in real time. And i also needed a video
input for tracking the movement of the people.
After a lot of testing and patching, i realized i could do it with a
single G5, dual 2.7 Ghz and two standard 7200 sata, BUT i had to render
all the 6 video sequences with a resolution of 320×240, PhotoJPEG. Then
i used two video cards (4 video outputs) and the Datapath’s VQS01
videowall controller to split the 4th output into four different images.
In this way, i had a main projector in front of the room, that showed
one of the 6 different sequences, and i could use 6 more LCD monitors to
show, as a reference for the user, all the sequences simultaneously:
every monitor displayed one of the 6 sequences, and the user could move
and choose which video sequence had to be shown on the main projector.
Input 1 – (video tracking) – jit.qt.grab, 640×480
Output 1 – (the main projector) – jit.window, 640×480
Output 2 – (sequence/monitor 1) – jit.window, 640×480
Output 3 – (sequence/monitor 2) – jit.window, 640×480
Output 4 – (sequence/monitor 3, 4, 5, 6) – screen resolution of 640×480,
with 4 jit.pwindow, 320×240 each. The 4 outputs of the VQS01 showed 1/4
of the DVI image, in a 2 x 2 format
Why did i use, ONLY for the 4th output, the jit.pwindow rather than the
jit.window objects? Well, i thought the problem was somehow related to
the hardware acceleration of the video card, but i wouldn’t bet a dinner
on it. Actually, the video played smoothly when i used 4 jit.windows,
but after about 15/20 minutes the frame rate scaled down, from 25 fps to
1 or 5 fps. At first i thought it was a RAM or a disk speed/data rate
problem, but as soon as i replaced the 4 jit.window objects with the 4
jit.pwindows, the problem disappeared. And the video installation has
run smoothly for two weeks.
I didn�t try your first suggestion (render all the videos to a single
matrix, and strech a jit.window horizontally over the different
screens), and all my video was 320×240, but i hope my long account can
give you some hint!
Thanks for the replies ! very very helpfull indeed.. Another thing
which i forgot to mention is that apart from the 4 1024×768 clips
playing in sync, they also have to play in sync with a 4 mono
audiotracks, playing from the same machine to four seperate audio
outputs.. This complicates things a bit in the synching department.
I did some basic testing this weekend on a new dual 2.3 g5 machine
(pci-e), 1.5 gb ram, standard harddrive, 2 nvidia 6600 cards. (Forgot
to test the 2x 2048 768 option btw.) :
Spanning a single window across different cards definetely doesnt
work (yet). I split a quicktime with audio track into two seperate
tracks, one audio and one video. Made the resolution of the video
1024 768 and used the photo jpeg codec 25fps no fields. Made 4
jit.qt.movie 1024 768 objects, connected to 4 jit.window objects
which do one screen each by opening in the right size with border 0.
Resolution on all 4 monitors is 1024 768. Also installed shadowkiller
app btw. Straightforward playback on this system without drawing to
window directly is about 10 fps. When drawing to window is on, speed
and quality (?) improve dramatically. It’s hard to measure the fps,
because the standard fps object doesnt work when drawing to window is
on, but it doesnt look like its playing at 25fps. To be able to do a
proper test we’ll need to install a RAID, which will hopefully happen
somewhere the coming week. I’m thinking a 4 disk SATA system (one
disk for each output). Problem is a SATA host card for PCI-E, mac
gurus don’t ship their PCI-E host card until february it seems. The
other problem is synching to the 4 audio streams. I’ve done a quick
test, loading the soundfile in a sfplay object, taking the [current
position] and passing it through to the quicktime players with the
[time $1] command. This works ok, but makes the playback less fluent,
it’s stuttering a bit. Haven’t done a lot of tweeking on snapshot and
trigger bangs, might turn out to work fine. Other options/ideas much
To conclude, it’s not working yet ;) Next step will be expanding
storage options by adding the SATA external drives and possibly
upgrading to a quad g5. Wondering how much the upgrade to quad will
help though ? Decompressing the movie through CPU ?
That’s it for now, more later. Any thoughts much appreciated.
Thanks again !
On 20-jan-2006, at 16:13, deKam wrote:
> cheers Gid!
For syncing sound and image, you could see if my tl.metro might be of
This is a metro driven by phasor~ whenever audio is on.
For jit.wt.movie there’s an @unique attribute to avoid repeating the
same frame. Might improve performance in case you didn’t test/use it
Below is a patch that might give you some additional ideas towards
syncing video and sound as well as monitor framerate when using
direct to window.
#P window setfont "Sans Serif" 9.;
#P number 78 167 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P window linecount 1;
#P newex 221 300 20 196617 t b;
#P button 221 389 89 0;
#P newex 221 320 50 196617 del 6000;
#P newex 221 340 50 196617 deferlow;
#P newex 221 362 36 196617 t stop;
#P newex 221 279 57 196617 route read;
#P user jit.fpsgui 157 124 60 196617 0;
#P message 180 206 30 196617 read;
#P newex 306 194 48 196617 loadbang;
#P message 306 216 126 196617 window tjotlandotte , stop;
#P message 78 207 79 196617 frame $1 , bang;
#P newex 78 256 153 196617 jit.qt.movie 320 240 @unique 1;
#P newex 78 349 114 196617 jit.window tjotlandotte;
#N counter 10000;
#X flags 0 0;
#P newobj 78 136 77 196617 counter 10000;
#P user ezdac~ 381 127 425 160 0;
#P toggle 78 50 15 0;
#P newex 78 96 62 196617 tl.metro 40;
#P comment 323 329 119 196617 Stop automatic playback;
#P fasten 13 0 6 0 226 382 307 382 307 248 83 248;
#P connect 13 0 16 0;
#P connect 1 0 4 0;
#P fasten 1 0 11 0 83 118 162 118;
#P connect 4 0 18 0;
#P connect 18 0 7 0;
#P connect 15 0 14 0;
#P connect 17 0 15 0;
#P connect 12 0 17 0;
#P connect 14 0 13 0;
#P connect 6 1 12 0;
#P connect 2 0 1 0;
#P fasten 10 0 6 0 185 242 83 242;
#P connect 7 0 6 0;
#P fasten 8 0 6 0 311 242 83 242;
#P connect 9 0 8 0;
#P window clipboard copycount 19;
Since decompression vs datarate is your bottleneck, i would spend
extra money on extra raid before quad processor. If your raid is
strong enough, you could do uncompressed yuv. then your cpu is
dedicated to traffic control instead of decompression. with sata
still a missing piece, you could use apple’s fiber channel solution,
or for the same or less GVS has released their dual core custom macs,
with up to 16 drive internal raid http://store.yahoo.com/gvstore/
g5dualcorespec.html great machines!
the ‘ideal’ raid would be 4 channels of raid 0 striped pairs (total 8
next best would be say one big 6-8 drive raid 0.
and try the mov resolution 512×384 per channel
Interesting, interesting. I just spent an allnighter in the world of
RAID systems. Learned a lot, will spare you most of the details as
the topic is becoming more and more OT, still i think it might be an
interesting contribution for the archives. Also, I went through the
archives a bit and dug up some not so very old stories about YUV and
the playback of large quicktimes. It seems the case we’re dealing
with here nicely pushes the envelope a bit further again, an upgrade
to the old thread completely in line with the upgrade of the latest
g5 powermac series ;)
Allthough only the first PCI-E Raid systems are being developed as we
speak and solutions are a bit crummy, this seems to be a setup that
could work ?
1 x Highpoint Tech RocketRAID 2320 (http://www.highpoint-tech.com/PDF/
1 x Granite Digital PCI Cable bracket Assembly (http://
1 x MacGurus 8 Bay Burley (http://www.macgurus.com/productpages/sata/
8 x Hitachi T7K-250 SATA II (http://www.macgurus.com/cgi-bin/ccp51/cp-
This setup in a RAID 0 configuration should provide a datarate of
about 500 MB/sec. Correct me if I’m wrong please.
When drawing to window directly a quad core g5 probably would make
that much of a difference, when using Apples Component Video codec.
I ran a small test just now, quicktime info reports a datarate of
about 230 Mbits/sec.
BTW: The new quicktime size is 1024 x 576, wide(r)screen, instead of
the 1024×768 mentioned in the topic. The screen resolution will
remain 1024×768 of course.
Question is, will this RAID setup be sufficient for playing back four
simultaneous 1024×576 Component Video quicktime streams at 25 fps ?
Thanks again !
On 23 Jan 2006, at 06:43, Gideon Kiers wrote:
> This setup in a RAID 0 configuration should provide a datarate of
> about 500 MB/sec. Correct me if I’m wrong please.
> On 22-jan-2006, at 21:08, deKam wrote:
>> the ‘ideal’ raid would be 4 channels of raid 0 striped pairs
>> (total 8 drives)
>> next best would be say one big 6-8 drive raid 0.
If you have one huge RAID 0 array, seek times will spoil the throughput.
I understand that you want to play 4 movies simultaneously.
each movie will be on a different part of the disk.
so the disk heads have to move to the location of the next frames of
then movie 2, etc.
My guess is that you are better off with 4 independent disks, each
playing one movie at a time.
the price to pay is that you have to put all your movies on all 4
disks, but given disk
prices, that seems acceptable.
Of course, you may speed up the disks by building them as 4 pairs of
2 disks of RAID 0.
I think that is what deKam meant by 4 channels of raid 0 striped pairs.
An advanced RAID controller should be able deliver a 4×2 configuration.
Instead of running separate movies, how about making one qt with all four laid out 2×2.
Output through DVI port. Then use an external videowall-style processor to split the image externally.
Something like this…(although I don’t know if this one’s any good)
That gets rid of the disk seek time problem and gives you perfect sync.
If you went 1920 x 1080 resolution for the movie, you’d be able to use all the HD settings in editing software like FCP. Might help a bit.
Seek times on disks can be a problem. But I can run two PAL size uncompressed movies off a Firewire 800 drive, so running 4 movies a little bigger shouldn’t be impossible from a raid.
yes, and even cheaper than a video wall processor, you can take a
single vga, to 1×4 DA, then a scaler on each channel to zoom on each
quadrant – this works very well for making 4 channels of ntsc/pal
from 1280×1024 channel, but to upscale the resolution to Gid’s you
would need to send QXGA 2048×1536, which limits your choices (as most
scalers are limited to SXGA+ or 1080i)
assuming you find the right scalers, this helps the sync problem, but
2048×1526 datarate adds up to the same anyway you slice it. or
(again) downres your source by 1/2 then you are back down to 1024×768
in four quadrants, which all off the shelf scalers can handle.
but then again, why pay for external scalers or video wall processors
when your opengl GPU has a perfectly good scalers built in? (except
to simplify the sync)
I am amazed when I see to have a Quad-screen video playback in full size
full speed be possible in a computer.
I have also been working on a project need multiscreen playback while the
platform is on PC. It is very hard to have all the video in-sync when they
are playing in different players. So, I try to use the "stretched" way and
compose a large video.
And I’ve found that not every codec works, some of them could not display on
the non-primary screen and leave blank. I guess it is because video playback
make use of different hardware acceleration rather then the openGL (or
directX in Windows).
So, except a fast disk we have been talking so far, how can we make use of
the GPU throughly on video playback ? Especially when we are working with
multiple display card ? (And what is the advantage of the dedicated video
going back to you original post, I understand that you do not switch
You start the playback on the four screens and let it run – in sync
effectively this is one movie with 4 video and 4 audio tracks.
There are various ways to let the quicktime format help you.
you could combine all four video and four audio tracks into one movie,
and the quicktime playback code would do the syncing for you.
moreover, I think that quicktime also tries to lay out the tracks
onto the disk intelligently, to reduce seek times (interleaving the
disclaimer: I have not tried it myself, this is what I remember from
reading ‘inside macintosh – quicktime chapters’ but that was quite
some time ago.
If multiple tracks won’t work, you may do the interleaving yourself.
use a codec that does not use temporal compression. create a movie
frames from movie 1,2,3,4,1,2,3,4.
Alternatively, glue the four frames together as 1024*(4*768)
and split them as they come out of jit.qt.movie (depending on the
of the splitting, (4*1024)*768 may be faster).
This is what you already mentioned, but that was in view of using one
jit.windows. I think that the quicktime and opengl design choices
are indepenent here.
This does not reduce datarates, it just helps in the syncing and disk
regarding disks, I replaced my 7200 rmp drive with a WD raptor disk
at 10.000 rpm.
this makes a significant difference. sustained data transfer is
the rotational speed, as more bits pass under the read heads per second.
Hello there, I’ll restate my question for clarity.
I think I first need a disk solution that will allow me to play 4
quicktime streams in sync, each a resolution of 1024 x 576, in
Component Video codec, at 25fps, on four VGA/DVI outputs with a
resolution of 1024 x 768 each, using two nvidida 6600 cards on a new
dualcore G5 2.3 mhz. The 4 quicktime streams need to be played in
sync with each other, but also in sync with a 4 channel 44.1 khz AIFF
file. There will be more than one block of 4xQuicktime and 4xAiff to
be played. I believe I need a disk system that is capable of at least
The Highpoint Rocketraid 2320 is the only Mac compatible PCI Express
SATA host at the moment, according to barefeats. (http://
http://www.highpoint-tech.com/USA/rr2320.htm) It features 8 (internal)
ports, up to 300 mb/s for each port. This i can then hookup to an
external SATAII raid system comprised of either 4 or 8 disks. This
should probably do it ?
Then, there’s also the possibility of using Firewire 800. There are
not a lot of firewire 800 PCI-E cards on the market yet. Aaxeon has a
2 port fw800 card, the FWB3414. (http://aaxeon.com/products/
Productdetail.aspx?cate=8&modelno=FWB3414). I could stick two of
these things in and hook up 4 7200 rpm FW800 disks. But am unsure if
that will get me the speed I need ?
Next thing is to fix the synching of it all, but i feel much more
comfortable with finding a solution in software if I know the
hardware department is taken care of sufficiently. There are various
ways of synching the streams, i’m allready quite close i think, the
biggest problem is that i can not see if they sync because my
harddrives are not up to speed ..
Scanconverters are not an option indeed, because of the need for
hiresolution outputs, with as much quality as possible.
btw. 4 x dmx controlled blu-ray dvd players might be an option as
well, if only they would exist ;)
thanks again !
> Scanconverters are not an option indeed, because of the need for
> hiresolution outputs, with as much quality as possible.
not a scanconverter, but a scalar, such as: http://www.tvone.com/
this is the only one i know that is rated to 2048×2048
> There are various ways to let the quicktime format help you.
> you could combine all four video and four audio tracks into one movie,
> and the quicktime playback code would do the syncing for you.
The one problem with 4 track audio in Quicktime is that there is no
solution to have QT extract 4 tracks to 4 discrete audio outputs. On
the PC there are some over-complicated hacks to make this work, but
none that i know of on Mac. (Perhaps the only one is using a 5.1
encoded stream, but then dolby is not symmetrically compressed and
lossy, so you may end up with problems in the mix)
> 4 x dmx controlled blu-ray dvd players might be an option as well,
> if only they would exist ;)
hmmm well, there are sync capable HD players. again pricey, but rock
On 24-jan-2006, at 15:34, deKam wrote:
> not a scanconverter, but a scalar, such as: http://www.tvone.com/
> this is the only one i know that is rated to 2048×2048
> The one problem with 4 track audio in Quicktime is that there is no
> solution to have QT extract 4 tracks to 4 discrete audio outputs.
> On the PC there are some over-complicated hacks to make this work,
> but none that i know of on Mac. (Perhaps the only one is using a
> 5.1 encoded stream, but then dolby is not symmetrically compressed
> and lossy, so you may end up with problems in the mix)
> hmmm well, there are sync capable HD players. again pricey, but
> rock solid:
Thank you and the others very much for all the help and information,
much appreciated !
Ah one more question while we’re at it. Have you seen a recording
deck with a vga or dvi input, capable of recording straight from a
dvi computer output at, say, 1024×768 ? thanks, gid.
On 24-jan-2006, at 15:34, deKam wrote:
> hmmm well, there are sync capable HD players.
google led me here, though I think a pvs thread some time ago mentioned
it as well…
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2 oz rye
1/2 oz cranberry juice (pure, unsweetened)
1/2 oz lemon juice
1/2 oz maraschino
1/2 oz simple syrup
Shake with ice and serve
in a chilled cocktail glass
Yes sorry, i should have been a bit more specific. I’m (still)
searching for a solution to capture VGA (or DVI) at a high resolution
(pref. 2048 x 1536) at 25 fps.
Recently Vade posted his thoughts on this subject, though i’m not
sure yet how to get the VGA/DVI signal either into the Kona, Decklink
or into the Sony… ? :
there was a long thread recently where i spewed alot of info about
to answer your question, there are very few, and those which exist
are built for security/military with limited (slow) frame rate. the
thread is mostly about how to record using HD resolution from one
machine to another, and various other recording hi-res recording
I am also looking for a way to record 2048×1536 dual-link DVI from
one computer into another. I do not know of any DVI input capture
cards, but if I find one I’ll post info on it and I would certainly
appreciate hearing of any you find. In the meantime I am looking at
Miranda makes a product called the DVI-Ramp which will convert DVI to
HD-SDI, which you can then record through a DVS or AJA or Blackmagic
or whatever HD capture card. However the Miranda product is not a
scaler, so it does a 1920×1080 crop.
Vista Systems (http://www.vistasystems.net) makes a product called
the Spyder which can do a whole bunch of stuff including, I think,
scaling 2048×1536 DVI to 1920×1080 HDSDI. Haven’t tried one yet.
not to nitpick but good luck finding a Sony D5, let alone an
uncompressed one. Sony makes HDCAM; Panasonic makes HD-D5. they are
both compressed hd formats.
It seems we’re stuck at 1920 x 1200 or 1920 x 1080 at the moment.
There are two more converters i’ve found so far :
in a bit lower resolution i’ve found also this ‘solution’ :
"The Phynx RGB has 6MBytes of video capture memory per channel and
can capture data at 640 x 480, 800 x 600, 1024 x 768 and 1600 x 1200
resolutions. Custom resolutions are possible if they are within the
bandwidth limits of the Phynx RGB. The Phynx RGB captures data at a
maximum rate of 280 Mpixels per second. Once captured, the data is
converted to either 555, 565 or 888 pixel display formats and then
transferred over the PCI bus to host memory, for display on the
No luck finding DVI capture cards, yet ..
On 25-jan-2006, at 1:39, Alex Stahl wrote:
> In the meantime I am looking at converters.
well Gid’s project inspired me to write this example patch showing
how you could synchronize one (or more) movies to a master sfplay~ —
i haven’t fully tested it for accuracy, but visually it seems the
video is following the audio very well.
you’ll need a movie that has its audio extracted from the movie into
an .aif file to test
#N vpatcher 34 191 949 644;
#P origin 62 0;
#P window setfont "Sans Serif" 9.;
#P newex 160 203 42 196617 r burst;
#P newex 562 111 42 196617 s burst;
#P newex 148 225 55 196617 snapshot~;
#P newex 148 245 40 196617 change;
#P window linecount 2;
#P comment 846 178 31 196617 for dv;
#P window linecount 1;
#P message 714 177 131 196617 highquality 1 , deinterlace 1;
#P newex 344 112 65 196617 r movietime;
#P newex 198 267 61 196617 r timescale;
#P newex 615 353 61 196617 s timescale;
#P newex 148 330 65 196617 s movietime;
#P window linecount 6;
#P comment 148 350 106 196617 send time $1 to all movies you wish to
sync (assuming they all have the same duration and timescale);
#P window linecount 1;
#P comment 711 44 149 196617 4. start by playing sound file;
#P comment 208 173 41 196617 loop;
#P comment 563 43 118 196617 3. start metro , and dsp;
#P window linecount 2;
#P comment 305 42 184 196617 2. Read in the corresponding movie file
- but @autostart is set to ’0′;
#P comment 625 309 100 196617 send timescale to calculate ms to time;
#P comment 38 290 106 196617 convert sound’s ms to movie ‘time’ values;
#P window linecount 1;
#P newex 177 128 21 196617 t 1;
#P message 713 82 33 196617 start;
#P newex 121 128 21 196617 t 0;
#P message 121 83 51 196617 beginning;
#P newex 416 112 62 196617 r load_done;
#P message 148 312 45 196617 time $1;
#P newex 148 290 47 196617 * 2997.;
#P message 416 132 125 196617 gettimescale , getduration;
#P message 83 83 35 196617 pause;
#P newex 148 267 41 196617 * 0.001;
#P message 50 83 30 196617 open;
#P user ezdac~ 92 204 136 237 0;
#N sfplay~ 2 60000 1 ;
#P newobj 92 171 95 196617 sfplay~ 2 60000 1;
#P newex 698 271 32 196617 print;
#P number 615 291 91 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P window linecount 2;
#P newex 449 317 163 196617 jit.window timecode_example @size 640 480
#P window linecount 1;
#P newex 533 270 20 196617 t b;
#P newex 533 291 62 196617 s load_done;
#P newex 533 250 175 196617 route read timescale;
#P toggle 543 43 15 0;
#P newex 553 78 57 196617 qmetro 33;
#P message 304 69 30 196617 read;
#P newex 449 213 320 196617 jit.qt.movie 720 480 @colormode uyvy
@autostart 0 @deinterlace 1;
#P window linecount 4;
#P comment 344 215 100 196617 leave ‘play’ off and drive the movie
time values from soundfile position;
#P window linecount 3;
#P comment 48 42 184 196617 1. open a sound file , which matches the
duration of the movie (exported from movie as .AIF eg);
#P window linecount 1;
#P comment 837 402 45 196617 deKam;
#P fasten 23 0 13 0 126 154 97 154;
#P fasten 25 0 13 0 182 154 97 154;
#P fasten 15 0 13 0 55 154 97 154;
#P fasten 17 0 13 0 88 154 97 154;
#P fasten 6 0 14 0 548 197 97 197;
#P connect 13 0 14 0;
#P connect 22 0 23 0;
#P connect 13 1 14 1;
#P connect 42 0 40 0;
#P connect 13 2 40 0;
#P connect 40 0 39 0;
#P connect 39 0 16 0;
#P connect 16 0 19 0;
#P fasten 23 0 20 0 126 163 272 163 272 309 153 309;
#P connect 19 0 20 0;
#P connect 20 0 33 0;
#P fasten 13 3 25 0 181 194 206 194 206 122 182 122;
#P fasten 24 0 25 0 718 106 182 106;
#P connect 35 0 19 1;
#P connect 21 0 18 0;
#P fasten 5 0 3 0 558 205 454 205;
#P fasten 37 0 3 0 719 209 454 209;
#P fasten 36 0 3 0 349 175 454 175;
#P fasten 18 0 3 0 421 165 454 165;
#P fasten 4 0 3 0 309 185 454 185;
#P connect 3 0 10 0;
#P fasten 3 1 7 0 764 239 538 239;
#P connect 7 0 9 0;
#P connect 9 0 8 0;
#P connect 6 0 5 0;
#P connect 5 0 41 0;
#P connect 7 1 11 0;
#P connect 11 0 34 0;
#P connect 7 2 12 0;
> negative. one cardinal rule, you cannot span a single window across
> different cards. i’ve always experienced a big loss of framerate on
> agp/pci-x setups. there is a small possibility it might work with
> pci-e, but i tend to doubt it, i believe it is an OpenGL/driver issue
> not a bus-bandwidth.
We’ve just put together a system with these specs:
OSX PPC 10.4.4
2 x 2.0Ghz G5, 8GB RAM, 240GB RAID-1 disk
4 x Nvidia GE Force 6600, 256MB RAM
8 x Dell 2405FPW 1920×1200 LCD
Quicktime playback across two screens attached to a single card works
great, even at high resolutions. Dragging a QT window across two
screens attached to separate cards is a disaster – 1 fps if we’re
lucky. If we reduce the resolution to 640×480 or so things work fine,
but that defeats the purpose of this hardware.
I’m new to this list and have never used Jitter (I just downloaded the
app and docs five minutes ago), so please excuse the rudimentary
nature of my questions. Can I use Jitter scissors to split an existing
high res QT movie into four vertical stripes, then use jitter to play
these stripes back in sync? Will Jitter handle the alignment of the
tiling of the stripes to ensure each stripe is confined to a single
video card and its pair of screens?
If so, I think that’ll solve our problem – a godsend to find such a
simple solution to salvage a relatively expensive hardware purchase.