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Toby

I'm sure this applies to most patches, but I can't think of a way around it - My patch will be absolutely enormous if I continue as I am! I hope what I am about to explain makes sence.

I need to insert a variable number into a message. At the moment I have to copy every sub patcher for every sample number (what I call a 'lane'), changing all the instances of a 'lane' number in every single patch.

For example, I'm sending individual velocities for each step of each lane like so: 

I need the "1" of "lane1" to be a variable:

Add to this decays for each step, and envelopes for each step, and my patch is already enormous at 3 lanes. Also if I want to change anything I have to change it for all eight lanes!

For example, I'm sending individual velocities for each step of each lane like so: 
I need the "1" of "lane1" to be a variable:

send lane1_step_velocity1
...
send lane1_step_velocity16

send lane8_step_velocity1
...
send lane8_step_velocity16

drum-machine-issues

i don't thonk i completely understand, but perhaps poly(~)?

i don't thonk i completely understand, but perhaps poly(~)?
maybe post a patch...


Instead of naming lane1_step, lane2_step, etc. Just use #1-lane_step 

using an abstraction instead of a subpatcher.

Instead of naming lane1_step, lane2_step, etc. Just use #1-lane_step 
using an abstraction instead of a subpatcher.

you need to use abstractions, not subpatchers, and # changeable arguments.

for abstractions look at the "max 4.5 tutorials and topics" manual, 

Tutorial 27, (your object); for # arguments look at page 417 

(Arguments: $ and #, Changeable Arguments to Objects)

you need to use abstractions, not subpatchers, and # changeable arguments.
for abstractions look at the "max 4.5 tutorials and topics" manual, 
Tutorial 27, (your object); for # arguments look at page 417 
(Arguments: $ and #, Changeable Arguments to Objects)

m
-- 
HomePage: http://www.giri.it
Computer Music Italian Forum http://www.virtual-sound.com


I find Open Sound Control to be very handy when organizing this many parameters. You can build a heirarcical name space and use OSC-route to parse things the properly. Also there are wildcard characters that can be handy.

http://www.cnmat.berkeley.edu/OpenSoundControl/Max/

I find Open Sound Control to be very handy when organizing this many parameters.  You can build a heirarcical name space and use OSC-route to parse things the properly.  Also there are wildcard characters that can be handy.

see:
http://www.cnmat.berkeley.edu/OpenSoundControl/Max/

Drum machine issues