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		<title>Cycling 74  &#187;  Topic: Frequency to Midi WITH pitch-bend?</title>
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		<pubDate>Wed, 19 Jun 2013 11:38:20 +0000</pubDate>
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					<guid>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-35667</guid>
					<title><![CDATA[Frequency to Midi WITH pitch-bend?]]></title>
					<link>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-35667</link>
					<pubDate>Tue, 05 Feb 2008 02:22:57 +0000</pubDate>
					<dc:creator>donundeen</dc:creator>

					<description>
						<![CDATA[
						<p>Hi, <br />
I&#8217;ve been looking at ftom for converting frequency numbers to midi note numbers, but I&#8217;d also like to get more discrete pitch control of my synthesizer, using pitch bend messages as well.<br />
Assuming I can set the pitch wheel width on my Novation to 1/2 step, what&#8217;s the best way to convert frequency into midi note, and pitch-bend values? The equation for ftom ( expr log10($f1/8.175798) / log10(1.0594633) ) sort of blows my mind, so I&#8217;m thinking calculating the pitch-bend would be some sort of similar type of equation. <br />
Surely someone else has already figured this out?</p>
<p>thanks all!<br />
don</p>
						]]>
					</description>

					
					
				</item>

			
				<item>
					<guid>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121817</guid>
					<title><![CDATA[Re: Frequency to Midi WITH pitch-bend?]]></title>
					<link>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121817</link>
					<pubDate>Tue, 05 Feb 2008 08:12:56 +0000</pubDate>
					<dc:creator>barry threw</dc:creator>

					<description>
						<![CDATA[
						<p>I don&#8217;t feel particularly good about this patch, but I think it does  <br />
what you want&#8230;</p>
<p>b</p>
<p>#P window setfont &#8220;Sans Serif&#8221; 9.;<br />
#P window linecount 1;<br />
#P comment 430 250 54 196617 Pitch Bend;<br />
#P number 395 250 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 395 229 109 196617 scale -0.5 0.5 -64 63;<br />
#P newex 551 206 33 196617 &#8211; 1.;<br />
#P newex 395 187 166 196617 if $f1 < 0.5 then $f1 else out2 $f1;<br />
#P number 18 250 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 18 146 374 196617 expr int($f1)+($f1>=0)*(($f1- <br />
int($f1))>=0.5)-($f1&lt;0)*(($f1-int($f1))< =-0.5);<br />
#P newex 395 146 29 196617 t f i;<br />
#P newex 395 167 29 196617 &#8211; 0.;<br />
#P newex 18 123 228 196617 expr log10($f1/8.175798) / log10(1.0594633);<br />
#P flonum 18 106 66 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P comment 53 250 110 196617 Base MIDI Note Number;<br />
#P connect 3 0 7 0;<br />
#P connect 2 0 5 0;<br />
#P fasten 2 0 4 0 23 143 400 143;<br />
#P connect 9 0 10 0;<br />
#P fasten 8 0 9 0 556 226 400 226;<br />
#P connect 7 0 9 0;<br />
#P connect 7 1 8 0;<br />
#P connect 5 0 6 0;<br />
#P connect 4 1 3 1;<br />
#P connect 4 0 3 0;<br />
#P connect 1 0 2 0;<br />
#P window clipboard copycount 12;</p>
<p>
On Feb 4, 2008, at 6:22 PM, don undeen wrote:</p>
<p>><br />
> Hi,<br />
> I&#8217;ve been looking at ftom for converting frequency numbers to midi  <br />
> note numbers, but I&#8217;d also like to get more discrete pitch control  <br />
> of my synthesizer, using pitch bend messages as well.<br />
> Assuming I can set the pitch wheel width on my Novation to 1/2 step,  <br />
> what&#8217;s the best way to convert frequency into midi note, and pitch- <br />
> bend values? The equation for ftom ( expr log10($f1/8.175798) /  <br />
> log10(1.0594633) ) sort of blows my mind, so I&#8217;m thinking  <br />
> calculating the pitch-bend would be some sort of similar type of  <br />
> equation.<br />
> Surely someone else has already figured this out?<br />
><br />
> thanks all!<br />
> don</p>
<p>&#8211;<br />
Barry Threw<br />
Media Art and Technology</p>
<p>San Francisco, CA<br />
Work: 857-544-3967<br />
Email: bthrew (at) gmail (dot) com<br />
IM: captogreadmore (AIM)</p>
<p><a href="http://www.barrythrew.com" rel="nofollow">http://www.barrythrew.com</a></p>
<p>&#8220;The greatest of the changes that science has brought us is the acuity  <br />
of change; the greatest novelty the extent of novelty.&#8221;<br />
- J. Robert Oppenheimer</p>
						]]>
					</description>

					
					
				</item>

			
				<item>
					<guid>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121818</guid>
					<title><![CDATA[Re: Frequency to Midi WITH pitch-bend?]]></title>
					<link>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121818</link>
					<pubDate>Tue, 05 Feb 2008 13:44:03 +0000</pubDate>
					<dc:creator>Stefan Tiedje</dc:creator>

					<description>
						<![CDATA[
						<p>don undeen schrieb:<br />
> The equation for ftom ( expr log10($f1/8.175798) / log10(1.0594633) )<br />
> sort of blows my mind, so I&#8217;m thinking calculating the pitch-bend<br />
> would be some sort of similar type of equation. Surely someone else<br />
> has already figured this out?</p>
<p>You would just translate the fractional part of the ftom result to a <br />
pitchbend value, but beware, the range of the pitchbend is not <br />
standardized, and could be anything between a half step and two octaves. <br />
You define it on the receiving synth. Just scale the fractional part to <br />
the pitchbend value (not tested):</p>
<p>#P window setfont &#8220;Sans Serif&#8221; 9.;<br />
#P number 227 178 44 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P number 181 178 44 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P number 181 128 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P window linecount 1;<br />
#P newex 181 107 44 196617 !/ 8192;<br />
#P newex 181 155 44 196617 !- 8192;<br />
#P newex 227 155 44 196617 + 8191;<br />
#P number 181 82 35 9 1 24 3 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 21 272 91 196617 noteout;<br />
#P newex 21 228 92 196617 makenote 64 1000;<br />
#P newex 115 228 120 196617 scale -0.5 0.5 0 16383;<br />
#N vpatcher 20 74 620 474;<br />
#P window setfont &#8220;Sans Serif&#8221; 9.;<br />
#P window linecount 1;<br />
#P newex 131 114 27 196617 + 0.;<br />
#P newex 85 114 27 196617 + 0.;<br />
#P newex 143 158 32 196617 !- 0.;<br />
#P newex 131 135 44 196617 &#8211; 0.5;<br />
#P newex 131 72 27 196617 t f f;<br />
#P newex 148 93 27 196617 > 0.;<br />
#P newex 85 135 44 196617 &#8211; 0.5;<br />
#P newex 85 72 44 196617 t f f f;<br />
#P newex 102 93 27 196617 > 0.;<br />
#P newex 50 50 45 196617 sel bang;<br />
#P newex 85 158 56 196617 int;<br />
#P inlet 50 30 15 0;<br />
#P outlet 143 180 15 0;<br />
#P outlet 85 180 15 0;<br />
#P connect 2 0 4 0;<br />
#P connect 4 1 6 0;<br />
#P connect 6 0 12 0;<br />
#P connect 12 0 7 0;<br />
#P fasten 4 0 3 0 55 155 90 155;<br />
#P connect 7 0 3 0;<br />
#P connect 3 0 0 0;<br />
#P connect 6 1 5 0;<br />
#P connect 5 0 12 1;<br />
#P connect 9 0 13 0;<br />
#P connect 13 0 10 0;<br />
#P connect 10 0 3 1;<br />
#P connect 3 0 11 0;<br />
#P connect 11 0 1 0;<br />
#P connect 9 1 8 0;<br />
#P connect 8 0 13 1;<br />
#P connect 6 2 11 1;<br />
#P pop;<br />
#P newobj 74 161 51 196617 p rint;<br />
#P flonum 115 194 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 115 272 50 196617 ctlout;<br />
#P newex 115 250 50 196617 xbendout;<br />
#P number 74 194 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P flonum 74 134 64 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P flonum 74 82 35 9 0 0 64 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 74 108 55 196617 ftom 440.;<br />
#P comment 73 59 50 196617 frequnecy;<br />
#P comment 179 57 100 196617 pitchbend range;<br />
#P connect 17 0 15 0;<br />
#P fasten 17 0 14 0 186 150 232 150;<br />
#P connect 19 0 10 4;<br />
#P connect 18 0 10 3;<br />
#P connect 15 0 18 0;<br />
#P connect 14 0 19 0;<br />
#P connect 16 0 17 0;<br />
#P connect 13 0 16 0;<br />
#P connect 11 1 12 1;<br />
#P connect 11 0 12 0;<br />
#P connect 8 0 10 0;<br />
#P connect 10 0 6 0;<br />
#P connect 4 0 9 0;<br />
#P connect 9 1 8 0;<br />
#P connect 9 0 5 0;<br />
#P connect 6 0 7 0;<br />
#P connect 3 0 2 0;<br />
#P connect 2 0 4 0;<br />
#P window clipboard copycount 20;</p>
<p>
&#8211; <br />
Stefan Tiedje&#8212;&#8212;&#8212;&#8212;x&#8212;&#8212;-<br />
&#8211;_____&#8212;&#8212;&#8212;&#8211;|&#8212;&#8212;&#8212;&#8212;&#8211;<br />
&#8211;(_|_ &#8212;-|&#8212;&#8211;|&#8212;&#8211;()&#8212;&#8212;-<br />
&#8211; _|_)&#8212;-|&#8212;&#8211;()&#8212;&#8212;&#8212;&#8212;&#8211;<br />
&#8212;&#8212;&#8212;-()&#8212;&#8212;&#8211;www.ccmix.com</p>
						]]>
					</description>

					
					
				</item>

			
				<item>
					<guid>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121819</guid>
					<title><![CDATA[Re: Frequency to Midi WITH pitch-bend?]]></title>
					<link>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121819</link>
					<pubDate>Tue, 05 Feb 2008 13:51:28 +0000</pubDate>
					<dc:creator>Stefan Tiedje</dc:creator>

					<description>
						<![CDATA[
						<p>Stefan Tiedje schrieb:<br />
> Just scale the fractional part to the pitchbend value (not tested):</p>
<p>Just realised, the proposed scaling is bending over the half step <br />
instead of a quarter step, but you get the idea. (I&#8217;ll leave the further <br />
bug fixing to you&#8230; ;-)</p>
<p>#P window setfont &#8220;Sans Serif&#8221; 9.;<br />
#P number 215 178 44 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P number 169 178 44 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P number 169 129 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P window linecount 1;<br />
#P newex 169 107 52 196617 !/ 4095;<br />
#P newex 169 155 44 196617 !- 8192;<br />
#P newex 215 155 44 196617 + 8191;<br />
#P number 169 82 35 9 1 24 3 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 21 272 91 196617 noteout;<br />
#P newex 21 228 92 196617 makenote 64 1000;<br />
#P newex 115 228 135 196617 scale -0.5 0.5 4096 12286;<br />
#N vpatcher 20 74 620 474;<br />
#P window setfont &#8220;Sans Serif&#8221; 9.;<br />
#P newex 131 114 27 196617 + 0.;<br />
#P newex 85 114 27 196617 + 0.;<br />
#P newex 143 158 32 196617 !- 0.;<br />
#P newex 131 135 44 196617 &#8211; 0.5;<br />
#P newex 131 72 27 196617 t f f;<br />
#P newex 148 93 27 196617 > 0.;<br />
#P newex 85 135 44 196617 &#8211; 0.5;<br />
#P newex 85 72 44 196617 t f f f;<br />
#P newex 102 93 27 196617 > 0.;<br />
#P newex 50 50 45 196617 sel bang;<br />
#P newex 85 158 56 196617 int;<br />
#P inlet 50 30 15 0;<br />
#P outlet 143 180 15 0;<br />
#P outlet 85 180 15 0;<br />
#P connect 2 0 4 0;<br />
#P connect 4 1 6 0;<br />
#P connect 6 0 12 0;<br />
#P connect 12 0 7 0;<br />
#P fasten 4 0 3 0 55 155 90 155;<br />
#P connect 7 0 3 0;<br />
#P connect 3 0 0 0;<br />
#P connect 6 1 5 0;<br />
#P connect 5 0 12 1;<br />
#P connect 9 0 13 0;<br />
#P connect 13 0 10 0;<br />
#P connect 10 0 3 1;<br />
#P connect 3 0 11 0;<br />
#P connect 11 0 1 0;<br />
#P connect 9 1 8 0;<br />
#P connect 8 0 13 1;<br />
#P connect 6 2 11 1;<br />
#P pop;<br />
#P newobj 74 161 51 196617 p rint;<br />
#P flonum 115 194 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 115 272 50 196617 ctlout;<br />
#P newex 115 250 50 196617 xbendout;<br />
#P number 74 194 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P flonum 74 134 64 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P flonum 74 82 35 9 0 0 64 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 74 108 55 196617 ftom 440.;<br />
#P comment 73 59 50 196617 frequnecy;<br />
#P comment 167 57 100 196617 pitchbend range;<br />
#P connect 17 0 15 0;<br />
#P fasten 17 0 14 0 174 150 220 150;<br />
#P connect 10 0 6 0;<br />
#P connect 8 0 10 0;<br />
#P connect 18 0 10 3;<br />
#P connect 19 0 10 4;<br />
#P connect 16 0 17 0;<br />
#P connect 13 0 16 0;<br />
#P connect 15 0 18 0;<br />
#P connect 14 0 19 0;<br />
#P connect 11 1 12 1;<br />
#P connect 11 0 12 0;<br />
#P connect 4 0 9 0;<br />
#P connect 9 1 8 0;<br />
#P connect 9 0 5 0;<br />
#P connect 6 0 7 0;<br />
#P connect 3 0 2 0;<br />
#P connect 2 0 4 0;<br />
#P window clipboard copycount 20;</p>
<p>
&#8211; <br />
Stefan Tiedje&#8212;&#8212;&#8212;&#8212;x&#8212;&#8212;-<br />
&#8211;_____&#8212;&#8212;&#8212;&#8211;|&#8212;&#8212;&#8212;&#8212;&#8211;<br />
&#8211;(_|_ &#8212;-|&#8212;&#8211;|&#8212;&#8211;()&#8212;&#8212;-<br />
&#8211; _|_)&#8212;-|&#8212;&#8211;()&#8212;&#8212;&#8212;&#8212;&#8211;<br />
&#8212;&#8212;&#8212;-()&#8212;&#8212;&#8211;www.ccmix.com</p>
						]]>
					</description>

					
					
				</item>

			
				<item>
					<guid>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121820</guid>
					<title><![CDATA[Re: Frequency to Midi WITH pitch-bend?]]></title>
					<link>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121820</link>
					<pubDate>Tue, 05 Feb 2008 16:03:49 +0000</pubDate>
					<dc:creator>Gary Lee Nelson</dc:creator>

					<description>
						<![CDATA[
						<p>This brings back memories.  Before multi-timbral synthesizers there was a<br />
dinosaur called the Yamaha TX816.  It was 8 TX7 in a box.  Each could play<br />
one timbre at a time and reach had its own pitch bend wheel.  To achieve<br />
microtonality we used the fractional part of a midi number to set the pitch<br />
bend position (see patch below).  In my 1988 piece &#8220;Fractal Mountains&#8221; (link<br />
below) you can hear this. It in 96 tones per octave.</p>
<p><a href="http://www.timara.oberlin.edu/~gnelson/mp3s/Long.mp3s.html" rel="nofollow">http://www.timara.oberlin.edu/~gnelson/mp3s/Long.mp3s.html</a></p>
<p>NOTE: Pitch bend changes everything in the channel so notes already sounding<br />
will bend too.</p>
<p>#P window setfont &#8220;Sans Serif&#8221; 9.;<br />
#P window linecount 1;<br />
#P newex 290 206 27 196617 + 1.;<br />
#P newex 290 181 29 196617 * 8.;<br />
#P flonum 209 211 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 152 319 43 196617 noteout;<br />
#P newex 152 279 88 196617 makenote 64 500;<br />
#P newex 195 252 44 196617 bendout;<br />
#P newex 195 173 35 196617 * 64.;<br />
#P newex 195 146 31 196617 % 1.;<br />
#P newex 152 146 27 196617 int;<br />
#P flonum 106 148 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P newex 106 122 31 196617 mtof;<br />
#P flonum 152 73 84 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
#P comment 335 195 54 196617 channel;<br />
#P connect 11 0 12 0;<br />
#P connect 12 0 7 1;<br />
#P connect 12 0 8 2;<br />
#P connect 5 0 6 0;<br />
#P connect 5 0 11 0;<br />
#P connect 1 0 2 0;<br />
#P connect 1 0 4 0;<br />
#P connect 1 0 5 0;<br />
#P connect 6 0 7 0;<br />
#P connect 6 0 10 0;<br />
#P connect 8 0 9 0;<br />
#P connect 8 1 9 1;<br />
#P connect 4 0 8 0;<br />
#P connect 2 0 3 0;<br />
#P window clipboard copycount 13;</p>
<p>On 2/5/08 3:12 AM, &#8220;barry threw&#8221; <bthrew @gmail.com> wrote:</bthrew></p>
<p>> I don&#8217;t feel particularly good about this patch, but I think it does<br />
> what you want&#8230;<br />
> <br />
> b<br />
> <br />
> #P window setfont &#8220;Sans Serif&#8221; 9.;<br />
> #P window linecount 1;<br />
> #P comment 430 250 54 196617 Pitch Bend;<br />
> #P number 395 250 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
> #P newex 395 229 109 196617 scale -0.5 0.5 -64 63;<br />
> #P newex 551 206 33 196617 &#8211; 1.;<br />
> #P newex 395 187 166 196617 if $f1 < 0.5 then $f1 else out2 $f1;<br />
> #P number 18 250 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
> #P newex 18 146 374 196617 expr int($f1)+($f1>=0)*(($f1-<br />
> int($f1))>=0.5)-($f1&lt;0)*(($f1-int($f1))< =-0.5);<br />
> #P newex 395 146 29 196617 t f i;<br />
> #P newex 395 167 29 196617 &#8211; 0.;<br />
> #P newex 18 123 228 196617 expr log10($f1/8.175798) / log10(1.0594633);<br />
> #P flonum 18 106 66 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br />
> #P comment 53 250 110 196617 Base MIDI Note Number;<br />
> #P connect 3 0 7 0;<br />
> #P connect 2 0 5 0;<br />
> #P fasten 2 0 4 0 23 143 400 143;<br />
> #P connect 9 0 10 0;<br />
> #P fasten 8 0 9 0 556 226 400 226;<br />
> #P connect 7 0 9 0;<br />
> #P connect 7 1 8 0;<br />
> #P connect 5 0 6 0;<br />
> #P connect 4 1 3 1;<br />
> #P connect 4 0 3 0;<br />
> #P connect 1 0 2 0;<br />
> #P window clipboard copycount 12;<br />
> <br />
> <br />
> On Feb 4, 2008, at 6:22 PM, don undeen wrote:<br />
> <br />
>> <br />
>> Hi,<br />
>> I&#8217;ve been looking at ftom for converting frequency numbers to midi<br />
>> note numbers, but I&#8217;d also like to get more discrete pitch control<br />
>> of my synthesizer, using pitch bend messages as well.<br />
>> Assuming I can set the pitch wheel width on my Novation to 1/2 step,<br />
>> what&#8217;s the best way to convert frequency into midi note, and pitch-<br />
>> bend values? The equation for ftom ( expr log10($f1/8.175798) /<br />
>> log10(1.0594633) ) sort of blows my mind, so I&#8217;m thinking<br />
>> calculating the pitch-bend would be some sort of similar type of<br />
>> equation.<br />
>> Surely someone else has already figured this out?<br />
>> <br />
>> thanks all!<br />
>> don<br />
> <br />
> &#8211;<br />
> Barry Threw<br />
> Media Art and Technology<br />
> <br />
> San Francisco, CA<br />
> Work: 857-544-3967<br />
> Email: bthrew (at) gmail (dot) com<br />
> IM: captogreadmore (AIM)<br />
> <a href="http://www.barrythrew.com" rel="nofollow">http://www.barrythrew.com</a><br />
> <br />
> &#8220;The greatest of the changes that science has brought us is the acuity<br />
> of change; the greatest novelty the extent of novelty.&#8221;<br />
> &#8211; J. Robert Oppenheimer<br />
> </p>
<p>
Cheers<br />
Gary Lee Nelson<br />
Oberlin College<br />
<a href="http://www.timara.oberlin.edu/GaryLeeNelson" rel="nofollow">http://www.timara.oberlin.edu/GaryLeeNelson</a></p>
						]]>
					</description>

					
					
				</item>

			
				<item>
					<guid>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121821</guid>
					<title><![CDATA[Re: Frequency to Midi WITH pitch-bend?]]></title>
					<link>http://cycling74.com/forums/topic/frequency-to-midi-with-pitch-bend/#post-121821</link>
					<pubDate>Tue, 05 Feb 2008 17:35:16 +0000</pubDate>
					<dc:creator>nick rothwell / cassiel</dc:creator>

					<description>
						<![CDATA[
						<p>
On 5 Feb 2008, at 16:03, Gary Lee Nelson wrote:</p>
<p>> This brings back memories.  Before multi-timbral synthesizers there  <br />
> was a<br />
> dinosaur called the Yamaha TX816.  It was 8 TX7 in a box.</p>
<p>To be pedantic: eight TF1&#8242;s. (There was also a rack unit called a  <br />
TX216, which was two TF1&#8242;s and a chunk of empty space&#8230;)</p>
<p>	&#8211; N.</p>
<p>
Nick Rothwell / Cassiel.com Limited<br />
<a href="http://www.cassiel.com" rel="nofollow">http://www.cassiel.com</a><br />
<a href="http://www.myspace.com/cassieldotcom" rel="nofollow">http://www.myspace.com/cassieldotcom</a><br />
<a href="http://www.last.fm/music/cassiel" rel="nofollow">http://www.last.fm/music/cassiel</a><br />
<a href="http://www.reverbnation.com/cassiel" rel="nofollow">http://www.reverbnation.com/cassiel</a><br />
<a href="http://www.linkedin.com/in/cassiel" rel="nofollow">http://www.linkedin.com/in/cassiel</a><br />
<a href="http://www.loadbang.net" rel="nofollow">http://www.loadbang.net</a></p>
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