Hans Tammen

Max/MSP/Jitter Full Week Intensive Course - May 24 - 28

596 Broadway, Suite 602 New York, New York

May 24 - 28, 2010, Monday through Friday 10am to 6pm

From its central SoHo location in New York City, Harvestworks brings together innovative practitioners from all branches of the digital arts, and provides a vital context and catalyst for creativity in the field. For the last thirty years we have offered artists on-site recording studios, programming services, workshops, classes and one-on-one tutorials in emerging technologies supporting the pioneers of computer music with equipment and instruction. As a tool for artists, Max has been a central part of the Harvestworks program for almost 20 years. We offer regularly scheduled year-round classes and workshops on a wide variety of topics relating to Max/MSP and Jitter; as well as our Certificate Program, a flexible course of one-on-one instruction.

Now, Harvestworks is offering a full-week, 40hr crash course in the basics of Max/MSP and Jitter, run by veteran Max programmers Dafna Naphtali, Matthew Ostrowski, Adam Rokhsar and Harvestworks' Deputy Director Hans Tammen. The course is designed for beginners who want to get a head start with this software package. The course may be especially appealing to artists living outside of New York City who don't have the opportunity to learn Max in their own hometown and who would enjoy a week in New York City.

The cost of the course is $1200, plus $75 for the annual Harvestworks membership that is required to take the course. The course runs Mondays through Fridays 10am to pm. Working in our computer lab after 6pm can also be arranged. Lecture demonstrations will alternate with practice time, and some of our Max-savvy interns can be available to assist during practice time. Workstations with Max/MSP/Jitter will be available, but it is also recommended that you bring your own laptop. The course will provide lots of practice and sample patches. Students enrolled in Max/MSP/Jitter related classes at Harvestworks are eligible for Cycling 74's educational discount when purchasing the software. The course is limited to 10 students.

We will not provide meals or snacks for the course, but can point to lots of cheap dining places in the neighborhood. We also cannot provide accommodations, but can help with posting requests or bringing you in contact with other artists who might be able to help.

 If you have further questions, please call Hans Tammen at 212-431-1130 ext 130.

In his interview on Cycling74's website, Hans Tammen gives a few insights into Max teaching at Harvestworks.

https://cycling74.com/articles/an-interview-with-hans-tammen-endangered-guitar/

Day 1 - The Basics: Objects vs. messages vs. comments; ordering of operations; math in Max; scaling and mapping ranges of numbers; playing sound files.

Day 2 - Basics of modular programming; live audio input; recording sound files; simple data storage.

Day 3 - Controlled chaos; useful GUI objects; more data storage; basics of synthesis.

Day 4: Interfacing with the outside world. Overview of MIDI, the HI object (game controllers), Wii controller, the Harvestworks Sensor Station, using a Wacom tablet. Wireless Miditron. Data storage.

Day 5: Introduction to Jitter: Jitter matrix; basic matrix processing; playing and basic manipulation of QuickTime movies; basics of Open GL. Intro to Max for Live (M4L).

Dafna Naphtali has been a Max teacher and programmer at Harvestworks since 1995. She earned a degree in Music Technology at NYU. She was Chief Engineer of the NYU Music Technology Studios until 1998, and has taught Max there as an adjunct instructor since 1996. Naphtali is also an academic advisor for both undergraduate and graduate students in NYU's Music Technology program. She was a programmer for two years for many artists and her own projects at multi-channel sound gallery Engine 27. As a composer, writing custom Max/MSP programs since 1992 has enabled her to perform and compose using her laptop-based noise/audio processing instrument to alter the sound of her singing, vocalisms, personalized recordings as well as the sound of any musician playing with her. She has received commissions and awards from New York Foundation for the Arts, New York State Council on the Arts, Meet the Composer, Experimental TV Center, American Composers Forum, Brecht Forum, and has held residencies at STEIM (Holland), Music OMI and iEAR at Rensselaer Polytechnical Institute. 

Matthew Ostrowski has been working with electronics since the early 1980s, working in improvised music, music theater, and audio installations, with a continuing interest in density of microevents, rapid change, and using technology to stretch the bounds of perception and experience. He has also worked extensively as an an improvisor, having played with such luminaries as Anthony Coleman, Andrea Parkins, Nicolas Collins, John Butcher, o.blaat, Paul Loewens, Ikue Mori, Anne Wellmer, David Linton, Charles Cohen, Alfred Zimmerlin, and a host of others. His work appears on over a dozen recordings. His work has been seen on four continents, including the Wien Modern Festival, the Kraków Audio Art Festival, Sonic Acts in Amsterdam, PS 1 and The Kitchen in New York , the Melbourne Festival, and Unyazi, the first festival of electronic music on the African continent. He has received a NYFA Fellowship for Computer Arts, awards from the Media Alliance, Arts International, and many others, and was a nominee for the prestigious Alpert Award in 2006.

Adam Rokhsar is a multimedia artist with degrees in psychology from Cornell University and the University of Pennsylvania. He is a member of the Music Information Retrieval Laboratory, and the head coordinator of NYU’s Music Technology student research groups. Adam designs sound for interactive installations, teaches computer music and video programming, and is working on a Master’s thesis on machine-learning algorithms. His sound design work can currently be heard in the United States Holocaust Memorial Museum and the Chicago Museum of Science and Industry, and his video work was displayed in the Jakopic Gallery as part of multimedia project Senza Televisione.

Hans Tammen is currently Deputy Director at Harvestworks, and is responsible for the oversight of all projects related to Max/MSP/Jitter and Physical Computing, as well as managing the education program and the studios. In this position he encounters the projects of approx. 250 clients, students and Artist In Residence per year. After an initial degree in Adult Education in 1988 he taught as an adjunct at Kassel University, and as part of his works as a union technology consultant from 1992 to 2000 he held about 120 one to five-day seminars using modern seminar techniques like metaplan, role-plays, and others. As a composer/guitarist he is best known for his "Endangered Guitar" works, interfacing his guitar with Max/MSP. Signal To Noise called his works "...a killer tour de force of post-everything guitar damage", All Music Guide recommended him: "...clearly one of the best experimental guitarists to come forward during the 1990s."

HARVESTWORKS DIGITAL MEDIA ARTS CENTER
596 Broadway, Suite 602 New York, New York
May 24 - 28, 2010, Monday through Friday 10am to 6pm
cost: $1200 (+ $75 for membership) 

To sign up for the course check http://www.harvestworks.org. If you have further questions, please call Hans Tammen at 212-431-1130 ext 130.

In his interview on Cycling74's website, Hans Tammen gives a few insights into Max teaching at Harvestworks.
https://cycling74.com/articles/an-interview-with-hans-tammen-endangered-guitar/

Day 1 - The Basics: Objects vs. messages vs. comments; ordering of operations; math in Max; scaling and mapping ranges of numbers; playing sound files.
Day 2 - Basics of modular programming; live audio input; recording sound files; simple data storage.
Day 3 - Controlled chaos; useful GUI objects; more data storage; basics of synthesis.
Day 4: Interfacing with the outside world. Overview of MIDI, the HI object (game controllers), Wii controller, the Harvestworks Sensor Station, using a Wacom tablet. Wireless Miditron. Data storage.
Day 5: Introduction to Jitter: Jitter matrix; basic matrix processing; playing and basic manipulation of QuickTime movies; basics of Open GL.  Intro to Max for Live (M4L).

Dafna Naphtali has been a Max teacher and programmer at Harvestworks since 1995. She earned a degree in Music Technology at NYU.  She was Chief Engineer of the NYU Music Technology Studios until 1998, and has taught Max there as an adjunct instructor since 1996. Naphtali is also an academic advisor for both undergraduate and graduate students in NYU's Music Technology program. She was a programmer for two years for many artists and her own projects at multi-channel sound gallery Engine 27. As a composer, writing custom Max/MSP programs since 1992 has enabled her to perform and compose using her laptop-based noise/audio processing instrument to alter the sound of her singing, vocalisms, personalized recordings as well as the sound of any musician playing with her. She has received commissions and awards from New York Foundation for the Arts, New York State Council on the Arts, Meet the Composer, Experimental TV Center, American Composers Forum,  Brecht Forum, and has held residencies at STEIM (Holland), Music OMI and iEAR at Rensselaer  Polytechnical  Institute. http://www.dafna.info

Hans Tammen is currently Deputy Director at Harvestworks, and is responsible for the oversight of all projects related to Max/MSP/Jitter and Physical Computing, as well as managing the education program and the studios. In this position he encounters the projects of approx. 250 clients, students and Artist In Residence per year. After an initial degree in Adult Education in 1988 he taught as an adjunct at Kassel University, and as part of his works as a union technology consultant from 1992 to 2000 he held about 120 one to five-day seminars using modern seminar techniques like metaplan, role-plays, and others. As a composer/guitarist he is best known for his "Endangered Guitar" works, interfacing his guitar with Max/MSP. Signal To Noise called his works "...a killer tour de force of post-everything guitar damage", All Music Guide recommended him: "...clearly one of the best experimental guitarists to come forward during the 1990s."


[NYC] Full Week 40hr Crash Course Max/MSP/Jitter in May