[pfft~] question(s)

May 2, 2010 at 10:19am

[pfft~] question(s)

Here goes two hopeless questions:

[gizmo~]s placed in a [pfft~] harmonize OK, but I’m using them as “melody parts”, so sometimes some parts need to be silenced. Is it possible to mute [gizmo~]s placed in only one [pfft~] individually? In other words, does sending them “1″s do that? I’m scared of causing much overhead by putting them into separate [pfft~]s, in which case they would obviously be mutable.

What can I do to minimize the latency of the transposed audio (passing through the [pfft~])? I see that it must be inevitable to some degree, related with FFT window’s hop size and total size and sampling freq.; is there a known adjustment to give the best result without losing low freq. resolution?

Thanks.

#50127
May 2, 2010 at 12:11pm

yes, you can control individually every gizmo~ inside your pfft~. but you will not silence them by sending them “1″, they just will output an untransposed signal. to silence a gizmo~, put a gain control after it (connect it to both outputs!). then, if your gizmo~s are many you can choose to put them inside a poly~ and selectively mute the poly~ instances in order to save some CPU %.

the pfft~ latency is only related to your window size. overlap (window size / hop size) doesn’t affect it. Sampling rate of course does, but the actual relationship between frequency and time resolutions is not affected by sampling rate either: so, by changing the sr you will have no improvement in your latency without losing frequency resolution.

aa

#179981
May 2, 2010 at 2:10pm

Thanks very much for your answers.

About your answer to the 2nd one:

About the resolutions; I know that the product of deltatime and deltafrequency cannot be smaller than a constant, I wondered if values for an “optimum” trade-off was experimented before to be written as pfft~arguments. But it would differ anyway as how fast the audio changes / how low freq. it includes… Guess that was a silly question, sorry.

I’m surprised with your answer about the window, because when I increase the overlap from 4 to 8, I hear more “synchrony”. I had thought it was because the hop size was reduced (by 0.5) outputting two times faster (?)

About your answer to the 1st one:

I’m using only three transposed parts in addition to the source audio.

Do you mean controlling gain like below or with [*~ ]s?

– Pasted Max Patch, click to expand. –
#179982
May 2, 2010 at 8:05pm

you can control the gains as you did, or with *~ – conceptually it’s the same.
Just, if you use *~ remember to smooth the gain factor with line~ or similar if you don’t want clicks and other artifacts.

increasing the overlap improves the time resolution of the processing you do in pfft~, and this explains the better “readyness” you hear. it doesn’t change the inherent pfft~ latency, though – test it with a dummy pfft patch, with fftin~ connected to fftout~, and you’ll see…

#179983
May 3, 2010 at 9:59am

Thanks again. I can see better now.

#179984

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