Noah_Thorp

Private location near Market St. SF shown when you RSVP

Join us for a an evening focused on Max / MSP / Jitter hosted by Overlap.org, the SF Ableton Live Users Group, and the Bay Area Computer Music Technology Group (BArCMuT).

The Max/MSP/Jitter/Live salon is a chance for users of Cycling '74s new media toolkit Max/MSP, and Ableton's Live sequencer, to come together and share patches and ideas, get inspired by featured projects, and network with the large community of users in the Bay Area that use these tools.

The salon will begin with a short introduction by all participants, and be followed by presentations. The remainder of the time will be spent on questions, ad hoc salon presentations, and collective projects. Everyone is welcome regardless of experience using Max/MSP/Jitter or Ableton Live. Being a software specific gather, we will try to focus on tips and techniques for channeling your raw creative force through these tools.

- UC Berkeley's Center for New Music and Audio Technologies (CNMAT) has had a twenty-year involvement with Max. Currently, CNMAT manages a distribution of dozens of objects and hundreds of patches covering controllers, additive and resonant synthesis, analysis, (electronic) music pedagogy, and open sound control. Michael Zbyszynski will present a brief overview of what is available, where to get it, and how it is being used both on stage and in the classroom.

- Peter Nyboer will be showing the new Livid Ohm64 controller. Peter says, "I'll talk about how to control the LEDs, show off the editor, and show some max patches that I've been developing that will provide good fodder for discussion on how to make instruments for this beast!"

- Matt Ridenour (VJ Mattbot) will present and perform with his Euclidian sequence generator Max external. There will be a web link provided to the Mac OS X beta version of the Max external, example Max patches and a Ruby class implementation for non- Mac/Max users.

Additional software sharing, discussion, and interaction will transpire around these presentations.

Bay Area Computer Music Technology Group Organizer

MATT RIDENOUR (a.k.a. VJ Mattbot) escaped the linear world of single channel film/video after discovering interactive multimedia in the Spring of 1995. His work occupies the liminal spaces between random and generative chance, impromptu decisions, preprogrammed structures, emergent behaviors, meaning and noise. His work has been presented in installation, live performance, theater, architecture, recorded media and network based formats. He has been coding audio, video, and installation pieces using Max/MSP since 2001. Matt Ridenour received his BFA in Filmmaking from the University of Oklahoma in 2000.

PETER NYBOER has been making software as a partner of Livid Instruments for about 5 years. Livid Instruments has a variety of open-source and commercial applications for audio and video artists. They have been making low-volume, high quality MIDI controllers and look to carve out a unique niche in the controller market with the Ohm64.

MICHAEL FERRIELL ZBYSZYNSKI is a composer, sound artist, performer, and teacher in the field of contemporary electroacoustic music, is Assistant Director of Music Composition and Pedagogy at UC Berkeley's Center for New Music and Audio Technologies, and teaches Electronic Muic at San Francisco State University. Playing flute, saxophones, clarinet, Yamaha WX-5, live electronics, or things made from coffee cans and PVC, he has appeared with Respectable Citizen, Roscoe Mitchell, Myra Melford, Frank Gratkowski, the Berkeley Symphony Orchestra, the Merce Cunningham Dance Company, Capacitor Performance Group, Frances-Marie Uitti, at the Other Minds Festival, the Oregon Bach Festival, the Getty Center, and the Montréal Jazz Festival, and has been a resident fellow at the Montalvo Arts Center. He holds a PhD in composition from the University of California, Berkeley, studied at the Academy of Music in Cracow, Poland, on a Fulbright Grant, contributes to Make Magazine, and can be heard on the ARTSHIP recording label.

OVERLAP.ORG is an online platform for experimental media, releases, and events. Through innovative special events and exclusive online releases, Overlap shares new independent music, video and experimental art via its website Overlap.org, and provides anyone with a blog to share their media with the world.

Max / MSP / Jitter Salon
Thursday, July 22nd at 7pm
RSVP Here: http://www.barcmut.org
Private location near Market St. SF shown when you RSVP

Presentations:
- UC Berkeley's Center for New Music and Audio Technologies (CNMAT) has had a twenty-year involvement with Max.  Currently, CNMAT manages a distribution of dozens of objects and hundreds of patches covering controllers, additive and resonant synthesis, analysis, (electronic) music pedagogy, and open sound control.  Michael Zbyszynski will present a brief overview of what is available, where to get it, and how it is being used both on stage and in the classroom.

Best,
Noah Thorp
Bay Area Computer Music Technology Group Organizer

MATT RIDENOUR (a.k.a. VJ Mattbot) escaped the linear world of single channel film/video after discovering interactive multimedia in the Spring of 1995.  His work occupies the liminal spaces between random and generative chance, impromptu decisions, preprogrammed structures, emergent behaviors, meaning and noise.  His work has been presented in installation, live performance, theater, architecture, recorded media and network based formats. He has been coding audio, video, and installation pieces using Max/MSP since 2001. Matt Ridenour received his BFA in Filmmaking from the University of Oklahoma in 2000.

MICHAEL FERRIELL ZBYSZYNSKI is a composer, sound artist, performer, and teacher in the field of contemporary electroacoustic music, is Assistant Director of Music Composition and Pedagogy at UC Berkeley's Center for New Music and Audio Technologies, and teaches Electronic Muic at San Francisco State University. Playing flute, saxophones, clarinet, Yamaha WX-5, live electronics, or things made from coffee cans and PVC, he has appeared with Respectable Citizen, Roscoe Mitchell, Myra Melford, Frank Gratkowski, the Berkeley Symphony Orchestra, the Merce Cunningham Dance Company, Capacitor Performance Group, Frances-Marie Uitti, at the Other Minds Festival, the Oregon Bach Festival, the Getty Center, and the Montréal Jazz Festival, and has been a resident fellow at the Montalvo Arts Center. He holds a PhD in composition from the University of California, Berkeley, studied at the Academy of Music in Cracow, Poland, on a Fulbright Grant, contributes to Make Magazine, and can be heard on the ARTSHIP recording label. 

OVERLAP.ORG is an online platform for experimental media, releases, and events. Through innovative special events and exclusive online releases, Overlap shares new independent music, video and experimental art via its website Overlap.org, and provides anyone with a blog to share their media with the world.


sf-max-msp-jitter-salon-hosted-by-barcmut-overlap-org-and-sf-ableton-live-users-group

Oops... the Max / MSP / Jitter salon is **Wednesday** July 22nd at 7pm.

SF Max / MSP / Jitter salon hosted by BArCMuT, Overlap.org, and SF Ableton Live Users Group