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		<title>Cycling 74  &#187;  Topic: The San Francisco Tape Music Festival 2006</title>
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		<pubDate>Wed, 19 Jun 2013 20:33:00 +0000</pubDate>
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					<title><![CDATA[The San Francisco Tape Music Festival 2006]]></title>
					<link>http://cycling74.com/forums/topic/the-san-francisco-tape-music-festival-2006/#post-23997</link>
					<pubDate>Thu, 19 Jan 2006 18:31:11 +0000</pubDate>
					<dc:creator>ingalls</dc:creator>

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						<p>
Cinema for the Ear</p>
<p>The San Francisco Tape Music Festival 2006</p>
<p>January 27-29, 2006<br />
8pm<br />
ODC Theater<br />
3153 17th St (@ Shotwell)<br />
San Francisco</p>
<p>$12 [$7 students/seniors/underemployed] each night<br />
$24 [$14 student/seniors/underemployed] for festival pass<br />
Box Office: 415-863-9834 [2pm-5pm, Wed-Sat]<br />
To purchase tickets online:<br />
<a href="http://www.ticketweb.com/user" rel="nofollow">http://www.ticketweb.com/user</a>? <br />
region=3Dsfbay&#038;query=3Dschedule&#038;venue=3Dodctheater</p>
<p><a href="http://sfsound.org/tape" rel="nofollow">http://sfsound.org/tape</a></p>
<p>The New San Francisco Tape Music Center returns to ODC Theater for<br />
its annual Festival.  This three day event of fixed media audio art<br />
features an impressive and meticulously placed arrangement of<br />
sixteen speakers, immersing the audience in an exploratory and<br />
experimental sound environment focused on the listening<br />
experience.  Highlights include classics by Toru Takemitsu, Ilhan<br />
Mimaroglu, Herbert Brun, Louis and Bebe Barron, Jackson MacLow and<br />
a complete evening celebrating the work of Luc Ferrari (1929-2005),<br />
including a video profile by Veronique Larcher and ELSA<br />
Productions. Featured local composers include Cenk Ergun, Maggi<br />
Payne, Joseph Anderson, Ava Mendoza, Cliff Caruthers, MaryClare<br />
Brzytwa, Thom Blum, and Matt Ingalls.  In an era when &#8216;surround<br />
sound&#8217; has become commonplace, these artists&#8217; development of sound<br />
diffusion as a compositional technique creates a sonic experience<br />
you won&#8217;t soon forget. Come and enjoy this cutting edge art form at<br />
its best.</p>
<p>SF Classical Voice: &#8220;mind and ear expanding&#8221;<br />
Computer Music Journal: &#8220;a rich and flowing sonic environment&#8221;<br />
California Report: &#8220;crazy quilt collages of found sound&#8221;<br />
SF Weekly: &#8220;strange and beautiful&#8221;<br />
East Bay Express: &#8220;cinema for the ear&#8221;</p>
<p>
PROGRAM</p>
<p>Friday, January 27th, 8pm</p>
<p>Frank Lambert &#8211; Talking Clock [1878]<br />
MaryClare Brzytwa &#8211; Maxy Waxy [2005]<br />
Marc Ainger &#8211; Shatter [1998]<br />
Herbert Brun &#8211; U-TURN-TO [1980]<br />
Trevor Wishart &#8211;  Tongues of Fire [1994]<br />
             &#8211;<br />
Tetsu Inoue and Carl Stone &#8211; @.fine [2001]<br />
Ilhan Mimaroglu &#8211; And Yet, There Could Be Love [1971]<br />
Horacio Vaggione &#8211; Schall [1995]<br />
Jackson MacLow &#8211; 1st Milarepa Gatha [1993]<br />
Joseph Anderson &#8211; St. Cutherbert&#8217;s Parish Church, Edinburgh [2005]<br />
         Triptych<br />
         Ballard Locks, Seattle<br />
         Hermitage of Braid, Edinburgh<br />
Maggi Payne &#8211; Motor Rhythms [2005]</p>
<p>
Saturday, January 28th, 8pm</p>
<p>John Young &#8211; Allting runt omkring [1998]<br />
Toru Takemitsu &#8211; Vocalism Ai [1956]<br />
Ava Mendoza &#8211; To the Larynx! Metastasis [2005]<br />
Josh Goldman &#8211; Language [2003]<br />
Cenk Ergun &#8211; Excerpts from Cal ( bir + pilak-muzik + Trio for Video ) <br />
[2005]<br />
             &#8211;<br />
Thom Blum &#8211; Squelch [2006]<br />
Louis and Bebe Barron &#8211; excerpts from Forbidden Planet Soundtrack [1956]<br />
Cliff Caruthers &#8211; Blue Sky [2006]<br />
Bernhard Gal &#8211; It&#8217;s Like [2001]<br />
Curtis Roads &#8211; Volt Air, Parts I-IV [2003]</p>
<p>
Sunday, January 29th, 8pm<br />
A celebration of the work of french composer Luc Ferrari (1929-2005)</p>
<p>A video profile by Veronique Larcher and ELSA Productions [2006]<br />
Etudes Aux Sons Tendus [1958]<br />
selections from Cycle Des Souvenirs [2002]<br />
Strathoven [1985]<br />
Tautologos 1 [1961]<br />
Place des Abbesses [1977]<br />
Les Anecdotiques [2004]</p>
<p>_________________________________________</p>
<p>About Tape Music and nSFTMC</p>
<p>In the early part of the 20th century when the idea of recorded<br />
sounds was still novel, a new kind of music began to emerge.  This<br />
music did not treat the recording medium as a stand-in for an<br />
absent performer, or a document of a musical performance, but as a<br />
vital and unique territory for exploration in and of itself.  Tape<br />
music does not depend upon the posturing of performers. It does not<br />
worship the technology with which it was produced, or the physical<br />
medium in which it is contained.  It is a sonic inquiry, sculpting<br />
a new kind of music from the entire palette of sound.</p>
<p>The New San Francisco Tape Music Center (nSFTMC) began seven years<br />
ago in true underground fashion in a warehouse in East Oakland.<br />
They wired the space with speakers, borrowed professional equipment<br />
and threw a concert.  Since then they have become one of the<br />
premiere presenters of fixed media composition on the West Coast.<br />
They have deliberately assumed the name and model of the 1960&#8242;s San<br />
Francisco Tape Music Center.  In doing so they recognize the<br />
history of the Tape Music Center and their past contributions to<br />
electronic music while looking and listening to the future.</p>
<p>For more information please visit <a href="http://sfsound.org/tape" rel="nofollow">http://sfsound.org/tape</a></p>
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