tedor

I would like to use the rhythm and volume of the clicks I receive in this patch. Which would be the best way to capture the them so I could bang some nice synthesized sound with them?

use-of-mixed-cycles

> I would like to use the rhythm and volume of the clicks I receive in

> this patch. Which would be the best way to capture the them so I

> could bang some nice synthesized sound with them?

Create some midi notes and trigger your synths... Or take the bang 

itself... And don't forget there are also quite interesting examples in 

the Max folder, which can give you lots of hints...

(I only hear a pretty steady rhythm when opening the patch, you could 

even loop it, but I have no idea what you want to trigger with it...)

tedor schrieb:
> I would like to use the rhythm and volume of the clicks I receive in
> this patch. Which would be the best way to capture the them so I
> could bang some nice synthesized sound with them?

Create some midi notes and trigger your synths... Or take the bang 
itself... And don't forget there are also quite interesting examples in 
the Max folder, which can give you lots of hints...

(I only hear a pretty steady rhythm when opening the patch, you could 
even loop it, but I have no idea what you want to trigger with it...)

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com


yes, thank you Stefan, in the mean time I got closer to the solution. I used two filters to separate the high pitched clicks from the low rumbles. Then.. I was looking for an object like bonk, to capture the percussive motions in the signal.... wow and guess what? bonk~ is very good to see this changes in the signal as well.

of course it is a steady rhythm, but I just need the bangs from it to trigger some algorithms... (and I use the cycle, saw, and the tri so whenever I alter just one's frequency the rhythm changes just a bit or essentially.

ps.: yes the Max examples in Max 5 are very advanced!

yes, thank you Stefan, in the mean time I got closer to the solution. I used two filters to separate the high pitched clicks from the low rumbles. Then.. I was looking for an object like bonk, to capture the percussive motions in the signal.... wow and guess what? bonk~ is very good to see this changes in the signal as well. 

use of mixed cycles