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		<title>Cycling 74  &#187;  Topic: Writing FFT to jit.matrix</title>
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		<pubDate>Tue, 18 Jun 2013 21:16:04 +0000</pubDate>
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					<guid>http://cycling74.com/forums/topic/writing-fft-to-jit-matrix/#post-50748</guid>
					<title><![CDATA[Writing FFT to jit.matrix]]></title>
					<link>http://cycling74.com/forums/topic/writing-fft-to-jit-matrix/#post-50748</link>
					<pubDate>Sat, 05 Jun 2010 22:30:49 +0000</pubDate>
					<dc:creator>ekogan19</dc:creator>

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						<p>Hi all,</p>
<p>What is the best way to write an fft to jit.matrix?  I&#8217;d like to make a 2-layer jit.matrix, one layer each for real and imaginary parts.  I&#8217;m having trouble connecting any of fftin~ or fft~ directly to jit.poke~&#8230;  </p>
<p>Relatedly, how do you do an inverse fft on the matrix to re-synth the audio in real-time?  Thanks!</p>
<p>gene</p>
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					<guid>http://cycling74.com/forums/topic/writing-fft-to-jit-matrix/#post-182084</guid>
					<title><![CDATA[Re: Writing FFT to jit.matrix]]></title>
					<link>http://cycling74.com/forums/topic/writing-fft-to-jit-matrix/#post-182084</link>
					<pubDate>Mon, 07 Jun 2010 21:18:08 +0000</pubDate>
					<dc:creator>Jean-Francois Charles</dc:creator>

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						<p>You&#8217;d be better off using [pfft~].<br />
In the patches I posted in the &#8220;share&#8221; page on this site (community -> share pages), I write amplitude and phase difference in two layers. It&#8217;s easy to change it to write real and imaginary part if you wish, of course. Some examples include re-synthesis, by the way.<br />
Jean-François Charles.</p>
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