In this example, we have realized an entire structure of Stockhausen’s TELEMUSIK; namely the glissandi in structures 6 and 7. In brief, a function generator is programmed to generate a train of pulses at a relatively fast frequency and gradually slow down to a frequency of 0.222 Hz (1/4.5 Hz). This generator is then used in 8 simultaneous tracks, each controlled by a different evolution envelope.
How was MAX used?
Both the audio circuit and the presentation of the patch were entirely realized within Max 5.
Are you making this patch available? I clicked on the link at the klangwereld.org site, but it comes up as “page not found”. I would love to study what you’ve done closer.
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