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‘ableton’

Pushing the Edit Button

Helpful tutorials and Max for Live projects to get you started.

Live Cubes

Our friends at Percussa have released a new Audio Cube powered Max for Live device called Soundor. Here’s a demo of cubist FM synthesis goodness:

Soundflower’s role in multi-track Skype group call recordings

Lots of people use Soundflower for producing podcasts and doing various work where audio needs to get from one app to another. One great thing about Soundflower is that it is hackable so that you can customize it to your needs. A clever Soundlower user — who hosts “LuBlog” — contacted [...]

Max for Live Video Tutorials

In addition to new devices and lessons in the Max for Live update (Max 5.1.8/Live 8.2.2), there are a couple of new Live API features we would like to share with you in these short video tutorials. Many Max for Live devices utilize the Live API to control and keep track of different parts [...]

An Interview with Tom Erbe

SoundHack is a legendary, beloved, and free tool for mangling sound.

EM Reviews Max for Live

The Edit Button Has Been Pressed

Even before the Max for Live beta was opened up to the public, a community of testers was hard at work putting Max for Live through its paces. The integration of Max into the Ableton Live environment opened up a whole spectrum of possibilities that many users hadn’t even considered until now, and it [...]

An Interview with Robert Henke

Robert Henke is a brilliant electronic musician who records and performs under his own name and also as Monolake. His music has been described as minimalist yet complex techno with an architectural sound. For me, his music is very spatial and multi-dimensional.I find it takes me on an extraordinary journey through space and time, similar to a great work of fiction. Henke recently said, "The last century was about the creation of electronic music. This century is about performance."

Max for Live Presentation at Expo ’74

In this presentation, I spoke directly to people that were already familiar with Max, explained some of the details of working within the Live environment, and provided some tips about how to design an effective Live device. Hopefully this will whet your appetite for working with the Max/Live combo!

Max for Live: A Sneak Peak at the Live API features

So far we have talked about how Max for Live will allow you to create your own custom Max devices that run inside of Ableton Live. Most of the examples you've seen so far have been pretty similar to your average plugin, with the fundamental difference of being to edit the device in place. That in itself is pretty spectacular, and probably enough to please a lot of people and keep everyone busy. Well now I'd like to talk about a couple of features that really make Max for Live unique and pretty e...

Pluggo Technology Moves to Max for Live

Effective immediately, Cycling ’74 will discontinue sales of prebuilt Max-based audio plug-in packages. This includes Pluggo, Mode, Hipno, and UpMix. We will still continue to support current users as best we can, but there will be no further development on either the plug-in packages or their supporting technology.

My Perspective on Integrating Max and Live

David Zicarelli gives some insight on the decision to integrate Max within Live...

Announcing Max for Live

Cycling '74 and Ableton today announced Max for Live, the integration of Cycling '74's Max/MSP environment into Ableton Live. Available as an add-on product to Ableton's newly announced Live 8, Max for Live permits users to create devices that extend and customize Live by creating instruments, controllers, audio effects, and MIDI processors.

Cycling ’74′s Office Relocation, Part 2

For those of you who know San Francisco, there are two things you are well aware of. One, if you ask a pair of friends walking down the street where to get the best burrito, it could result in a fistfight. Two, it rarely gets hot here. Warm, yes. Hot, about 1 week each year. Monday, May 7th was hot and it was painting day.