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Patch along with Rob Ramirez and discover the Jitter Physics system.
You can’t schedule musical inspiration. Nothing is more frustrating than having an idea in your head, but not being in a pos...
Use multi-core processors and eliminate clicks while editing.
Learn about useful prototype versions.
In third installment of Jitter Recipe Collection, the Jitter Recipe “AnaglyphRender” builds on the “RenderMaster” recipe p...
Giorgio Sancristoforo is a very enthusiastic artist, musician, audio engineer and software developer based in Milan, Italy. Giorgi...
A while back, I wrote a series of four tutorials based around the idea of how you could generate and organize variety in Max patch...
In her first years of using Max, Pamela Z was able shed the hardware weight by building her own instrument in Max. Take a look ins...
In this presentation, I spoke directly to people that were already familiar with Max, explained some of the details of working wit...
Alex Stahl is a veteran collaborator and this has never been more evident than in his collaboration with Composer Paul Dresher for...
An amazing artist with an amazing range of work, read the interview of Noriko Matsumoto by Greg Taylor.
So far we have talked about how Max for Live will allow you to create your own custom Max devices that run inside of Ableton Live....
I will try to summarize here what I thought were some of the highlights of NIME 2009...
I'd like to share some really simple things that have worked for me that I hope you'll find useful, or that may provide a startin...
Many of us are invited to perform in unique circumstances – it’s a part of the Digital Media life. Recently, we’ve been feat...
Effective immediately, Cycling ’74 will discontinue sales of prebuilt Max-based audio plug-in packages. This includes Pluggo, Mo...
Last week, we put on our first conference. Now that Expo '74 is history, I've been asked to share my thoughts about the experience...
In this installment, we'll be working on some more advanced ninja tricks - creating the beginnings of a control/preset structure w...
Keith McMillen Instruments recently impressed all of us at NAMM with demonstrations of a new pair of string performance devices, t...
In this, the final episode of our guitar processing extravaganza, we are going to step away from making effects and focus on perfo...
At this point, we have a pretty useful guitar processing "rack", but it could use a little spice. This spice will come from two ad...
I recently attended Winter NAMM 2009 in Anaheim,CA, where Cycling '74 was sharing booth space with our friends at Ableton. I arriv...
This article provides a brief tour of the features we’ve added to Max for creating Live devices. If you’re familiar wi...
David Zicarelli gives some insight on the decision to integrate Max within Live...
