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‘audio’

Announcing Max for Live

Cycling '74 and Ableton today announced Max for Live, the integration of Cycling '74's Max/MSP environment into Ableton Live. Avai...

Max 5 Guitar Processor, Part 3

In the last article, we added some basic tonal effects: distortion/overdrive and EQ/filtering. This time, we will expand our virtu...

An Interview with Mattijs Kneppers

These days it seems that everyone wants to be an artist so I found it refreshing to meet someone who see himself as an engineer th...

LFO Tutorial 3: Extending Our Generators

Now that I've got a nice generative patch and a way to hear it, I thought it'd be nice to make a few improvements and extensions t...

A Look Back at AES 2008 in San Francisco

We rolled out of bed and into our suits this weekend to attend the annual Audio Engineering Society (AES) conference at the Moscon...

Announcing Expo ’74

Cycling '74 today announced that its first user conference, Expo '74, will be held in San Francisco next April. The conference wil...

Announcing Expo ’74: Our First User Conference

I'm pleased to announce that Cycling '74 will be hosting its first user conference next year, Expo '74. The conference will run th...

An Interview with Hans Tammen – Endangered Guitar

In this interview, Hans Tammen describes his journey into 'Endangered Guitar'...

Max 5 Guitar Processor, Part 2

In the last article, we did a lot of setup - we got input/output handling in place, and added a compressor to the processing chain...

CNMAT Summer School 2008

Recently, CNMAT at UC Berkeley held their annual MaxMSP/Jitter summer school classes at their beautiful Arch St. facility just off...

LFO Tutorial 2: Making Some Noise

Last time out, we created the LFOur, a generative patch composed of a quartet of synchronized LFOs whose output we can use to make...

Max 5 Guitar Processor, Part 1

In an earlier article, Andrew Benson and Ben Bracken went through the process of connecting a guitar to a Max-based processing sys...

A Video and Text Interview with Owen Grace: The Guitar Zeros

It's great to see the way that Max/MSP crosses musical genres and also allows people to repurpose available (and maybe not so avai...

LFO Tutorial 1: The Zen of the Silent Patch

I'm personally a lot more interested in the ability to synchronize processes in Max using time values that resemble musical note v...

Freshening Up, Part 2

When we left off in the last article, we had created a new color scheme and layout for our old patcher using presentation mode, tr...

Re-purposing Plug-ins in Max 5

As exporting plug-ins is not currently available for Max 5, we will look at another alternative in this article based on a new fea...

Freshening Up: Giving old patchers a new face in Max 5

I have to confess that I always found UI design in Max 4 to be a little too cumbersome, and would almost always wait until a patch...

Email to Customers (April 24, 2008)

Hello from Cycling '74 headquarters. We have some big news. Max 5 is now available for download. We're very excited about this maj...

Improving Your Patching Workflow

In addition to the smoother look and feel of Max 5, there have been a number of enhancements to the user interface that will help ...

A Look Back at Maker Faire 2008

This year, we decided to set up shop at the 3rd annual Bay Area Maker Faire in San Mateo, CA. Last year, Cycling '74 shared a litt...

Cycling ’74 Releases Max/MSP Version 5

Cycling ’74 today released Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programm...

An Interview with Natasha Barrett of DR.OX

Some of us listen to many different types of music and are open to experimentation but, correct me if I'm wrong, sometimes the mus...

Expand Your Guitar, Vol. 1

I've teamed up with Ben Bracken for this series of simple tutorials that will get you shredding your shreds faster than you though...

A Video and Text Interview with Monome

Brian Crabtree (who performs under the name tehn) and his partner Kelli Cain are collectively known as monome. They design what th...