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‘controller’

Luminth generative music system on Kickstarter

Max user Kevin Holland and his partner just launched a new music-making project called Luminth that you should check out.

Max/MSP, Arduino, and Jell-o Crack the New Instrument Mold

One of the things that first drew me to Max was its ability to connect such a wide variety of software and hardware in meaningful ...

Working with Hardware: Livid’s Code

Part 3 of the tutorial series on Livid Instruments' Code.

An Interview with Damian Taylor

The producer/engineer talks about Björk's "Biophilia" and how Max challenged his linear view of music.

Making Connections: Control Voltage Output Using OSC, Processing, and a Microcontroller

My most recent project, the USB-Octomod, uses Processing to create an OpenSoundControl (OSC) interface between any OSC-ready softw...

An Interview with Chris Coleman

Artist and educator Chris Coleman is recognized in the Max community for his work on Maxuino, a Max interface to the popular Ardui...

An Interview with Stretta

Matthew Davidson aka Stretta is a talented guy. He’s an accomplished graphic artist and video producer/editor but we talked to h...

The Edit Button Has Been Pressed

Even before the Max for Live beta was opened up to the public, a community of testers was hard at work putting Max for Live throug...

An Interview with Robert Henke

Robert Henke is a brilliant electronic musician who records and performs under his own name and also as Monolake. His music has be...

Pamela Z’s Presentation from Expo ’74

In her first years of using Max, Pamela Z was able shed the hardware weight by building her own instrument in Max. Take a look ins...

Making Connections: Eowave’s New Wireless Eobody

Eowave has introduced another product in their line of sensor to MIDI interfaces called the Eobody2 HF, a wireless sensor to USB M...

Max for Live: A Sneak Peak at the Live API features

So far we have talked about how Max for Live will allow you to create your own custom Max devices that run inside of Ableton Live....

A Look Back at NIME 2009

I will try to summarize here what I thought were some of the highlights of NIME 2009...

LFO Tutorial 4: Building Complexity

I'd like to share some really simple things that have worked for me that I hope you'll find useful, or that may provide a startin...

An Interview with Keith McMillen

Keith McMillen Instruments recently impressed all of us at NAMM with demonstrations of a new pair of string performance devices, t...

Max 5 Guitar Processor, Part 5

In this, the final episode of our guitar processing extravaganza, we are going to step away from making effects and focus on perfo...

The 2009 NAMM Show

I recently attended Winter NAMM 2009 in Anaheim,CA, where Cycling '74 was sharing booth space with our friends at Ableton. I arriv...

Making Connections: The Eobody USB OEM Board

This week the new Eowave OEM USB boards arrived at Cycling '74 HQ, and I was all too happy to give it a test drive. After having r...

LFO Tutorial 3: Extending Our Generators

Now that I've got a nice generative patch and a way to hear it, I thought it'd be nice to make a few improvements and extensions t...

LFO Tutorial 2: Making Some Noise

Last time out, we created the LFOur, a generative patch composed of a quartet of synchronized LFOs whose output we can use to make...

A Video and Text Interview with Owen Grace: The Guitar Zeros

It's great to see the way that Max/MSP crosses musical genres and also allows people to repurpose available (and maybe not so avai...

LFO Tutorial 1: The Zen of the Silent Patch

I'm personally a lot more interested in the ability to synchronize processes in Max using time values that resemble musical note v...

A Look Back at Maker Faire 2008

This year, we decided to set up shop at the 3rd annual Bay Area Maker Faire in San Mateo, CA. Last year, Cycling '74 shared a litt...

A Video and Text Interview with Monome

Brian Crabtree (who performs under the name tehn) and his partner Kelli Cain are collectively known as monome. They design what th...