Thanks for your help. We've received your bug report.

‘DSP’

Synth-Building with Max/MSP #8

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially amongst new Max users), I have moved them to the Cycling74.com website.

Synth-Building with Max/MSP #7

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially amongst new Max users), I have moved them to the Cycling74.com website.

Synth-Building with Max/MSP #6

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially amongst new Max users), I have moved them to the Cycling74.com website.

Synth-Building with Max/MSP #5

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially amongst new Max users), I have moved them to the Cycling74.com website.

Synth-Building with Max/MSP #4

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially amongst new Max users), I have moved them to the Cycling74.com website.

Synth-Building with Max/MSP #3

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially amongst new Max users), I have moved them to the Cycling74.com website.

Synth-Building with Max/MSP #2

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially amongst new Max users), I have moved them to the Cycling74.com website.

Synth-Building with Max/MSP #1

This series of tutorials first appeared on my CreativeSynth.com website between 2001 and 2002. Due to their popularity (especially amongst new Max users), I have moved them to the Cycling74.com website.

The Phase Vocoder – Part II

In our last article about the phase vocoder we saw how to create a basic phase vocoder for time-stretching. While it is by no means a simple MSP patch, it is a useful one. In addition to time-stretching, the phase vocoder has been used for transposition and "freeze" effects, which we will be discussing in this article.

Q & A with Amoebazoid

Zuckung from Amoebazoid is the newest c74 music release. Take a quick look at what Amoebazoid, himself, has to say about his new album.

Your First Shader

Typically, when I talk to Jitter users about writing one's own shader programs for use with jit.gl.slab, I usually get glazed-over eyes and this sort of distant look of wonder. When I try to explain how easy it is, that look typically turns to one of annoyed disbelief. So, for a long time now I've been thinking about writing an article to de-mystify the process of writing your own GLSL shaders, and to help everyone avoid some common frustrations.

An Interview with Bert Schiettecatte about AudioCubes

Bert Schiettecatte is the founder of Percussa, a music hardware and software company located near Leuven, Belguim. The company's first product is Audio Cubes, a beautiful and unusual controller system that can be used in powerful ways in conjunction with Max/MSP and other software. Read more about Audio Cubes in this article.

A Video and Text Interview with Luke DuBois, Educator and Musician

I first became aware of Luke DuBois when I heard his band’s CD Freight Elevator Quartet. Later, we met when he did custom MSP programming for the filmmaker Toni Dove. I was intrigued by the contrast of his knowledge and experience vs. his boyish demeanor. Luke DuBois might look like a college student but that impression changes the minute he opens his mouth. He is a Fellow at the Computer Music Center at Columbia University in New York City and teaches at NYU. Luke is an expert with Max/MSP/Ji...

Getting Around in Radial, Part Three

In the previous installments, I've tried to give you a quick hands-on feel for how radiaL operates, paying particular attention to how you can develop a feel for radiaL's nonlinear playback modes by listening. But I think that the place where radiaL really shines as an instrument rather than enjoyable way to do multi-channel loop manipulation involves the addition of an interface -- connecting radiaL to an external controller in a way that turns your favorite parameter changes into physical/gest...

Workshop in Delft

We held another Max/MSP/Jitter workshop from the 27th to the 30th of March in the Dutch city of Delft (yes, as in "that color blue associated with porcelain"). Our hosts were in the Industrial Design faculty at the Technical University. Read more about the exciting event in this article.

Our Collaboration with Ableton

At this year's Musikmesse, Ableton announced it has entered into a strategic partnership with Cycling '74 to develop new products. You can read Ableton's story about this partnership here. I wanted to share my perspective on what this partnership will mean (as well as what it will not mean) for Cycling '74 users.

Multi-language Max/MSP

This is perhaps an unusual article for Cycling '74 to put on their web site, because it has to do with all the languages that Max/MSP isn't. I have to confess that I'm not really a very good Max-user. I know only a handful of objects, and I am of the text-based generation that is still a little, um, "graphical-user-interface-challenged". I basically use Max/MSP only as a window onto computer music languages that I am adept at using. More and more, though, I am also using Max as base platform for...

A Grab Bag of Pluggo Dev Tricks

This folder contains a number of extra externals which we use in the various Pluggo based plug-in packages. These externals are unsupported, contain features which may change at any point, and may not be maintained with regard to backwards compatibility. However, plug-in developers may find some of them useful, and you are free to include and distribute them with your plugs. In this article, I'd like to introduce a few of them, explain a little about how they work, and also demonstrate a couple ...

Getting Around in Radial, Part 2

In our last installment, I tried to present some really simple and (I hope) explanatory samples of some of the easiest ways to generate and organize variety on the fly using radiaL. One of the things that those examples did that I didn't talk very explicitly about involved loading a single loop on multiple channels and then using radiaL's ability to playback sections of that loop in a nonlinear fashion to create evolving structures. In the interests of "ear training," I suggested that you mute s...

Getting Around in Radial

I've been asked to write a couple of articles that discuss how I learned radiaL, and how I approach using it in a live performance setting -- both as a soloist and in an ensemble setting. While there are a good number of people out there who use radiaL, I'm surprised to discover that there are not nearly as many people who do what I do -- namely, to walk out on a stage, launch the program, and start improvising. While it seems a perfectly natural thing to do from my point of view, it may not nec...

An Interview With Tim Place

In this interview, Tim Place speaks about his work as a developer and artist, charting the numerous development projects which pooled together to create Hipno.

ReWire Essentials, Part Two

In this second installment of the ReWire Essentials series, we are going to look at hosting ReWire client applications. Clients route their information to the host (or mixer) application through the ReWire mechanism, and using Max/MSP as a host gives us options to have some fun with both the playback and output of the connected application.

The Phase Vocoder – Part I

The phase vocoder is a tool used to perform time-stretching and pitch-shifting on recorded sounds. Its name derives from the early "vocoders" (contraction from "voice encoders"), which used a set of bandpass filters in parallel over many frequency bands, to crudely analyze and reconstruct speech. In this article, Richard Dudas and Cort Lippe explain the workings of a phase-vocoder as well as how to construct and modify one in Max/MSP.

Cycling ’74 Releases Entire Line of Plug-in Products for Mac Intel

Cycling '74, a San Francisco-based music software company, today released Pluggo v. 3.6, Hipno v. 1.1, Mode v. 1.3 and UpMix 1.1 which add Universal Binary support for Intel-based Macs. The plug-in collections are for RTAS, VST and AU host environments.