A simple truth emerges from the practice of writing Max patches like the Max for Live device we’ve been working on: The trajectory of “finishing” your Max patch is something you approach on an asymptotic curve - you approach being “done,” but never quite reach it. This tutorial is an attempt to honor that curve of near-completion.Tag Archives: home
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LFO Tutorial 7 (Rattle and Hmmm)
A simple truth emerges from the practice of writing Max patches like the Max for Live device we’ve been working on: The trajectory of “finishing” your Max patch is something you approach on an asymptotic curve - you approach being “done,” but never quite reach it. This tutorial is an attempt to honor that curve of near-completion. -
Demystifying Expressions in Jitter
One of the most feared and respected objects in the Jitter collection, jit.expr arrived on the scene as part of Jitter 1.5. In some circles, there is a belief that harnessing its power will bring you great powers and enable you to achieve untold wonders.
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Sound On Sound Reviews Max for Live
In this review, Nick Rothwell explains Max for Live in terms of what the addition of Max offers to Live users. He also shares his perspective on what Live offers to Max users, something that is less commonly discussed. -
LFO Tutorial 6 (Live if you want it)
Since a lot of people are interested in what the process of porting a Max patch for use in Max for Live looks like, I thought I’d take this tutorial as an opportunity to go over the steps I used to take my waveplayah patch and to convert it to a Max for Live device waveplayah.amxd.