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Max let Andrew Spitz create his ideas without becoming a programmer.
One of the things that first drew me to Max was its ability to connect such a wide variety of software and hardware in meaningful ...
My most recent project, the USB-Octomod, uses Processing to create an OpenSoundControl (OSC) interface between any OSC-ready softw...
Giorgio Sancristoforo is a very enthusiastic artist, musician, audio engineer and software developer based in Milan, Italy. Giorgi...
Elise Baldwin is an intermedia artist that works with music and projections. I find her work to be both fragile and dense, inspiri...
In this presentation, I spoke directly to people that were already familiar with Max, explained some of the details of working wit...
Alex Stahl is a veteran collaborator and this has never been more evident than in his collaboration with Composer Paul Dresher for...
Eowave has introduced another product in their line of sensor to MIDI interfaces called the Eobody2 HF, a wireless sensor to USB M...
An amazing artist with an amazing range of work, read the interview of Noriko Matsumoto by Greg Taylor.
I will try to summarize here what I thought were some of the highlights of NIME 2009...
I'd like to share some really simple things that have worked for me that I hope you'll find useful, or that may provide a startin...
Many of us are invited to perform in unique circumstances – it’s a part of the Digital Media life. Recently, we’ve been feat...
On the afternoon of April 3rd, I received an email from M.I.A.'s manager asking if I'd be interested in working with them on a one...
In this installment, we'll be working on some more advanced ninja tricks - creating the beginnings of a control/preset structure w...
Keith McMillen Instruments recently impressed all of us at NAMM with demonstrations of a new pair of string performance devices, t...
In this, the final episode of our guitar processing extravaganza, we are going to step away from making effects and focus on perfo...
At this point, we have a pretty useful guitar processing "rack", but it could use a little spice. This spice will come from two ad...
I recently attended Winter NAMM 2009 in Anaheim,CA, where Cycling '74 was sharing booth space with our friends at Ableton. I arriv...
David Zicarelli gives some insight on the decision to integrate Max within Live...
Cycling '74 and Ableton today announced Max for Live, the integration of Cycling '74's Max/MSP environment into Ableton Live. Avai...
Between the tutorials, Jitter Recipes, and all of the example content, there are many Jitter patches floating around that each do ...
In the last article, we added some basic tonal effects: distortion/overdrive and EQ/filtering. This time, we will expand our virtu...
These days it seems that everyone wants to be an artist so I found it refreshing to meet someone who see himself as an engineer th...
We rolled out of bed and into our suits this weekend to attend the annual Audio Engineering Society (AES) conference at the Moscon...
