On the afternoon of April 3rd, I received an email from M.I.A.'s manager asking if I'd be interested in working with them on a one...
In this installment, we'll be working on some more advanced ninja tricks - creating the beginnings of a control/preset structure w...
Keith McMillen Instruments recently impressed all of us at NAMM with demonstrations of a new pair of string performance devices, t...
In this, the final episode of our guitar processing extravaganza, we are going to step away from making effects and focus on perfo...
At this point, we have a pretty useful guitar processing "rack", but it could use a little spice. This spice will come from two ad...
I recently attended Winter NAMM 2009 in Anaheim,CA, where Cycling '74 was sharing booth space with our friends at Ableton. I arriv...
David Zicarelli gives some insight on the decision to integrate Max within Live...
Cycling '74 and Ableton today announced Max for Live, the integration of Cycling '74's Max/MSP environment into Ableton Live. Avai...
Between the tutorials, Jitter Recipes, and all of the example content, there are many Jitter patches floating around that each do ...
In the last article, we added some basic tonal effects: distortion/overdrive and EQ/filtering. This time, we will expand our virtu...
