Even before the Max for Live beta was opened up to the public, a community of testers was hard at work putting Max for Live throug...
In this presentation, I spoke directly to people that were already familiar with Max, explained some of the details of working wit...
Alex Stahl is a veteran collaborator and this has never been more evident than in his collaboration with Composer Paul Dresher for...
An amazing artist with an amazing range of work, read the interview of Noriko Matsumoto by Greg Taylor.
So far we have talked about how Max for Live will allow you to create your own custom Max devices that run inside of Ableton Live....
I will try to summarize here what I thought were some of the highlights of NIME 2009...
Many of us are invited to perform in unique circumstances – it’s a part of the Digital Media life. Recently, we’ve been feat...
Effective immediately, Cycling ’74 will discontinue sales of prebuilt Max-based audio plug-in packages. This includes Pluggo, Mo...
On the afternoon of April 3rd, I received an email from M.I.A.'s manager asking if I'd be interested in working with them on a one...
Keith McMillen Instruments recently impressed all of us at NAMM with demonstrations of a new pair of string performance devices, t...
