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‘max-for-live’

New video series: Using Max For Live devices

Matthew Davidson, the developer of the new Mono Sequencer device, gives us a quickstart primer on using this creative MIDI effect....

Announcing Max 6.1

Get Max 6.1 release details.

Pushing the Edit Button

Helpful tutorials and Max for Live projects to get you started.

Live Cubes

Our friends at Percussa have released a new Audio Cube powered Max for Live device called Soundor. Here’s a demo of cubist F...

SUFI PLUG INS

A fabulous suite of free and artistic audio plugins using Max for Live, designed to challenge the Eurocentric / Western norms prev...

Mouse On Mars use Max For Live and Jitter for “Parastrophics” tour

I’ve long been a fan of the German electronic group Mouse On Mars, but I’ve lost track of them the past few years. I w...

An Interview with Icarus

Icarus discusses their “album in 1000 variations” and more.

Science Fair Projects, Part 2

At the 2011 Expo '74, some Max users exhibited their musical performance work.

Max for Live Tutorial

Adding pattr Presets To Your Live Session

Week 16: Loadbang Method in Max for Live

Javascript loadbang method in Max for Live is not a good idea.

Max for Live Video Tutorials

In addition to new devices and lessons in the Max for Live update (Max 5.1.8/Live 8.2.2), there are a couple of new Live API featu...

An Interview with Tom Erbe

SoundHack is a legendary, beloved, and free tool for mangling sound.

Noise Tutorial 1: Riding Tandem With The Random

In the last several tutorials I’ve written, I’ve been talking about a subject that interests me a great deal – how to add va...

Sound On Sound Reviews Max for Live

In this review, Nick Rothwell explains Max for Live in terms of what the addition of Max offers to Live users. He also shares his ...

LFO Tutorial 6 (Live if you want it)

Since a lot of people are interested in what the process of porting a Max patch for use in Max for Live looks like, I thought I’...

EM Reviews Max for Live

In this article, Jim Aikin reviews the new add-on product to Live, developed by Ableton and Cycling ’74, with a detailed acc...

An Interview with Stretta

Matthew Davidson aka Stretta is a talented guy. He’s an accomplished graphic artist and video producer/editor but we talked to h...

A Video Processing Device for Max for Live

While many people are looking at Max for Live as a great way to integrate their favorite hardware controllers, build really unique...

The Edit Button Has Been Pressed

Even before the Max for Live beta was opened up to the public, a community of testers was hard at work putting Max for Live throug...

An Interview with Robert Henke

Robert Henke is a brilliant electronic musician who records and performs under his own name and also as Monolake. His music has be...

Max for Live Presentation at Expo ’74

In this presentation, I spoke directly to people that were already familiar with Max, explained some of the details of working wit...

Max for Live: A Sneak Peak at the Live API features

So far we have talked about how Max for Live will allow you to create your own custom Max devices that run inside of Ableton Live....

Pluggo Technology Moves to Max for Live

Effective immediately, Cycling ’74 will discontinue sales of prebuilt Max-based audio plug-in packages. This includes Pluggo, Mo...

Tools for Creating Devices in Live

This article provides a brief tour of the features we’ve added to Max for creating Live devices. If you’re familiar wi...