MIDI and the Lemur
The JazzMutant Lemur is an incredibly versatile control surface for media applications. It allows you to create an interface match your performance needs, and communicates with your computer through an Ethernet connection (using the Open Sound Control messaging system). Unfortunately, there are relatively few software packages that speak OSC natively, so “bridge” software has been required to interface between OSC and the more common MIDI communication path.
An Interview With David Wessel
David Wessel is Professor of Music at the University of California, Berkeley where he directs the Center for New Music and Audio Technologies (CNMAT). Wessel worked at IRCAM between 1979 and 1988; his activities there included starting the department where Miller Puckette first began working on Max on a Macintosh. Since Wessel's arrival in Berkeley over ten years ago, CNMAT has been actively involved in teaching Max/MSP as well as developing freely available Max-based software projects. In this ...
An Interview With Carl Stone
San Francisco resident Carl Stone has composed electro-acoustic and computer music exclusively since 1972. He has been commissioned to compose and perform his works in the United States, Canada, Europe, Asia, Australia, South America and the Near East. In this 1999 interview with Gregory Taylor, Stone talks about his methods for composing with new technologies and the artistic implications of sampling.
An Interview With Andrew Schloss
With a set of experiences that includes playing with Tito Puente, touring with Peter Brook's theatre ensemble in the 70s, and recently playing percussion with Rickie Lee Jones for the opening of the Experience Music Project in Seattle, it's clear that Andrew Schloss has been all over the map for the past 30 years. In the mid-80s, shortly after discovering the radio drum, an electronic instrument created at Bell Labs, he went to IRCAM where Miller Puckette and David Wessel introduced him to Max. ...
An Interview With Luke DuBois
Luke DuBois is a teacher at Columbia University in New York City, and a member of the famous Freight Elevator Quartet, whose "Fix It In Post" CD is making waves as the first release on the C74 record label. In this conversation with Gregory Taylor, Luke shares stories of synthesizer part scrounging, the early days of the Freight Elevator Quartet, and some of his most inspiring students' projects.
InVeSTigations (part 2)
One quick way to start having fun with Max is to use the vst~ object to host audio plug-ins or VST instruments; you can load plug-ins you already have (or find some free plug-ins) and get a little experience with using Max to send messages to them while you gather the courage to write your own audio processing patches or virtual synths.