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‘performance’

Jitter on the Mainstage at Coachella

On the afternoon of April 3rd, I received an email from M.I.A.'s manager asking if I'd be interested in working with them on a one...

The Video Processing System, Part 3

In this installment, we'll be working on some more advanced ninja tricks - creating the beginnings of a control/preset structure w...

An Interview with Keith McMillen

Keith McMillen Instruments recently impressed all of us at NAMM with demonstrations of a new pair of string performance devices, t...

Max 5 Guitar Processor, Part 5

In this, the final episode of our guitar processing extravaganza, we are going to step away from making effects and focus on perfo...

Max 5 Guitar Processor, Part 4

At this point, we have a pretty useful guitar processing "rack", but it could use a little spice. This spice will come from two ad...

The 2009 NAMM Show

I recently attended Winter NAMM 2009 in Anaheim,CA, where Cycling '74 was sharing booth space with our friends at Ableton. I arriv...

My Perspective on Integrating Max and Live

David Zicarelli gives some insight on the decision to integrate Max within Live...

Announcing Max for Live

Cycling '74 and Ableton today announced Max for Live, the integration of Cycling '74's Max/MSP environment into Ableton Live. Avai...

The Video Processing System, Part 1

Between the tutorials, Jitter Recipes, and all of the example content, there are many Jitter patches floating around that each do ...

Max 5 Guitar Processor, Part 3

In the last article, we added some basic tonal effects: distortion/overdrive and EQ/filtering. This time, we will expand our virtu...

An Interview with Mattijs Kneppers

These days it seems that everyone wants to be an artist so I found it refreshing to meet someone who see himself as an engineer th...

A Look Back at AES 2008 in San Francisco

We rolled out of bed and into our suits this weekend to attend the annual Audio Engineering Society (AES) conference at the Moscon...

Announcing Expo ’74

Cycling '74 today announced that its first user conference, Expo '74, will be held in San Francisco next April. The conference wil...

Announcing Expo ’74: Our First User Conference

I'm pleased to announce that Cycling '74 will be hosting its first user conference next year, Expo '74. The conference will run th...

An Interview with Hans Tammen – Endangered Guitar

In this interview, Hans Tammen describes his journey into 'Endangered Guitar'...

A Video and Text Interview with Owen Grace: The Guitar Zeros

It's great to see the way that Max/MSP crosses musical genres and also allows people to repurpose available (and maybe not so avai...

Email to Customers (April 24, 2008)

Hello from Cycling '74 headquarters. We have some big news. Max 5 is now available for download. We're very excited about this maj...

Cycling ’74 Releases Max/MSP Version 5

Cycling ’74 today released Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programm...

An Interview with Natasha Barrett of DR.OX

Some of us listen to many different types of music and are open to experimentation but, correct me if I'm wrong, sometimes the mus...

A Video and Text Interview with Monome

Brian Crabtree (who performs under the name tehn) and his partner Kelli Cain are collectively known as monome. They design what th...

Making Connections: Building a USB Footswitch

As a guitarist, I was looking for a simple hands-free controller for Max. Rather than buy an expensive pedalboard and MIDI interfa...

Announcing Max/MSP Version 5

Cycling '74 today announced Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programmi...

Interview with Leafcutter John, Musician

I spent hours and hours agonizing over an introduction to this interview. Everything I wrote sucked and realized that I have to le...

My Wii Life…

In this article, Darwin Grosse explains how to use the Wii video-game controller to interface with Max/MSP.