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Max for Live: A Sneak Peak at the Live API features

So far we have talked about how Max for Live will allow you to create your own custom Max devices that run inside of Ableton Live....

A Look Back at NIME 2009

I will try to summarize here what I thought were some of the highlights of NIME 2009...

Experiences from “Welcome Sound”

Many of us are invited to perform in unique circumstances – it’s a part of the Digital Media life. Recently, we’ve been feat...

Max 5 Guitar Processor, Part 5

In this, the final episode of our guitar processing extravaganza, we are going to step away from making effects and focus on perfo...

Max 5 Guitar Processor, Part 4

At this point, we have a pretty useful guitar processing "rack", but it could use a little spice. This spice will come from two ad...

The 2009 NAMM Show

I recently attended Winter NAMM 2009 in Anaheim,CA, where Cycling '74 was sharing booth space with our friends at Ableton. I arriv...

Tools for Creating Devices in Live

This article provides a brief tour of the features we’ve added to Max for creating Live devices. If you’re familiar wi...

My Perspective on Integrating Max and Live

David Zicarelli gives some insight on the decision to integrate Max within Live...

Announcing Max for Live

Cycling '74 and Ableton today announced Max for Live, the integration of Cycling '74's Max/MSP environment into Ableton Live. Avai...

An Interview with Mattijs Kneppers

These days it seems that everyone wants to be an artist so I found it refreshing to meet someone who see himself as an engineer th...

LFO Tutorial 3: Extending Our Generators

Now that I've got a nice generative patch and a way to hear it, I thought it'd be nice to make a few improvements and extensions t...

A Look Back at AES 2008 in San Francisco

We rolled out of bed and into our suits this weekend to attend the annual Audio Engineering Society (AES) conference at the Moscon...

Announcing Expo ’74: Our First User Conference

I'm pleased to announce that Cycling '74 will be hosting its first user conference next year, Expo '74. The conference will run th...

An Interview with Hans Tammen – Endangered Guitar

In this interview, Hans Tammen describes his journey into 'Endangered Guitar'...

A Video and Text Interview with Owen Grace: The Guitar Zeros

It's great to see the way that Max/MSP crosses musical genres and also allows people to repurpose available (and maybe not so avai...

Freshening Up, Part 2

When we left off in the last article, we had created a new color scheme and layout for our old patcher using presentation mode, tr...

Freshening Up: Giving old patchers a new face in Max 5

I have to confess that I always found UI design in Max 4 to be a little too cumbersome, and would almost always wait until a patch...

Email to Customers (April 24, 2008)

Hello from Cycling '74 headquarters. We have some big news. Max 5 is now available for download. We're very excited about this maj...

Improving Your Patching Workflow

In addition to the smoother look and feel of Max 5, there have been a number of enhancements to the user interface that will help ...

A Look Back at Maker Faire 2008

This year, we decided to set up shop at the 3rd annual Bay Area Maker Faire in San Mateo, CA. Last year, Cycling '74 shared a litt...

Cycling ’74 Releases Max/MSP Version 5

Cycling ’74 today released Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programm...

An Interview with Natasha Barrett of DR.OX

Some of us listen to many different types of music and are open to experimentation but, correct me if I'm wrong, sometimes the mus...

Expand Your Guitar, Vol. 1

I've teamed up with Ben Bracken for this series of simple tutorials that will get you shredding your shreds faster than you though...

Announcing Max/MSP Version 5

Cycling '74 today announced Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programmi...