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Tag Archives: SDK

Event Priority in Max (Scheduler vs. Queue) September 9, 2004
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March 17, 2010
- MAX FOR LIVE INTENSIVE
  MAX FOR LIVE INTENSIVE
  Time: 10:00 am
  MAX FOR LIVE (M4L / ABLETON LIVE + MAX/MSP) FULL WEEK INTENSIVE Mark Triant, Dafna Naphtali, Adam Rokhsar Monday through Friday, March 15 - 19 10am to 6pm (40 hrs) - $1200 + $75 for membership Harvestworks in New York City offers a 40-hour crash course in Max for Live (M4L) - a new incarnation of Max/MSP that runs natively within Ableton Live, enabling users to design and share custom-made instruments, processors, and interfaces, with a level of integration beyond what third-party plugins are capable of. This full-week, 40-hour crash course is designed to help new M4L users dive into the construction of new devices to run within Live, including MIDI and audio processors, new instruments, and interfaces to Live's API which allow M4L patches to monitor and control application-wide behavior in real-time. at 10:00 am
- Harvestworks Jitter Intro
  Harvestworks Jitter Intro
  Time: 6:30 pm
  JITTER INTRODUCTION Matthew Ostrowski / Dafna Naphtali at 6:30 pm
March 18, 2010
March 19, 2010
March 21, 2010
- MAXMSP FOR INDIE ROCK
  MAXMSP FOR INDIE ROCK
  Time: 12:00 pm
  Adam Rokhsar Sunday, March 21 noon - 6pm $220/$280 This course will teach you how to use Max/MSP to redefine the "indie sound" with advanced tricks and techniques for the recording studio and the stage. You will also learn how to use Jitter and Max for Live to create real-time, strongly timed visuals that interact directly with the music. at 12:00 pm
March 23, 2010
- Robotspeak Max for Live Class
  Robotspeak Max for Live Class
  Time: 7:00 pm
  Tuesdays: March 16, 23, 30, and April 6 from 7-9PM Class size limited to 10 people, so call 415-554-1977 to reserve your space early!!! This is a workshop for users of Live who want to dig deeper into Max for Live. The ideal participant is comfortable with Live but has little or no experience with Max or M4L. Max/MSP/Jitter is a graphical programming environment for music, audio and multimedia that has been used worldwide for over fifteen years by performers, composers, artists, teachers, and students. After completing this course, students will be able to make new M4L devices that process sound and midi in response to real-time control and/or simple algorithmic processes. Graduates of this course will also have the skills to read and understand larger M4L devises and the foundation for exploring more advanced features cir tutorials, help patches and online documentation. at 7:00 pm
March 24, 2010
- Harvestworks Jitter Intro
  Harvestworks Jitter Intro
  Time: 6:30 pm
  JITTER INTRODUCTION Matthew Ostrowski / Dafna Naphtali at 6:30 pm
March 25, 2010
- Call for Contributions
  Call for Contributions
  ======================================= eContact! 12.4 -- Performance-Reception-Analysis-Perception Call for Contributions / Appel à contribution ======================================= [E] Call for Contributions eContact! extends an open call for contributions to an issue exploring the various stages of appreciation of electroacoustic (EA) creation: from its reception in the concert hall to critical analysis to reflection on the impact of EA artists and their work on current and future EA creation. Submission deadline: 15 May 2010 Publication: 1 June 2010 all day
- JITTER AS PERFORMANCE INSTRU
  JITTER AS PERFORMANCE INSTRU
  Time: 6:30 pm
  JITTER AS PERFORMANCE INSTRUMENTAdam Kendall Thursday, March 25 6:30 - 9:30pm - $110/$180 This is a hands-on workshop to discuss and program real-time control of video-parameters via MIDI note and CC information, ADSR evevlopes, and LFOs. at 6:30 pm