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‘video’

Naoto Fushimi’s youtube channel

Youtube user Naoto Fushimi has been steadily posting some great videos demonstrating advanced, audio reactive Jitter / GL techniqu...

Catching up with SUE-C

Don’t worry fans of creativity, SUE-C is still creating thoughtful teases of imagery and transforming spaces to exercise and...

Recipe 56: Relief

    General Principles
  • Creating evenly spaced 3D objects
  • Making a 3D volumetric relief effect ...

Polyphonic Synthesizer Tutorial

How poly~, adsr~, and thispoly~ work together.

Work Your Framerates

Learn to optimize and benchmark a Jitter project.

Max for Live Video Tutorials

In addition to new devices and lessons in the Max for Live update (Max 5.1.8/Live 8.2.2), there are a couple of new Live API featu...

Jitter Recipes: Book 3, Recipes 26-43

In third installment of Jitter Recipe Collection, the Jitter Recipe “AnaglyphRender” builds on the “RenderMaster” recipe p...

An Interview with Giorgio Sancristoforo

Giorgio Sancristoforo is a very enthusiastic artist, musician, audio engineer and software developer based in Milan, Italy. Giorgi...

An Interview with Elise Baldwin

Elise Baldwin is an intermedia artist that works with music and projections. I find her work to be both fragile and dense, inspiri...

Demystifying Expressions in Jitter

One of the most feared and respected objects in the Jitter collection, jit.expr arrived on the scene as part of Jitter 1.5. In som...

A Video Processing Device for Max for Live

While many people are looking at Max for Live as a great way to integrate their favorite hardware controllers, build really unique...

Making Connections: Camera Data

Coming up with ways to get information about the physical world into Max is one of the most fun aspects of working with the softwa...

The Video Processing System, Part 4

In this installment of the Video Processing System, we're going to tackle two big hurdles that Jitter users often find themselves ...

Max for Live Presentation at Expo ’74

In this presentation, I spoke directly to people that were already familiar with Max, explained some of the details of working wit...

A Video and Text Interview with Alex Stahl

Alex Stahl is a veteran collaborator and this has never been more evident than in his collaboration with Composer Paul Dresher for...

An Interview with Noriko Matsumoto

An amazing artist with an amazing range of work, read the interview of Noriko Matsumoto by Greg Taylor.

A Look Back at NIME 2009

I will try to summarize here what I thought were some of the highlights of NIME 2009...

Jitter on the Mainstage at Coachella

On the afternoon of April 3rd, I received an email from M.I.A.'s manager asking if I'd be interested in working with them on a one...

A Look Back at Expo ’74

Last week, we put on our first conference. Now that Expo '74 is history, I've been asked to share my thoughts about the experience...

The Video Processing System, Part 3

In this installment, we'll be working on some more advanced ninja tricks - creating the beginnings of a control/preset structure w...

The Video Processing System, Part 2

In our last article, we began to create our processing system by putting the essential structure in place and adding our input han...

The 2009 NAMM Show

I recently attended Winter NAMM 2009 in Anaheim,CA, where Cycling '74 was sharing booth space with our friends at Ableton. I arriv...

My Perspective on Integrating Max and Live

David Zicarelli gives some insight on the decision to integrate Max within Live...

Announcing Max for Live

Cycling '74 and Ableton today announced Max for Live, the integration of Cycling '74's Max/MSP environment into Ableton Live. Avai...