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Youtube user Naoto Fushimi has been steadily posting some great videos demonstrating advanced, audio reactive Jitter / GL techniqu...
Don’t worry fans of creativity, SUE-C is still creating thoughtful teases of imagery and transforming spaces to exercise and...
How poly~, adsr~, and thispoly~ work together.
Learn to optimize and benchmark a Jitter project.
In addition to new devices and lessons in the Max for Live update (Max 5.1.8/Live 8.2.2), there are a couple of new Live API featu...
In third installment of Jitter Recipe Collection, the Jitter Recipe “AnaglyphRender” builds on the “RenderMaster” recipe p...
Giorgio Sancristoforo is a very enthusiastic artist, musician, audio engineer and software developer based in Milan, Italy. Giorgi...
Elise Baldwin is an intermedia artist that works with music and projections. I find her work to be both fragile and dense, inspiri...
One of the most feared and respected objects in the Jitter collection, jit.expr arrived on the scene as part of Jitter 1.5. In som...
While many people are looking at Max for Live as a great way to integrate their favorite hardware controllers, build really unique...
Coming up with ways to get information about the physical world into Max is one of the most fun aspects of working with the softwa...
In this installment of the Video Processing System, we're going to tackle two big hurdles that Jitter users often find themselves ...
In this presentation, I spoke directly to people that were already familiar with Max, explained some of the details of working wit...
Alex Stahl is a veteran collaborator and this has never been more evident than in his collaboration with Composer Paul Dresher for...
An amazing artist with an amazing range of work, read the interview of Noriko Matsumoto by Greg Taylor.
I will try to summarize here what I thought were some of the highlights of NIME 2009...
On the afternoon of April 3rd, I received an email from M.I.A.'s manager asking if I'd be interested in working with them on a one...
Last week, we put on our first conference. Now that Expo '74 is history, I've been asked to share my thoughts about the experience...
In this installment, we'll be working on some more advanced ninja tricks - creating the beginnings of a control/preset structure w...
In our last article, we began to create our processing system by putting the essential structure in place and adding our input han...
I recently attended Winter NAMM 2009 in Anaheim,CA, where Cycling '74 was sharing booth space with our friends at Ableton. I arriv...
David Zicarelli gives some insight on the decision to integrate Max within Live...
Cycling '74 and Ableton today announced Max for Live, the integration of Cycling '74's Max/MSP environment into Ableton Live. Avai...