"Chasing LIFE on MAX" goals are:
This project is a realisation of an idea I had in my head for a while.
Max 7 is the middle man between OSC (UDP) messages from an Arduino Uno and Ableton Live.
Tobias Rosenberger (Video) Patrick Zosso (Music) (3d-model of Lazy Sheep: Samantha Rogers) part of: Whiter Room Begehbare Installation realized during a 6-week residency at Fleetstreet Theater Hamburg, supported by Fleetstreet e.
This is an extension of Project 894, in which a 2D landscape was used to control morphing between MIDI clips in Ableton Live. Here color and video are instead used to provide the UI for morphing.
SOMO is a wireless wearable motion tracking device that turns body movement into sound.
Hive is a multichannel speaker sculpture combining found and fabricated parts to create a pulsating spatial sound composition.
El viaje de Lissajous (The Lissajous travel) is a 3 piece visual-sound project: El viaje, Lissajous, a=3 b=4.
Unlike many random generators, Compositor Max For Live gives predictable results with algorithmic approach.
First in a series of game inspired sequencers built for Push, grab the first release for FREE Push Pong is a generative sequencer built in Max for Live inspired by Batuhan Bozkurt's excellent Otomata Generative Musical Sequencer.
Tekh Map is a free collection of powerful Max For Live devices that allow users of Ableton Live to quickly and easily take control of their sets with OSC.
The Voice-Controlled Interface for Digital Musical Instruments (VCI4DMI) is a system driven solely by voice for the real-time control of electronic musical instruments, including sound generators (synthesizers) and sound processors (effects). The VCI4DMI implements is a generic and adaptive method to map the voice to digital musical instruments real-valued parameters, and it is based on several real-time signal processing and off-line machine learning algorithms for producing and using maps between heterogeneous spaces, with the aim of maximizing the interface expressivity and minimizing the user intervention in the system setup.
The main patches control a live session fully automated (via MIDI ! Bloom Box started before Max4Live arrived…) and allows to define advanced sequences of clip recs and plays and stop.