„Black Mirror“ is a concert installation in an and around an abandoned hotel located at the city border of Luxembourg.
The piece Scanners copes with the physical qualities of instrumentalists in electro-acoustic music.
sonic particles 2.0 is a real-time sonification of urban environmental data.
"Geografia Sonora", a sound-video installation on the theme of the sea. An archipelago of “sound islands” (singing/speaking voices, sound signals, natural and mechanical sounds) and the a continuously changing sparkling sea are automatically generated ad infinitum by Max/MSP, the Spatialisateur, Jitter and Antescofo software.
Every artwork start from a blank canvas.
This algorithm focuses on when to generate notes, based on analyses of syncopation and repetition within Live MIDI clips.
Contemporary Music, Hörspiel
Yohkoh means ray of sunshine in Japanese.
Max was used for live electronic and realtime spatialisation.
La mélodie du bonheur is the musicalization of the emotions of our society.
Pixel Bleed is an exploration of decay and repetition all done live via Max/Msp with absolutely no overdubs nor sequencers.
WebernUhrWerk (translated: Webern's Clockwork) was composed as an open-air sound installation for the 60th anniversary of Webern's death which took place on 15 September 2005 on the market place at Mittersill.
TEXT TONE is an interactive mobile phone based sound sculpture created out of broken and obsolete telephone technology.
This is an extension of Project 894, in which a 2D landscape was used to control morphing between MIDI clips in Ableton Live. Here color and video are instead used to provide the UI for morphing.
For electric guitar, bass clarinet, percussion, violin, live-electronics and animated light 2014 Program Notes Abstract: Cats were reared in a light-tight box in which the only source of illumination was a 9-psec strobe flash every 2 sec.
Ableton Live lets you trigger this-versus-that MIDI clip.
“She Was A Visitor” is a vocal piece written by Robert Ashley in 1967.
Srđan Dedić: Time Scales-Pitch Scales Algorithmic composition for synthesizers with graphic score The purpose of this multimedia work is the projection on a large canvas as it premiered on September 30th, 2014, in Zagreb, Croatia.