„Die Hamletmaschine“ is a performance for voice and live-electronics.
Pixel Bleed is an exploration of decay and repetition all done live via Max/Msp with absolutely no overdubs nor sequencers.
Ableton Live lets you trigger this-versus-that MIDI clip.
“She Was A Visitor” is a vocal piece written by Robert Ashley in 1967.
The dfscore system is a dynamic score display system built to function over a local network to display a variety of musical material.
This work by composer/performer Matthew Goodheart for piano and autonomous viola and metal percussion was commissioned for the 2014 Arts Birthday Celebration in Prague, Czech Republic.
Inspired by the possibilities of new technologies , audioartist Andrew Svibovich and writer Nikita Begoon created magical performance combined on genres such as: audio, video and prose. attractor_etc speaks to the viewer on language of new media. Text several times translated from one language to another using a simple electronic translator acquires new meanings and forms , and at the same time becomes illogical to some extent , making a deliberate error in the digital artifact.
Note Displacer is a Max for Live MIDI device that randomly displaces incoming MIDI notes by a predetermined interval, potentially making boring melodies and chords sound much more sophisticated than they really are.
_derivations is an interactive performance system designed for use in improvisatory musical performance.
Sine Waves Orchestra is a generative software made entirely with Max/MSP 6 that creates ambient and relax music only with sinusoids.
A fundamental musical aim of this project is to create an electronic mirror of the instrument. Every programming decision has been guided by the aim to play with or complement, the conception of the woodwind sound.