Originally published in Palestrina’s second book of motets in 1581, “Adoramus Te” is a short motet for four equal voices.
"JEG", means I in English. A theatre play for kids. It examines identity and the line where I starts and end. One of the actors is deaf, the other can hear. Both use sign-language. The voice is prerecorded voiceover.
Even in times of modern warfare, personal security is a subject of each personality.
This installation acted as a photo-booth that turned people into a mosaic of emojis in real-time, and allowed them to capture images to be emailed to them; while at night, it was projected onto the building.
„Die Hamletmaschine“ is a performance for voice and live-electronics.
This algorithm focuses on when to generate notes, based on analyses of syncopation and repetition within Live MIDI clips.
The "Super-Looper" is a work in progress project.
WebernUhrWerk (translated: Webern's Clockwork) was composed as an open-air sound installation for the 60th anniversary of Webern's death which took place on 15 September 2005 on the market place at Mittersill.
Umbra is an interactive dance performance that uses Max/Msp and Jitter along with a webcam to track the dancers movement which is manipulated with Jitter in real time.
The room is pitch black and filled with the hollow sound of a machine breathing.
La Plataforma / The Platform is a modular small scale performance platform or audio-visual instrument to create small scale performances.
Hive is a multichannel speaker sculpture combining found and fabricated parts to create a pulsating spatial sound composition.
Ableton Live lets you trigger this-versus-that MIDI clip.
El viaje de Lissajous (The Lissajous travel) is a 3 piece visual-sound project: El viaje, Lissajous, a=3 b=4.
The “La Petite Mort” audio-visual liveAct is based on Fine Cut Bodies' music, but this time we’ve focused on how we can connect musical events to it’s visual representation.