Geff is a standalone audio effects application to use with your guitar, like you would a collection of stompboxes.
DSX Hack lets you program your Oberheim DSX sequencer without the need for a connected Oberheim synth, a previous limitation.
MelloToneGen is a generative ambient music and noise machine application for OS X. Built with Max/MSP, it runs as a native Mac application, and creates soothing, meditative soundscapes, using sounds of nature recorded in the Pacific Northwest, along with algorithmically-generated synthetic tones. You can choose from multiple soundscape themes, created from layers of original field recordings.
This installation was setup for the 2015 NuArt Street Art Festival in Chengdu, Sichuan, China. The basic concept for this project was to allow people to map their face onto a giant 3D model.
WebernUhrWerk (translated: Webern's Clockwork) was composed as an open-air sound installation for the 60th anniversary of Webern's death which took place on 15 September 2005 on the market place at Mittersill.
“She Was A Visitor” is a vocal piece written by Robert Ashley in 1967.
Sound chopper 2 is the evolution of the previous sound chopper, it allows to use pre recorded sounds (and real time sound through a microphone) and manipulate it with his numerous effects. Sound Chopper 2 features a granulator, stretcher, pitch shifter, slicer and tremolo, panner, bit crusher, 8 different delays (mono and stereo) and 8 filters.
Compositor Lite may be thought purely as a delay network made in its entirety in Gen.
AERO is a standalone Mac app, that uses airport flight time data to generate a musical score. The app downloads real-time flight data from four airports – Los Angeles (LAX), New York (JFK), Seattle-Tacoma (SEA) and Washington DC/Dulles (IAD) - and uses the data to generate a simple minimal musical score that is always-changing as the flight data is updated.
This project is a software tool developed in Max/MSP that allows musical elements, specifically in the context of a live performance, to be controlled by human vocal input. This involves the simple real time processing and analysis of numerous aspects of a vocal input, and the use of it to control & perform a musical piece. This project does not involve the direct manipulation of vocals, but instead uses the human voice as a controller to manage functions in real time.
VOCALOOP is a loop sequencer gadget focused on timbre and voice of the Japanese.
Technology and people are ready for a great leap in the music industry to refuse from hard work producing and performing electronic dance music.
Interactive standalone platform for Mac, available as a free downloadable demo version (recording disabled).
geneSynth explores genetic algorithms, multi-agent control, interactivity in music and the simulation of autonomous flocks or agents.
After a successful prototype the new Dehumaniser is now ready! Dehumaniser is a software standalone vocal processor that allows the production of creature / monster sounds, efficiently in real time.
I'm often teaching Max6 & Max for Live frameworks and I decided to challenge myself and to write a short guide about Max for Live both in french and english. I had that idea during one of my latest course with a person and I made it! This is a self-published book usin leanpub.com platform.
OK so this was a project I worked on back in May 2010 and thought people might be interested.
Adaptive, programmable metronome for training speed and precision. Struggling to play along your favorite licks and solos? Speed Upp will guide you during scale exercises and chromatic drills by listening and adapting to your skills or by following tempo according to on-screen graph.