It’s always fascinating to find out where and how an artist begins. Sound artist and performer Jessica Ekomane was kind enough to sit down...
Here's a look at composer Ashley Fure's 2017 composition Anima, for augmented string quartet.
One of the historical issues that has affected Max programming was the separation of systems that used to exist: if you wanted to work on...
We usually think of “design” as a combination of constraint and creativity. Above and beyond that, how do designers capture the time and...
A relative lull in Package Manager activity this month gives me a golden opportunity to share a hidden treasure with you tucked away inside...
Instead of looking at a new device or two this time, I am going to focus on something that we’ve touched on in past articles and blog...
Recently, I was honored to be invited to perform at the inaugural MOXsonic at the University of Central Missouri. The festival itself was...
Ever have one of those evenings when checking out a new audio device involves checking out of what you’d had planned for a few glorious...
This Package Manager release brings a collection of highly practical Max abstractions from McGill University's IDMIL, designed with music...
In the course of a piece on generative music I recently wrote for the Cycling '74 newsletter, I had occasion to mention Brian Eno's name in...