pauleary

Has anyone developed a polyphonic sampler? I'm looking for

something that is specifically used with a keyboard input triggering

a sample just like a midi instrument but with audio files. If so, can you 

Hey all,
Has anyone developed a polyphonic sampler?  I'm looking for
something that is specifically used with a keyboard input triggering
a sample just like a midi instrument but with audio files. If so, can you 
point me in the right direction?

Hey all,
Has anyone developed a polyphonic sampler?  I'm looking for
something that is specifically used with a keyboard input triggering
a 

max-polyphonic-sampler

save the "bass kick" file to your library folder.

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https://www.youtube.com/watch?v=Sm1uWS1yuFk

Btw is this the locust abortion technician Paul Leary??

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					"text" : "A list of values and times used with the line~ object as an envelope generator"
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Save the "bass kick" patch to your library folder

basskick.maxpat

Also this tutorial is a good resource: https://www.youtube.com/watch?v=Sm1uWS1yuFk

Ok, I can't thank you enough for responding. I've been trying to get this to work but couldn't figure out how to get [poly~] to work with a sample.

That being said, still the main hurtle is dealing with a single sample with multiple 'transpositions' like a chord, playing a single sample. I mostly use [groove~] so I'm talking about the [sig~] object in terms of pitch/speed for each instance of say a triad played on the keyboard. I see how zl.reg is my envelope, and I see how I could manipulate that in real time, but how for a chord with three notes, and 3 different transpositions? And how to assign each zl.reg and transposition to a single instance of [poly~]?

Ok, I can't thank you enough for responding. I've been trying to get this to work but couldn't figure out how to get [poly~] to work with a sample. 

That being said, still the main hurtle is dealing with a single sample with multiple 'transpositions' like a chord, playing a single sample.  I mostly use [groove~] so I'm talking about the [sig~] object in terms of pitch/speed for each instance of say a triad played on the keyboard. I see how zl.reg is my envelope, and I see how I could manipulate that in real time, but how for a chord with three notes, and 3 different transpositions? And how to assign each zl.reg and transposition to a single instance of [poly~]?

I would try retune~ for the transposition instead of groove~ to change pitch without affecting speed and length of sample

Max polyphonic sampler?