bt.soundmaker

multiple-rate-object-sequencing

Thinking about it, i think the solution here is to make a way to let the rate objects be adjusted only at the time when the phasor is at the very start of it's ramp, because it seems to be that the rate is just multiplying the phasor.

..If the rate is multiplying the phasor at like, a quarter way up the ramp, and another object multiplying the same phasor but a little bit less up the ramp, it is not actually in sync. I will try this out now..

Thinking about it, i think the solution here is to make a way to let the rate objects be adjusted only at the time when the phasor is at the very start of it's ramp, because it seems to be that the rate is just multiplying the phasor. 

..If the rate is multiplying the phasor at like, a quarter way up the ramp, and another object multiplying the same phasor but a little bit less up the ramp, it is not actually in sync. I will try this out now..


Another option is to just use one master phasor (i usually set it to the slowest division i need) then multiply its amplitude and run it through [%~ 1]. The multiplication factor is then the speed multiplier - give it a try - it will keep all divisions in sync and phase all the time.

Is [%~ 1.] acting the same way as [pong~ 1 0. 1.] would be?

Ok, I found the way to compensate for slightly weird in-accurate timing according to live clip editor, from driving the phasor/rate from M4L , is to make the track in Live which has incoming notes on is to adjust the Track Delay either positive or negatively.

If the rate is for a triplet then i found it is necessary, but if its a whole number/note then my Live channel is okay without delay track.

setting the 1:1:1:1 loop marker if recording the master audio after it has been recorded helps it align up.

Ok, I found the way to compensate for slightly weird  in-accurate timing according to live clip editor, from driving the phasor/rate from M4L , is to make the track in Live which has incoming notes on is to adjust the Track Delay either positive or negatively.

If the rate is for a triplet then i found it is necessary, but if its a whole number/note then my Live channel is okay without delay track.
 setting the 1:1:1:1 loop marker if recording the master audio after it has been recorded helps it align up.


 object to be useful, since it allows you to choose how the subdivided or multiplied output syncs to a master 

The you might find the sync message to the rate~ object to be useful, since it allows you to choose how the subdivided or multiplied output syncs to a master phasor~ object.


- triggered instead of the reset message for choosing different sub divisions.

Thx, I went back to using rate using
[sync lock] message
- triggered instead of the reset message for choosing different sub divisions.


multiple rate~ object sequencing