thezer0ist@gmail.com

the-malstrom-synth

SAME HERE!!!!!!! I love/hate reason. The power is immense and they 

insist on taking away capability rather than hide it from the 

novice. malstrom is an amazing synth. but, just like general midi 

sounds, the fact that the audio is hardcoded in gives it a cheapness 

and an artificial cieling on it's learning curve.

the toughest part,for me, is duplicating that first grain where it 

has to start half way through so that you dont get that volume ramp 

from the grain window. if anyone has an example of this please let 

SAME HERE!!!!!!!  I love/hate reason. The power is immense and they  
insist on taking away capability rather than hide it from the  
novice.   malstrom is an amazing synth.  but, just like general midi  
sounds, the fact that the audio is hardcoded in gives it a cheapness  
and an artificial cieling on it's learning curve.

the toughest part,for me,  is duplicating that first grain where it  
has to start half way through so that you dont get that volume ramp  
from the grain window.   if anyone has an example of this please let  
me know.

I think you should try to use 4 instances of [2d.wave~] and use them with granular technique.

I'll post a patch later to clearly explain the idea.(I'm not on my computer now)

Quote: Bertrand Fraysse wrote on Wed, 21 March 2007 03:57

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> I think you should try to use 4 instances of [2d.wave~] and use them with granular technique.

> I'll post a patch later to clearly explain the idea.(I'm not on my computer now)

Quote: Bertrand Fraysse wrote on Wed, 21 March 2007 03:57
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> I totally agree with you Matthew.
>
> I think you should try to use 4 instances of [2d.wave~] and use them with granular technique.
>
> I'll post a patch later to clearly explain the idea.(I'm not on my computer now)
>
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the malstrom synth