“She Was A Visitor” is a vocal piece written by Robert Ashley in 1967.
The Typewriter is an OSC controller and software that allows to create performances generating or manipulating written text, sounds and images within the same instrument and using the same gestures. The hardware is build out of an old mechanical typewriter, equipped with contacts to recognize the different key strokes (including upper case and lower case characters, carriage return, space and backspace).
First in a series of game inspired sequencers built for Push, grab the first release for FREE Push Pong is a generative sequencer built in Max for Live inspired by Batuhan Bozkurt's excellent Otomata Generative Musical Sequencer.
THE MAX MAESTRO is an animated notation system for choir/ crowd of people, which was developed within the artistic research project VOICES OF UMEÅ by Anders Lind, composer, CD at the Department of Creative studies/ Umeå university/ Sweden.
dublab's all-night ambient happening at Sonos Studio... -- Live performances -- Jon Hassell (performing his 1969 piece Solid State) Sun Araw M.
I was first introduced to Max/MSP in September 2013.
KUBOTouch is an instrument inspired by Theremin, written with MAX for Live and MIRA. Connect your iPad or iPhone and start playing: 4 fingers can be traces and spatialize in stereo (QUADRAPHONIC version is coming soon).
A strange letter sent in 1943 by a certain Prof.
VOICES OF UMEÅ: SINGING INSTRUMENTS! is an exhibition with a bunch of interactive instruments built from everyday objects, with the purpose of exploring experimental music composition through a playful and inspiring process.
There are uncountable number of commercial programs for sequencing and modulating sounds, but I think that the more interesting and unique are the home-made and self designed digital tools. Here we'd like to share an example of our way in the band to sequence music on stage or in studio.
Description The centerpiece of the newly reopened Mendelssohn Museum is the interactive media installation "Effektorium".
Electric-Guitarists on stage, typically use very strong gestures and expressions, "heavy" sounds, and an ability to hold a long last solo.
This is a Bassnectar remix where I used a few of my favorite songs.
Electronic Music and Sound Design Theory and Practice with Max and MSP - Volume 2 by Alessandro Cipriani and Maurizio Giri (ENGLISH Version). Publisher: ConTemponet This is the second in a series of three volumes dedicated to digital synthesis and sound design.
Note Displacer is a Max for Live MIDI device that randomly displaces incoming MIDI notes by a predetermined interval, potentially making boring melodies and chords sound much more sophisticated than they really are.
The Grain Crusher is a Max for Live device which performs “Extreme Grain Manipulation”.
MIRAnome64 is the basic monome64 for MIRA iPad application. Basically, it is a proof of concept but a fully fonctional monome64 protocol implementation in Max6 / MIRA for your iPad. Small story MIRA is a very interesting and new Max6 integration of a framework providing ability to instantly with zero configuration mirroring your patch into iPAD. A lot of systems already exist for controlling Max6, and other softwares using iPad but each one requires even a bit of configuration or even hardcore one and this particular point can be frightening for non-programmer users. MIRA's zero configuration provides a way in which the whole configuration is stored on the computer side and those who read my interview and this ebook knows I totally agree with this way as the modern and futuristic one. You can find some very early Max for Live implementation of MIRA here monome is one of the most minimalistic, beautiful & smart way of interface I really like. Brian Crabtree + Kelli Cain designed very minimal hardware with a button matrix + a led matrix. No coupling between button & led is made inside the box, you can couple this on the computer side.