All video portions of the project were done in Max/Jitter.
WebernUhrWerk (translated: Webern's Clockwork) was composed as an open-air sound installation for the 60th anniversary of Webern's death which took place on 15 September 2005 on the market place at Mittersill.
Zeitmaschine is an interactive video installation that projects the uncertainty of the future onto the past.
Pipilan is a program developed in Max for composing with gamelan and electronics (more information and downloadable version here).
TEXT TONE is an interactive mobile phone based sound sculpture created out of broken and obsolete telephone technology.
The room is pitch black and filled with the hollow sound of a machine breathing.
One of Harry Bertoia's "sonambient" sound sculptures sits on display at Bowling Green State University.
The TiG - Rhythmusmaschine is an interactive installation for a theater performance of the German group TiG - Theater im Glashaus, a group of performers with intellectual disabilities. It is a 4 track sequencer with the user interface projected on the stage floor.
La Plataforma / The Platform is a modular small scale performance platform or audio-visual instrument to create small scale performances.
This project is a re-imagination of a bell tower for the digital age.
reversible reaction takes its inspiration from the chemical phenomenon in which reactants and products can form each other, oscillating between chemical states.
We are in a world where everything is driven by a compulsion to speed up.
Wait explores the Artist’s relations with her canine collaborators Tom and Sugi.
ljós - an immersive audiovisual installation by Barthélemy Antoine-Lœff.
The sensory interactive garden is a technological retreat, which premiered at Calgary's Beakerhead, a smash-up of art, science and engineering. Over 2400 LEDs , more than 3000 feet of plastic rod and 36 Phidgets allow light and sound to respond to visitors' interactions.
I was first introduced to Max/MSP in September 2013.
In this Composición colectiva III: Campanas de cocina [Collective Composition III: Kitchen Bells], metal kitchen bowls are used as bells that are virtually hit when a person approaches them. Within this area the sound produced will be modified according to the position of the body, and it will change following its movements. On the video version there are seven hanging bowls, each one of them is connected to contact mics that send the resonance of the metal to a computer Max/processing patch.
>7,000,000,000 interactive installation Martina Menegon, Stefano D’Alessio 2013 Every 400 milliseconds a new human being born, at the same rate a new projected “human” appears in the space, filling it dramatically fast.
A strange letter sent in 1943 by a certain Prof.
VOICES OF UMEÅ: SINGING INSTRUMENTS! is an exhibition with a bunch of interactive instruments built from everyday objects, with the purpose of exploring experimental music composition through a playful and inspiring process.