OK so this was a project I worked on back in May 2010 and thought people might be interested.
MIRAnome64 is the basic monome64 for MIRA iPad application. Basically, it is a proof of concept but a fully fonctional monome64 protocol implementation in Max6 / MIRA for your iPad. Small story MIRA is a very interesting and new Max6 integration of a framework providing ability to instantly with zero configuration mirroring your patch into iPAD. A lot of systems already exist for controlling Max6, and other softwares using iPad but each one requires even a bit of configuration or even hardcore one and this particular point can be frightening for non-programmer users. MIRA's zero configuration provides a way in which the whole configuration is stored on the computer side and those who read my interview and this ebook knows I totally agree with this way as the modern and futuristic one. You can find some very early Max for Live implementation of MIRA here monome is one of the most minimalistic, beautiful & smart way of interface I really like. Brian Crabtree + Kelli Cain designed very minimal hardware with a button matrix + a led matrix. No coupling between button & led is made inside the box, you can couple this on the computer side.
This is an ongoing project in exploring possibilities in using the magic trackpad in live performance environments. The trackpad is a wondrous device, which can simultaneously track up to 11 (!) fingers and gives detailed data for each one, such as position, velocity, finger elliptoid axes, angle etc.
KontrolKontroller is a Max patch that gives the ability to use a Korg NanoKontrol version_1 quickly inside Max.
I recently started an algorithmic music project using Max for Live when I got the thought that it would be great to have a way to use session view and arrangement view in Live simultaneously.
All in one, is a project for investigating how powerfully can be M4L with implementation of all multiple possibilities.
Designed for the musician who is either in a hurry, bored with tweaking parameters and/or extremely lazy. It takes the decision-making out of sound selection.
spatium, a set of modular software tools for sound spatialization.
For augmented conductor small ensemble (violin, cello, saxophone/clarinet, e-guitar, drum kit, piano and conductor) In Point Ones the conductor is equipped with sensors, attached to wrist bands.
hiddenTouch - Bachelor Project by Martin Feigel Motivation Of all the human senses, touch is perhaps the most pervasive.
It's an automated earthquake simulator, with 6 inches of physical travel, 8.2 audio, dmx lighting effects, as well as mechanical effects-- all tied together through max/msp.
I go to Berklee College of Music and major in Electronic Production and Design.
General MIDI Player provides an easy way to use General MIDI instruments on your Mac, and allows you to play these instruments using either your mouse, computer keyboard, or MIDI device (both hardware and software MIDI devices supported).
Sequencomat (V1-V3) is a series of stepsequencers I made in Max for the Lemur. I started in 2009 to create stepsequencer.
The next iteration of MIDI Merlin, version 2.0, is currently in beta testing phase.
The Lorelei Suite comprises of three different applications, each one designed with a specific sound or compositional process in mind.
"Inserting pieces of actual reality often removes the magic of virtual reality." - Aaron Ben-Ze'ev (2004, Love Online: Emotions on the Internet) FacebookLIVE is a hybrid of online and offline human interaction, a series of objects that parodies how we cultivate relationships in social media.
Crossole is a meta-instrument that allows you to control music in high level.