El viaje de Lissajous (The Lissajous travel) is a 3 piece visual-sound project: El viaje, Lissajous, a=3 b=4.
“She Was A Visitor” is a vocal piece written by Robert Ashley in 1967.
The Typewriter is an OSC controller and software that allows to create performances generating or manipulating written text, sounds and images within the same instrument and using the same gestures. The hardware is build out of an old mechanical typewriter, equipped with contacts to recognize the different key strokes (including upper case and lower case characters, carriage return, space and backspace).
EPIC-Tom (the performance) broadens the field of audio visual performance in significant ways: through the use of interspecies collaborative modes, through the presentation of the canine point of view as an alternative outlook on creativity, and through the expansion of electronic sound using live theremin performance.
The “La Petite Mort” audio-visual liveAct is based on Fine Cut Bodies' music, but this time we’ve focused on how we can connect musical events to it’s visual representation.
dublab's all-night ambient happening at Sonos Studio... -- Live performances -- Jon Hassell (performing his 1969 piece Solid State) Sun Araw M.
I was first introduced to Max/MSP in September 2013.
“Neurointegrum” is an artistic interpretation of the processes taking place in modern society, the processes of augmenting human capabilities with machines. Human has only one way for output information — by muscles (speech, gestures, etc.).
The Voice-Controlled Interface for Digital Musical Instruments (VCI4DMI) is a system driven solely by voice for the real-time control of electronic musical instruments, including sound generators (synthesizers) and sound processors (effects). The VCI4DMI implements is a generic and adaptive method to map the voice to digital musical instruments real-valued parameters, and it is based on several real-time signal processing and off-line machine learning algorithms for producing and using maps between heterogeneous spaces, with the aim of maximizing the interface expressivity and minimizing the user intervention in the system setup.
The main patches control a live session fully automated (via MIDI ! Bloom Box started before Max4Live arrived…) and allows to define advanced sequences of clip recs and plays and stop.
This is an object for Max that implements variable order Markov models for generating melodies, beats or other musical data.
Ladies and Gentlemen is an improvisational performance duo featuring guitarist/composer Max Gualtieri and multimedia artist Matt Broach.
The Ealing Feeder is a Max controlled 28-note polyphonic, robotic carillon (automatic bell-playing rig).
This project is a software tool developed in Max/MSP that allows musical elements, specifically in the context of a live performance, to be controlled by human vocal input. This involves the simple real time processing and analysis of numerous aspects of a vocal input, and the use of it to control & perform a musical piece. This project does not involve the direct manipulation of vocals, but instead uses the human voice as a controller to manage functions in real time.
Handcrafted Ale for beer and computer Composer & performer: Eric Honour After my family, my two great loves in the world are music technology and high-quality beer.
The performance takes place on Friday, 28th March 2014 at La Table des Matières (NMNM-Villa Paloma, Monaco) The audio-visual installation is visible from Thursday, 27th March 2013 to 11th April 2014 at News of the World (The Enclave, London) Synopsis As part of its public programme, NMNM–Villa Paloma presents Disrupt!on, a performance installation by Julien Bayle, curated by François Larini (NMNM), which takes place simultaneously and live in Monaco and at news of the world space in London. Julien Bayle is a minimalist sound and visual artist working at the juncture of sound, visual and digital data. Through successive digitally generated and evolving sequences, Disrupt!on explores the phenomenon of disturbance.
Metal Mirror is a meditative musical instrument that exploits the resonant properties of a large sheet of steel. The performer has precise control of amplitude and subtle tuning adjustments over a set of pitches chosen in advance.
Electric-Guitarists on stage, typically use very strong gestures and expressions, "heavy" sounds, and an ability to hold a long last solo.
Inspired by the possibilities of new technologies , audioartist Andrew Svibovich and writer Nikita Begoon created magical performance combined on genres such as: audio, video and prose. attractor_etc speaks to the viewer on language of new media. Text several times translated from one language to another using a simple electronic translator acquires new meanings and forms , and at the same time becomes illogical to some extent , making a deliberate error in the digital artifact.
Abstract ALPHA is the codename of a series of audio-visual live performances planned for 2014. It involves sounds, visuals and algorithmic sequencing providing a unique experience for the audience in which sounds and visuals are melting into a dense, coherent and minimal artwork matter. From physical approach of the sound itself to the customized algorithmic sequencers controlled in real-time on stage, ALPHA a/v live performance explores sounds and visuals fields and how one is related to the other. ALPHA is designed to be experienced in electronic music and digital arts festival. Duration 1 hour Requirements - 1 HD video projector + 1 screen (minimum 4 meters base) - 1 stereo sound-system Artistic Research Bored by rigid sequencers and already-made sequences, Julien Bayle pushes the limit of electronic music live performance a step further by using his own software-sequencers on stage.