"1983" is a new media installation about the impact of implicit memory on the way we react to various stimuli inside a territory.
The interactive and audiovisual installation av@ar puts the relationship between people and their medial reflection in the center of the experience.
For the Rotterdam Information Center Rnul developed an interactive information system on the scale model of the center of Rotterdam.
Rnul presented the new work “Behind the Scenes” on the 5 Days Off festival as part of facade projects.
Located in Buffalo, NY, artist Brian Milbrand and architect Brad Wales envisioned the transformation of the Burchfield Penney Art Center’s exterior into a backdrop for audio and image, turning the traditional notion of a gallery inside out.
In this project you were able to have a virtual Christmas dinner with friends and family.
zipCoda is an audio installation that creates musical compositions based on geographical and cultural data.
The Cave of Sounds is an interactive sound installation exploring the power of music to bind individuals together and the manner in which we apply technology to broadcast our identity. It is formed of eight original electronic instruments, each designed and created over a period of ten months by a member of London’s Music Hackspace as a personal and interactive embodiment of the ideas and mind of its creator.
This City’s Centre is a digital performance that introduces new ways of creating and experiencing new media performances.
Baloica, created by Elas Duas, is a temporary sound installation set at the old Convento das Dominicas in the city of Guimarães.
TEKTONE ======= Interactive Audio-Visual instalation. 20sq.m of LED panels.
PEAL is an interactive sound installation for The Leeds Arena which models the layout and operation of a traditional church bell tower, replacing the bell ropes by an optical sensing system where lasers act to trigger the ringing process of the individual bells.
Panoptics is a immersive realtime interactive environment exploring the cross sections of realtime data visualization, our connection to the data being continually collected in contemporary society, and surveillance. Panoptics is part realtime animation, part data visualization/data audification, and part philosophical question into the value and pitfalls of societal networked culture.
A sphere fountain filled with UV reactive liquid is placed in the middle of a darkened room.
ICARE IN SITU is an adaptation of the myth of Icarus from Ovid's Metamorphoses. It's a multimedia sculptural transcription of this myth, by Thomas Sillard. The Icarus story as an allegory of the various struggles that we must take to survive.
Reflection is a performance-installation hybrid work, created entirely with Max. Audience members enter a room, sit, stare, converse, sleep, stretch, laugh, fart, whatever they feel, in the presence of a digital puppet.
Leave A Message is an interactive sonic art installation by Conor Barry that encourages people to leave messages in 6 phones hanging from the ceiling.
PROJECT 1111 is both an audio/visual piece and a live performance containing 4 sub-pieces (0001, 0010, 0100 and 1000) Project 1111 is an exploration of randomness through sounds & visuals. Each source of sounds and visuals generated is based on chance.
Digital Spaces (working title) is a practice-as-research, work in progress installation, shown in December 2012, exploring the relationships between audience, protagonist and technology In amongst this mix of digital content are the real life encounters/memories of 'the User' - the fictional character whose digital and actual past experiences you are exploring.
All Is Domain was a final undergraduate work I produced at COFA (UNSW) in 2010.