Pedrodomus (NYC) and Naetron (ATX) have teamed up under court orders to release a truly metal, glitched-out, rock-solid EP.
Here is a run through of the setup for the laser controlled music thingy! This is not how it sounds as it is just ticking over whilst I am filming and when I do play it I only have one hand free! The basic premise is this; Light dependent resistors (up to 16 of them) are stimulated by lights and lasers passing over them and the change in resistance is measured by an Arduino Mega and sent over USB to a laptop running Window 7. The data streams are processed by OSC and Max/MSP, converted and sent to a variety of sound sources.
WiiDrum is an virtual drum.
Miniak Patch Editor is an application for creating and managing synthesis patches for the Akai Miniak (and Alesis Micron) synthesiser.
nwdlbots are a suite of generative music devices for Ableton Live.
Crossole is a meta-instrument that allows you to control music in high level.
This is a documentation of a new composition utilizing multimedia improvisation. The microphone controls several video parameters in real-time.
This software provides a simple way of programming the basic functions of the MIDI Solutions F8 and the MIDI Solutions Dual Footswitch Controller. It runs only under MacOS X (tested under X.5 and X.6). As MIDI Solutions Inc.
Les Ondes Memorielles is an electronic instrument, which has a memory, and some controls to play it back.
THE COMPOSERS’ PLAYPEN is a program developed by me (Barton McLean) on MAX/MSP which enables very sophisticated MIDI control of existing synthesizers, sound modules, and samplers. Originally inspired by “M” and “Jam Factory,” it builds on these seminal programs by offering many more ways and different approaches of manipulating note and chordal material. It uses a collection of single-track sequences and MIDI loops as its basic units. Once these are recorded, they are manipulated in many ways, some never before seen in programs of this nature. There is opportunity to keep everything completely live, or to save some or all of the material for future performance. Like my recently-completed SEQUENCER PLAYPEN (see Project 158 below), the COMPOSERS’ PLAYPEN is also completely MIDI-based, and as such, utilizes the MAX part of MAX/MSP exclusively.
Performance group 31 DOWN is back with their signature sonic destruction.
This is a project to facilitate the syncronisation of a live drummer with samples and sequences, without using a click track but by using a tap tempo via a midi pedal.
Armadillo Dance Project: A movement-interactive video (and audio) installation.
Converts MIDI input note into 4-note chords to MIDI output in real-time.
Author: Livid Instruments
MIDI controllers supported with a variety of Max/MSP/Jitter patches for audio and video.
Comprehensive step sequencing device for Max For Live.
Audio looping environment for live and studio use.
This project uses the Rewire and a series of pseudo-random midi triggers and locators.
I needed my own controller for Ableton Live. I built it in a diy mind and I'm using max for live as an interface between Ableton Live and the hardware.