Italian Renaissance paintings are intervened in real-time by algorithms that simulate video compression artifacts. The subtle interaction rips the image of its iconic language taking it to more abstract forms of representation by losing its identification to the reference.

Software for image processing and mapping built in Max7 with openCV externals.

This work was exhibited at PlusCode Fest (http://www.pluscode.cc) in 2015. In 2016 an updated version of this work won the first prize in Fundación Itaú Visual Arts award and was exhibited at Palais de Glace (https://www.palaisdeglace.gob.ar/exposiciones/2016/02_itau/premio_itauAV2016.html).

Software for image processing and mapping built in Max7 with openCV externals.

Deconstruecento

2015, 11

Buenos Aires, Argentina